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Chapter XII — A Petition

Chapter Summary

At a masquerade ball, a mysterious Countess approaches General Spielsdorf and, under the pressure of an urgent summons, petitions him to take charge of her daughter Millarca. Despite knowing almost nothing about either woman, the General is persuaded by Millarca's beauty and his ward's own entreaties, and he consents. The Countess departs in a grand carriage, leaving Millarca in his care.

During the ball, Millarca charms both the General and his ward with her wit and vivacity, but she disappears in the crowd. After an anxious overnight search, she is found the following afternoon and returns home with the General's party. He reflects ruefully on the rashness of his decision, closing with the ominous aside: "Would to heaven we had lost her!"

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Original Text
“‘Then we are to lose Madame la Comtesse, but I hope only for a few hours,’ I said, with a low bow. “‘It may be that only, or it may be a few weeks. It was very unlucky his speaking to me just now as he did. Do you now know me?’ “I assured her I did not. “‘You shall know me,’ she said, ‘but not at present. We are older and better friends than, perhaps, you suspect. I cannot yet declare myself. I shall in three weeks pass your beautiful schloss, about which I have been making enquiries. I shall then look in upon you for an hour or two, and renew a friendship which I never think of without a thousand pleasant recollections. This moment a piece of news has reached me like a thunderbolt. I must set out now, and travel by a devious route, nearly a hundred miles, with all the dispatch I can possibly make. My perplexities multiply. I am only deterred by the compulsory reserve I practice as to my name from making a very singular request of you. My poor child has not quite recovered her strength. Her horse fell with her, at a hunt which she had ridden out to witness, her nerves have not yet recovered the shock, and our physician says that she must on no account exert herself for some time to come. We came here, in consequence, by very easy stages—hardly six leagues a day. I must now travel day and night, on a mission of life and death—a mission the critical and momentous nature of which I shall be able to explain to you when we meet, as I hope we shall, in a few weeks, without the necessity of any concealment.’ “She went on to make her petition, and it was in the tone of a person from whom such a request amounted to conferring, rather than seeking a favor. This was only in manner, and, as it seemed, quite unconsciously. Than the terms in which it was expressed, nothing could be more deprecatory. It was simply that I would consent to take charge of her daughter during her absence. “This was, all things considered, a strange, not to say, an audacious request. She in some sort disarmed me, by stating and admitting everything that could be urged against it, and throwing herself entirely upon my chivalry. At the same moment, by a fatality that seems to have predetermined all that happened, my poor child came to my side, and, in an undertone, besought me to invite her new friend, Millarca, to pay us a visit. She had just been sounding her, and thought, if her mamma would allow her, she would like it extremely. “At another time I should have told her to wait a little, until, at least, we knew who they were. But I had not a moment to think in. The two ladies assailed me together, and I must confess the refined and beautiful face of the young lady, about which there was something extremely engaging, as well as the elegance and fire of high birth, determined me; and, quite overpowered, I submitted, and undertook, too easily, the care of the young lady, whom her mother called Millarca. “The Countess beckoned to her daughter, who listened with grave attention while she told her, in general terms, how suddenly and peremptorily she had been summoned, and also of the arrangement she had made for her under my care, adding that I was one of her earliest and most valued friends. “I made, of course, such speeches as the case seemed to call for, and found myself, on reflection, in a position which I did not half like. “The gentleman in black returned, and very ceremoniously conducted the lady from the room. “The demeanor of this gentleman was such as to impress me with the conviction that the Countess was a lady of very much more importance than her modest title alone might have led me to assume. “Her last charge to me was that no attempt was to be made to learn more about her than I might have already guessed, until her return. Our distinguished host, whose guest she was, knew her reasons. “‘But here,’ she said, ‘neither I nor my daughter could safely remain for more than a day. I removed my mask imprudently for a moment, about an hour ago, and, too late, I fancied you saw me. So I resolved to seek an opportunity of talking a little to you. Had I found that you had seen me, I would have thrown myself on your high sense of honor to keep my secret some weeks. As it is, I am satisfied that you did not see me; but if you now suspect, or, on reflection, should suspect, who I am, I commit myself, in like manner, entirely to your honor. My daughter will observe the same secrecy, and I well know that you will, from time to time, remind her, lest she should thoughtlessly disclose it.’ “She whispered a few words to her daughter, kissed her hurriedly twice, and went away, accompanied by the pale gentleman in black, and disappeared in the crowd. “‘In the next room,’ said Millarca, ‘there is a window that looks upon the hall door. I should like to see the last of mamma, and to kiss my hand to her.’ “We assented, of course, and accompanied her to the window. We looked out, and saw a handsome old-fashioned carriage, with a troop of couriers and footmen. We saw the slim figure of the pale gentleman in black, as he held a thick velvet cloak, and placed it about her shoulders and threw the hood over her head. She nodded to him, and just touched his hand with hers. He bowed low repeatedly as the door closed, and the carriage began to move. “‘She is gone,’ said Millarca, with a sigh. “‘She is gone,’ I repeated to myself, for the first time—in the hurried moments that had elapsed since my consent—reflecting upon the folly of my act. “‘She did not look up,’ said the young lady, plaintively. “‘The Countess had taken off her mask, perhaps, and did not care to show her face,’ I said; ‘and she could not know that you were in the window.’ “She sighed, and looked in my face. She was so beautiful that I relented. I was sorry I had for a moment repented of my hospitality, and I determined to make her amends for the unavowed churlishness of my reception. “The young lady, replacing her mask, joined my ward in persuading me to return to the grounds, where the concert was soon to be renewed. We did so, and walked up and down the terrace that lies under the castle windows. Millarca became very intimate with us, and amused us with lively descriptions and stories of most of the great people whom we saw upon the terrace. I liked her more and more every minute. Her gossip without being ill-natured, was extremely diverting to me, who had been so long out of the great world. I thought what life she would give to our sometimes lonely evenings at home. “This ball was not over until the morning sun had almost reached the horizon. It pleased the Grand Duke to dance till then, so loyal people could not go away, or think of bed. “We had just got through a crowded saloon, when my ward asked me what had become of Millarca. I thought she had been by her side, and she fancied she was by mine. The fact was, we had lost her. “All my efforts to find her were vain. I feared that she had mistaken, in the confusion of a momentary separation from us, other people for her new friends, and had, possibly, pursued and lost them in the extensive grounds which were thrown open to us. “Now, in its full force, I recognized a new folly in my having undertaken the charge of a young lady without so much as knowing her name; and fettered as I was by promises, of the reasons for imposing which I knew nothing, I could not even point my inquiries by saying that the missing young lady was the daughter of the Countess who had taken her departure a few hours before. “Morning broke. It was clear daylight before I gave up my search. It was not till near two o’clock next day that we heard anything of my missing charge. “At about that time a servant knocked at my niece’s door, to say that he had been earnestly requested by a young lady, who appeared to be in great distress, to make out where she could find the General Baron Spielsdorf and the young lady his daughter, in whose charge she had been left by her mother. “There could be no doubt, notwithstanding the slight inaccuracy, that our young friend had turned up; and so she had. Would to heaven we had lost her! “She told my poor child a story to account for her having failed to recover us for so long. Very late, she said, she had got to the housekeeper’s bedroom in despair of finding us, and had then fallen into a deep sleep which, long as it was, had hardly sufficed to recruit her strength after the fatigues of the ball. “That day Millarca came home with us. I was only too happy, after all, to have secured so charming a companion for my dear girl.”
Source text: Project Gutenberg #10007. Public domain worldwide.
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Chapter XII is structured as a retrospective confession, with General Spielsdorf narrating his own seduction into folly. Le Fanu uses the General's first-person voice to create dramatic irony: the reader, already acquainted with Carmilla, understands the danger the General cannot yet name. His repeated self-reproach — "I had not a moment to think," "I submitted, and undertook, too easily" — enacts the chapter's central concern with compromised rational agency, showing how predatory charm systematically dismantles the deliberative faculties of its victims.

The Countess's petition is a masterclass in social manipulation. Le Fanu carefully notes that her manner conveyed conferring a favour rather than requesting one, while her words were formally deprecatory. This gap between manner and language mirrors the broader duplicity of the vampire figure: surface elegance concealing predatory intent. Her insistence on secrecy, her appeal to the General's "chivalry" and "high sense of honor," and her strategic deployment of Millarca's beauty all function as a coordinated assault on his defences, literalising the vampire's capacity to overwhelm the will.

Millarca herself is introduced through the lens of aesthetic enchantment. The General's capitulation is explicitly attributed to "the refined and beautiful face of the young lady" and "the elegance and fire of high birth" — qualities that are social and visual rather than moral. This aligns with Le Fanu's broader Gothic critique of aristocratic glamour as a form of occult power: beauty and rank function as a kind of hypnosis, rendering their observer incapable of prudent judgment.

The episode of Millarca's disappearance and reappearance introduces the motif of nocturnal absence that will recur throughout the novella. Her inability to be found during the night, followed by her emergence in the afternoon after a deep sleep, subtly codes her as vampiric without explicit statement. Le Fanu embeds these clues within plausible social explanation — confusion in a crowd, exhaustion after a ball — demonstrating his technique of Gothic naturalism, in which the supernatural is always shadowed by a rational alibi.

The chapter closes with one of the novella's most chilling retrospective ironies: "Would to heaven we had lost her!" This single exclamation collapses the temporal distance between the narrating General and the events he describes, allowing grief and foreknowledge to bleed into what had seemed a comedy of social embarrassment. The sentence functions as a proleptic lament, confirming that the ward's fate is already sealed even as the General recalls his initial pleasure in Millarca's company, and it underscores Le Fanu's persistent theme that hospitality and trust are the vampire's most reliable instruments.

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✎ Mr. Shifflett's Note
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