Wuthering Heights Study Guide
Color Theme
Font Style
Sans Serif System Mono Accessible
Text Size

Chapter XXV

Chapter Summary

Nelly Dean briefly breaks the narrative frame to address Lockwood directly, hinting that he might fall in love with young Catherine. She then resumes her account of the previous winter: Edgar Linton, gravely ill and aware of his approaching death, agonises over Catherine's future and his nephew Linton Heathcliff's suitability as a husband. He confesses to Nelly that he has long yearned to be buried beside his wife, yet dreads leaving his daughter unprotected.

As spring and then June arrive, Edgar continues to decline while Catherine remains hopeful. Linton writes a touching letter pleading for meetings on the moors, and Edgar eventually consents to supervised weekly outings under Nelly's care. Nelly notes, in retrospect, that she failed to grasp how gravely ill Linton himself was, and that Heathcliff was coercing his dying son to press the courtship forward.

Translation Style
✨ Character Voice Translations PREMIUM
Original Text
“These things happened last winter, sir,” said Mrs. Dean; “hardly more than a year ago. Last winter, I did not think, at another twelve months’ end, I should be amusing a stranger to the family with relating them! Yet, who knows how long you’ll be a stranger? You’re too young to rest always contented, living by yourself; and I some way fancy no one could see Catherine Linton and not love her. You smile; but why do you look so lively and interested when I talk about her? and why have you asked me to hang her picture over your fireplace? and why—?” “Stop, my good friend!” I cried. “It may be very possible that _I_ should love her; but would she love me? I doubt it too much to venture my tranquillity by running into temptation: and then my home is not here. I’m of the busy world, and to its arms I must return. Go on. Was Catherine obedient to her father’s commands?” “She was,” continued the housekeeper. “Her affection for him was still the chief sentiment in her heart; and he spoke without anger: he spoke in the deep tenderness of one about to leave his treasure amid perils and foes, where his remembered words would be the only aid that he could bequeath to guide her. He said to me, a few days afterwards, ‘I wish my nephew would write, Ellen, or call. Tell me, sincerely, what you think of him: is he changed for the better, or is there a prospect of improvement, as he grows a man?’ “‘He’s very delicate, sir,’ I replied; ‘and scarcely likely to reach manhood: but this I can say, he does not resemble his father; and if Miss Catherine had the misfortune to marry him, he would not be beyond her control: unless she were extremely and foolishly indulgent. However, master, you’ll have plenty of time to get acquainted with him and see whether he would suit her: it wants four years and more to his being of age.’” Edgar sighed; and, walking to the window, looked out towards Gimmerton Kirk. It was a misty afternoon, but the February sun shone dimly, and we could just distinguish the two fir-trees in the yard, and the sparely-scattered gravestones. “I’ve prayed often,” he half soliloquised, “for the approach of what is coming; and now I begin to shrink, and fear it. I thought the memory of the hour I came down that glen a bridegroom would be less sweet than the anticipation that I was soon, in a few months, or, possibly, weeks, to be carried up, and laid in its lonely hollow! Ellen, I’ve been very happy with my little Cathy: through winter nights and summer days she was a living hope at my side. But I’ve been as happy musing by myself among those stones, under that old church: lying, through the long June evenings, on the green mound of her mother’s grave, and wishing—yearning for the time when I might lie beneath it. What can I do for Cathy? How must I quit her? I’d not care one moment for Linton being Heathcliff’s son; nor for his taking her from me, if he could console her for my loss. I’d not care that Heathcliff gained his ends, and triumphed in robbing me of my last blessing! But should Linton be unworthy—only a feeble tool to his father—I cannot abandon her to him! And, hard though it be to crush her buoyant spirit, I must persevere in making her sad while I live, and leaving her solitary when I die. Darling! I’d rather resign her to God, and lay her in the earth before me.” “Resign her to God as it is, sir,” I answered, “and if we should lose you—which may He forbid—under His providence, I’ll stand her friend and counsellor to the last. Miss Catherine is a good girl: I don’t fear that she will go wilfully wrong; and people who do their duty are always finally rewarded.” Spring advanced; yet my master gathered no real strength, though he resumed his walks in the grounds with his daughter. To her inexperienced notions, this itself was a sign of convalescence; and then his cheek was often flushed, and his eyes were bright; she felt sure of his recovering. On her seventeenth birthday, he did not visit the churchyard: it was raining, and I observed— “You’ll surely not go out to-night, sir?” He answered,—“No, I’ll defer it this year a little longer.” He wrote again to Linton, expressing his great desire to see him; and, had the invalid been presentable, I’ve no doubt his father would have permitted him to come. As it was, being instructed, he returned an answer, intimating that Mr. Heathcliff objected to his calling at the Grange; but his uncle’s kind remembrance delighted him, and he hoped to meet him sometimes in his rambles, and personally to petition that his cousin and he might not remain long so utterly divided. That part of his letter was simple, and probably his own. Heathcliff knew he could plead eloquently for Catherine’s company, then. “I do not ask,” he said, “that she may visit here; but am I never to see her, because my father forbids me to go to her home, and you forbid her to come to mine? Do, now and then, ride with her towards the Heights; and let us exchange a few words, in your presence! We have done nothing to deserve this separation; and you are not angry with me: you have no reason to dislike me, you allow, yourself. Dear uncle! send me a kind note to-morrow, and leave to join you anywhere you please, except at Thrushcross Grange. I believe an interview would convince you that my father’s character is not mine: he affirms I am more your nephew than his son; and though I have faults which render me unworthy of Catherine, she has excused them, and for her sake, you should also. You inquire after my health—it is better; but while I remain cut off from all hope, and doomed to solitude, or the society of those who never did and never will like me, how can I be cheerful and well?” Edgar, though he felt for the boy, could not consent to grant his request; because he could not accompany Catherine. He said, in summer, perhaps, they might meet: meantime, he wished him to continue writing at intervals, and engaged to give him what advice and comfort he was able by letter; being well aware of his hard position in his family. Linton complied; and had he been unrestrained, would probably have spoiled all by filling his epistles with complaints and lamentations: but his father kept a sharp watch over him; and, of course, insisted on every line that my master sent being shown; so, instead of penning his peculiar personal sufferings and distresses, the themes constantly uppermost in his thoughts, he harped on the cruel obligation of being held asunder from his friend and love; and gently intimated that Mr. Linton must allow an interview soon, or he should fear he was purposely deceiving him with empty promises. Cathy was a powerful ally at home; and between them they at length persuaded my master to acquiesce in their having a ride or a walk together about once a week, under my guardianship, and on the moors nearest the Grange: for June found him still declining. Though he had set aside yearly a portion of his income for my young lady’s fortune, he had a natural desire that she might retain—or at least return in a short time to—the house of her ancestors; and he considered her only prospect of doing that was by a union with his heir; he had no idea that the latter was failing almost as fast as himself; nor had any one, I believe: no doctor visited the Heights, and no one saw Master Heathcliff to make report of his condition among us. I, for my part, began to fancy my forebodings were false, and that he must be actually rallying, when he mentioned riding and walking on the moors, and seemed so earnest in pursuing his object. I could not picture a father treating a dying child as tyrannically and wickedly as I afterwards learned Heathcliff had treated him, to compel this apparent eagerness: his efforts redoubling the more imminently his avaricious and unfeeling plans were threatened with defeat by death.
Source text: Project Gutenberg #768. Public domain worldwide.
Modern English
Select a style above to load the modern English translation.

Chapter XXV is structurally pivotal because it operates on two temporal planes simultaneously. Nelly's brief address to Lockwood — teasing him about his interest in Catherine — reasserts the frame narrative and reminds the reader that this is a mediated, retrospective account. The device keeps Lockwood present as an audience surrogate while also gently ironising his detachment: even an outsider, Nelly implies, cannot remain indifferent to Catherine's magnetism. This moment of metafictional self-consciousness is quickly folded back into the main story, but it colours everything that follows with a sense of tragic foreknowledge.

Edgar's soliloquy at the window is one of the novel's most sustained meditations on mortality and love. Gazing toward Gimmerton Kirk through February mist, he conflates marriage and death — the same glen that once carried him as a bridegroom will soon carry him to the grave — and confesses that lying on Catherine senior's grave has been a source of consolation rather than grief. Brontë's language here is saturated with paradox: Edgar has 'prayed often for the approach of what is coming' yet now 'shrinks and fears it.' This oscillation between longing and dread characterises the novel's broader treatment of desire as something that can never be fully satisfied in life.

The window functions as a charged symbolic threshold throughout Wuthering Heights, and its appearance here is no accident. Edgar looks outward toward death while Catherine, indoors, looks inward toward hope. The spatial opposition encodes their divergent relationships to time: he is oriented toward the past and its promised reunion; she, at seventeen, is oriented toward a future she cannot yet read correctly. Her misreading of his flushed cheeks as signs of recovery is a painful instance of dramatic irony, since the reader understands that the flush signals fever and decline.

Linton Heathcliff's letter introduces a further layer of manipulation and authenticity. Nelly distinguishes the parts that are 'simple, and probably his own' from those shaped by Heathcliff's surveillance, drawing attention to the way language in this novel is never fully free — it is always monitored, coerced, or strategically deployed. The letter's rhetoric of innocent suffering ('We have done nothing to deserve this separation') is genuinely pathetic, yet Nelly's retrospective commentary reveals it to be instrumentalised by Heathcliff, who 'kept a sharp watch' and insisted on seeing every line. The boy's authentic longing and his father's calculated exploitation become indistinguishable on the page, which is precisely Heathcliff's design.

The chapter closes with Nelly's admission of her own interpretive failure: she could not 'picture a father treating a dying child as tyrannically and wickedly' as Heathcliff did, and so she misread Linton's apparent eagerness as genuine recovery. This self-indictment is important for understanding Nelly as a narrator. Her limited omniscience — her inability to see beyond conventional assumptions about parental love — makes her complicit, however unwittingly, in the trap being laid for Catherine. Brontë thus uses the chapter to interrogate not only the characters' blindnesses but the very reliability of the storytelling through which we know them.

Loading quotes...

Loading tags...

Ask the Reader

Click any tag to explore where it appears across the book, then ask the Reader to explain how it works in this chapter.

Exploring tag...
The Reader's Take
Ask the Reader to explain how this element appears in this chapter
Click a tag to search.
Ask the Reader about this chapter
Type at least 2 characters to search
Characters & Figures
Loading figures...
✎ Mr. Shifflett's Note
SIS Teachers
Sign in with your @siskorea.org email for free full access to this guide and all GradeWise study guides — every chapter, translation, and premium feature.
Sign In with SIS Email