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Volume III, Chapter XII

Chapter Summary

Lady Blanche persuades the Count de Villefort to invite Emily to extend her stay at Château-le-Blanc. Emily and Blanche explore the château's ancient chambers with the housekeeper Dorothée, who reveals that mysterious music has been heard since the late Marchioness died and hints at darker secrets she refuses to disclose. Emily recognises the surrounding landscape as the place her father had anxiously avoided, deepening her unease. Monsieur Du Pont, still hopelessly in love with Emily, eventually departs for Gascony after confiding his feelings to the Count.

Emily writes to the abbess, to Valancourt, and to her uncle Quesnel. She visits La Voisin's cottage, finding the old man contentedly surrounded by his family. After a few days she moves to the convent of St. Claire, where she weeps again at her father's grave. A cold letter from Quesnel advises her to remain at the convent and reports that her finances, though still modest, may improve through M. Motteville's settlement of St. Aubert's affairs.

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Original Text
Oft woo’d the gleam of Cynthia, silver-bright, In cloisters dim, far from the haunts of Folly, With Freedom by my side, and soft-ey’d Melancholy. GRAY The Lady Blanche was so much interested for Emily, that, upon hearing she was going to reside in the neighbouring convent, she requested the Count would invite her to lengthen her stay at the château. “And you know, my dear sir,” added Blanche, “how delighted I shall be with such a companion; for, at present, I have no friend to walk, or to read with, since Mademoiselle Bearn is my mamma’s friend only.” The Count smiled at the youthful simplicity, with which his daughter yielded to first impressions; and, though he chose to warn her of their danger, he silently applauded the benevolence, that could thus readily expand in confidence to a stranger. He had observed Emily, with attention, on the preceding evening, and was as much pleased with her, as it was possible he could be with any person, on so short an acquaintance. The mention, made of her by Mons. Du Pont, had also given him a favourable impression of Emily; but, extremely cautious as to those, whom he introduced to the intimacy of his daughter, he determined, on hearing that the former was no stranger at the convent of St. Claire, to visit the abbess, and, if her account corresponded with his wish, to invite Emily to pass some time at the château. On this subject, he was influenced by a consideration of the Lady Blanche’s welfare, still more than by either a wish to oblige her, or to befriend the orphan Emily, for whom, however, he felt considerably interested. On the following morning, Emily was too much fatigued to appear; but Mons. Du Pont was at the breakfast-table, when the Count entered the room, who pressed him, as his former acquaintance, and the son of a very old friend, to prolong his stay at the château; an invitation, which Du Pont willingly accepted, since it would allow him to be near Emily; and, though he was not conscious of encouraging a hope, that she would ever return his affection, he had not fortitude enough to attempt, at present, to overcome it. Emily, when she was somewhat recovered, wandered with her new friend over the grounds belonging to the château, as much delighted with the surrounding views, as Blanche, in the benevolence of her heart, had wished; from thence she perceived, beyond the woods, the towers of the monastery, and remarked, that it was to this convent she designed to go. “Ah!” said Blanche with surprise, “I am but just released from a convent, and would you go into one? If you could know what pleasure I feel in wandering here, at liberty,—and in seeing the sky and the fields, and the woods all round me, I think you would not.” Emily, smiling at the warmth, with which the Lady Blanche spoke, observed, that she did not mean to confine herself to a convent for life. “No, you may not intend it now,” said Blanche; “but you do not know to what the nuns may persuade you to consent: I know how kind they will appear, and how happy, for I have seen too much of their art.” When they returned to the château, Lady Blanche conducted Emily to her favourite turret, and from thence they rambled through the ancient chambers, which Blanche had visited before. Emily was amused by observing the structure of these apartments, and the fashion of their old but still magnificent furniture, and by comparing them with those of the castle of Udolpho, which were yet more antique and grotesque. She was also interested by Dorothée the housekeeper, who attended them, whose appearance was almost as antique as the objects around her, and who seemed no less interested by Emily, on whom she frequently gazed with so much deep attention, as scarcely to hear what was said to her. While Emily looked from one of the casements, she perceived, with surprise, some objects, that were familiar to her memory;—the fields and woods, with the gleaming brook, which she had passed with La Voisin, one evening, soon after the death of Monsieur St. Aubert, in her way from the monastery to her cottage; and she now knew this to be the château, which he had then avoided, and concerning which he had dropped some remarkable hints. Shocked by this discovery, yet scarcely knowing why, she mused for some time in silence, and remembered the emotion, which her father had betrayed on finding himself so near this mansion, and some other circumstances of his conduct, that now greatly interested her. The music, too, which she had formerly heard, and, respecting which La Voisin had given such an odd account, occurred to her, and, desirous of knowing more concerning it, she asked Dorothée whether it returned at midnight, as usual, and whether the musician had yet been discovered. “Yes, ma’amselle,” replied Dorothée, “that music is still heard, but the musician has never been found out, nor ever will, I believe; though there are some people, who can guess.” “Indeed!” said Emily, “then why do they not pursue the enquiry?” “Ah, young lady! enquiry enough has been made—but who can pursue a spirit?” Emily smiled, and, remembering how lately she had suffered herself to be led away by superstition, determined now to resist its contagion; yet, in spite of her efforts, she felt awe mingle with her curiosity, on this subject; and Blanche, who had hitherto listened in silence, now enquired what this music was, and how long it had been heard. “Ever since the death of my lady, madam,” replied Dorothée. “Why, the place is not haunted, surely?” said Blanche, between jesting and seriousness. “I have heard that music almost ever since my dear lady died,” continued Dorothée, “and never before then. But that is nothing to some things I could tell of.” “Do, pray, tell them, then,” said Lady Blanche, now more in earnest than in jest. “I am much interested, for I have heard sister Henriette, and sister Sophie, in the convent, tell of such strange appearances, which they themselves had witnessed!” “You never heard, my lady, I suppose, what made us leave the château, and go and live in a cottage,” said Dorothée. “Never!” replied Blanche with impatience. “Nor the reason, that my lord, the Marquis”—Dorothée checked herself, hesitated, and then endeavoured to change the topic; but the curiosity of Blanche was too much awakened to suffer the subject thus easily to escape her, and she pressed the old housekeeper to proceed with her account, upon whom, however, no entreaties could prevail; and it was evident, that she was alarmed for the imprudence, into which she had already betrayed herself. “I perceive,” said Emily, smiling, “that all old mansions are haunted; I am lately come from a place of wonders; but unluckily, since I left it, I have heard almost all of them explained.” Blanche was silent; Dorothée looked grave, and sighed; and Emily felt herself still inclined to believe more of the wonderful, than she chose to acknowledge. Just then, she remembered the spectacle she had witnessed in a chamber of Udolpho, and, by an odd kind of coincidence, the alarming words, that had accidentally met her eye in the MS. papers, which she had destroyed, in obedience to the command of her father; and she shuddered at the meaning they seemed to impart, almost as much as at the horrible appearance, disclosed by the black veil. The Lady Blanche, meanwhile, unable to prevail with Dorothée to explain the subject of her late hints, had desired, on reaching the door, that terminated the gallery, and which she found fastened on the preceding day, to see the suite of rooms beyond. “Dear young lady,” said the housekeeper, “I have told you my reason for not opening them; I have never seen them, since my dear lady died; and it would go hard with me to see them now. Pray, madam, do not ask me again.” “Certainly I will not,” replied Blanche, “if that is really your objection.” “Alas! it is,” said the old woman: “we all loved her well, and I shall always grieve for her. Time runs round! it is now many years, since she died; but I remember everything, that happened then, as if it was but yesterday. Many things, that have passed of late years, are gone quite from my memory, while those so long ago, I can see as if in a glass.” She paused, but afterwards, as they walked up the gallery, added to Emily, “this young lady sometimes brings the late Marchioness to my mind; I can remember, when she looked just as blooming, and very like her, when she smiles. Poor lady! how gay she was, when she first came to the château!” “And was she not gay, afterwards?” said Blanche. Dorothée shook her head; and Emily observed her, with eyes strongly expressive of the interest she now felt. “Let us sit down in this window,” said the Lady Blanche, on reaching the opposite end of the gallery: “and pray, Dorothée, if it is not painful to you, tell us something more about the Marchioness. I should like to look into the glass you spoke of just now, and see a few of the circumstances, which you say often pass over it.” “No, my lady,” replied Dorothée; “if you knew as much as I do, you would not, for you would find there a dismal train of them; I often wish I could shut them out, but they will rise to my mind. I see my dear lady on her death-bed,—her very look,—and remember all she said—it was a terrible scene!” “Why was it so terrible?” said Emily with emotion. “Ah, dear young lady! is not death always terrible?” replied Dorothée. To some further enquiries of Blanche Dorothée was silent; and Emily, observing the tears in her eyes, forbore to urge the subject, and endeavoured to withdraw the attention of her young friend to some object in the gardens, where the Count, with the Countess and Monsieur Du Pont, appearing, they went down to join them. When he perceived Emily, he advanced to meet her, and presented her to the Countess, in a manner so benign, that it recalled most powerfully to her mind the idea of her late father, and she felt more gratitude to him, than embarrassment towards the Countess, who, however, received her with one of those fascinating smiles, which her caprice sometimes allowed her to assume, and which was now the result of a conversation the Count had held with her, concerning Emily. Whatever this might be, or whatever had passed in his conversation with the lady abbess, whom he had just visited, esteem and kindness were strongly apparent in his manner, when he addressed Emily, who experienced that sweet emotion, which arises from the consciousness of possessing the approbation of the good; for to the Count’s worth she had been inclined to yield her confidence almost from the first moment, in which she had seen him. Before she could finish her acknowledgments for the hospitality she had received, and mention of her design of going immediately to the convent, she was interrupted by an invitation to lengthen her stay at the château, which was pressed by the Count and the Countess, with an appearance of such friendly sincerity, that, though she much wished to see her old friends at the monastery, and to sigh, once more, over her father’s grave, she consented to remain a few days at the château. To the abbess, however, she immediately wrote, mentioning her arrival in Languedoc and her wish to be received into the convent, as a boarder; she also sent letters to Monsieur Quesnel and to Valancourt, whom she merely informed of her arrival in France; and, as she knew not where the latter might be stationed, she directed her letter to his brother’s seat in Gascony. In the evening, Lady Blanche and Mons. Du Pont walked with Emily to the cottage of La Voisin, which she had now a melancholy pleasure in approaching, for time had softened her grief for the loss of St. Aubert, though it could not annihilate it, and she felt a soothing sadness in indulging the recollections, which this scene recalled. La Voisin was still living, and seemed to enjoy, as much as formerly, the tranquil evening of a blameless life. He was sitting at the door of his cottage, watching some of his grandchildren, playing on the grass before him, and, now and then, with a laugh, or a commendation, encouraging their sports. He immediately recollected Emily, whom he was much pleased to see, and she was as rejoiced to hear, that he had not lost one of his family, since her departure. “Yes, ma’amselle,” said the old man, “we all live merrily together still, thank God! and I believe there is not a happier family to be found in Languedoc, than ours.” Emily did not trust herself in the chamber, where St. Aubert died; and, after half an hour’s conversation with La Voisin and his family, she left the cottage. During these the first days of her stay at Château-le-Blanc, she was often affected, by observing the deep, but silent melancholy, which, at times, stole over Du Pont; and Emily, pitying the self-delusion, which disarmed him of the will to depart, determined to withdraw herself as soon as the respect she owed the Count and Countess De Villefort would permit. The dejection of his friend soon alarmed the anxiety of the Count, to whom Du Pont, at length, confided the secret of his hopeless affection, which, however, the former could only commiserate, though he secretly determined to befriend his suit, if an opportunity of doing so should ever occur. Considering the dangerous situation of Du Pont, he but feebly opposed his intention of leaving Château-le-Blanc, on the following day, but drew from him a promise of a longer visit, when he could return with safety to his peace. Emily herself, though she could not encourage his affection, esteemed him both for the many virtues he possessed, and for the services she had received from him; and it was not without tender emotions of gratitude and pity, that she now saw him depart for his family seat in Gascony; while he took leave of her with a countenance so expressive of love and grief, as to interest the Count more warmly in his cause than before. In a few days, Emily also left the château, but not before the Count and Countess had received her promise to repeat her visit very soon; and she was welcomed by the abbess, with the same maternal kindness she had formerly experienced, and by the nuns, with much expression of regard. The well-known scenes of the convent occasioned her many melancholy recollections, but with these were mingled others, that inspired gratitude for having escaped the various dangers, that had pursued her, since she quitted it, and for the good, which she yet possessed; and, though she once more wept over her father’s grave, with tears of tender affection, her grief was softened from its former acuteness. Some time after her return to the monastery, she received a letter from her uncle, Mons. Quesnel, in answer to information that she had arrived in France, and to her enquiries, concerning such of her affairs as he had undertaken to conduct during her absence, especially as to the period for which La Vallée had been let, whither it was her wish to return, if it should appear, that her income would permit her to do so. The reply of Mons. Quesnel was cold and formal, as she expected, expressing neither concern for the evils she suffered, nor pleasure, that she was now removed from them; nor did he allow the opportunity to pass, of reproving her for her rejection of Count Morano, whom he affected still to believe a man of honour and fortune; nor of vehemently declaiming against Montoni, to whom he had always, till now, felt himself to be inferior. On Emily’s pecuniary concerns, he was not very explicit; he informed her, however, that the term, for which La Vallée had been engaged, was nearly expired; but, without inviting her to his own house, added, that her circumstances would by no means allow her to reside there, and earnestly advised her to remain, for the present, in the convent of St. Claire. To her enquiries respecting poor old Theresa, her late father’s servant, he gave no answer. In the postscript to his letter, Monsieur Quesnel mentioned M. Motteville, in whose hands the late St. Aubert had placed the chief of his personal property, as being likely to arrange his affairs nearly to the satisfaction of his creditors, and that Emily would recover much more of her fortune, than she had formerly reason to expect. The letter also inclosed to Emily an order upon a merchant at Narbonne, for a small sum of money. The tranquillity of the monastery, and the liberty she was suffered to enjoy, in wandering among the woods and shores of this delightful province, gradually restored her spirits to their natural tone, except that anxiety would sometimes intrude, concerning Valancourt, as the time approached, when it was possible that she might receive an answer to her letter.
Source text: Project Gutenberg #3268. Public domain worldwide.
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This chapter functions as a carefully orchestrated transitional interlude, moving Emily from the Gothic terror of Udolpho toward a more domestic, though still mystery-laden, French landscape. Radcliffe uses the shift in setting to modulate tone: the château and convent of St. Claire replace the Italian castle, yet the discovery that Château-le-Blanc is the very mansion St. Aubert once anxiously avoided ensures that the past continues to press upon the present. The technique of deferred revelation is central here—Dorothée repeatedly approaches disclosure and retreats, so that the reader's curiosity is sustained without being satisfied, a hallmark of Radcliffe's narrative method.

Dorothée herself is a richly functional character. Her elegiac attachment to the dead Marchioness—"I see my dear lady on her death-bed,—her very look"—introduces a second layer of Gothic mystery entirely separate from Udolpho, suggesting that the supernatural and the traumatic are always embedded in domestic spaces. Her observation that Lady Blanche resembles the late Marchioness "when she smiles" creates an uncanny doubling that foreshadows future revelations and links the themes of female vulnerability and premature death that run throughout the novel.

Emily's encounter with the familiar landscape—the fields, woods, and gleaming brook she had crossed with La Voisin after St. Aubert's death—demonstrates Radcliffe's sophisticated use of topographical memory. Place becomes a mnemonic trigger that reconnects Emily to her father's inexplicable behaviour, and the chapter quietly insists that the mysteries surrounding St. Aubert are not yet resolved. Her conscious resistance to superstition ("determined now to resist its contagion") is immediately undercut by her involuntary shudder at the memory of the black veil and the MS. papers, illustrating the tension between Enlightenment rationalism and the pull of the inexplicable that structures the entire novel.

The subplot of Monsieur Du Pont's unrequited love is handled with psychological realism. His inability to depart—"he had not fortitude enough to attempt, at present, to overcome it"—is presented not as romantic heroism but as a kind of self-delusion that Emily herself diagnoses with clear-eyed pity. This positions her as morally and intellectually superior to the men who love her, even as her social and financial dependence on figures like the Count and Quesnel underscores her structural powerlessness. Quesnel's cold, formal letter, which offers advice without warmth and reproach without justice, reinforces the novel's critique of patriarchal authority exercised without genuine care.

The chapter closes on a note of qualified restoration: the convent's tranquillity and the liberty of the Languedoc landscape gradually heal Emily's spirits, yet "anxiety would sometimes intrude, concerning Valancourt." This final sentence performs a characteristic Radcliffean move, allowing a moment of pastoral peace while ensuring that romantic suspense remains active, directing the reader's attention forward toward the resolution of the central love plot.

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