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Volume I, Chapter V

Chapter Summary

St. Aubert, Emily, and Valancourt continue their journey toward Rousillon through sublime Pyrenean scenery. Valancourt and Emily grow closer as they walk together, and St. Aubert observes them with paternal warmth, reflecting on love, virtue, and the corrupting influence of city life. The party loses their way in a wood and discovers a shepherd's cottage, where they learn a shepherd's family has been ruined by gypsies stealing their flock. Valancourt impulsively gives almost all his money to restore the family's losses, and St. Aubert praises his benevolence.

The travellers rest at a dramatic mountain summit with sweeping views of Rousillon and the Mediterranean before descending into the fertile lowlands. Emily notices a gibbet and roadside crosses that cast a shadow over her spirits. They arrive at Arles for the night, where the imminent parting from Valancourt casts a melancholy over the group. The following morning Valancourt is to leave, having resolved not to overstay his welcome despite his evident attachment to Emily.

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While in the rosy vale Love breath’d his infant sighs, from anguish free. THOMSON St. Aubert, sufficiently restored by a night’s repose to pursue his journey, set out in the morning, with his family and Valancourt, for Rousillon, which he hoped to reach before night-fall. The scenes, through which they now passed, were as wild and romantic, as any they had yet observed, with this difference, that beauty, every now and then, softened the landscape into smiles. Little woody recesses appeared among the mountains, covered with bright verdure and flowers; or a pastoral valley opened its grassy bosom in the shade of the cliffs, with flocks and herds loitering along the banks of a rivulet, that refreshed it with perpetual green. St. Aubert could not repent the having taken this fatiguing road, though he was this day, also, frequently obliged to alight, to walk along the rugged precipice, and to climb the steep and flinty mountain. The wonderful sublimity and variety of the prospects repaid him for all this, and the enthusiasm, with which they were viewed by his young companions, heightened his own, and awakened a remembrance of all the delightful emotions of his early days, when the sublime charms of nature were first unveiled to him. He found great pleasure in conversing with Valancourt, and in listening to his ingenuous remarks. The fire and simplicity of his manners seemed to render him a characteristic figure in the scenes around them; and St. Aubert discovered in his sentiments the justness and the dignity of an elevated mind, unbiased by intercourse with the world. He perceived, that his opinions were formed, rather than imbibed; were more the result of thought, than of learning. Of the world he seemed to know nothing; for he believed well of all mankind, and this opinion gave him the reflected image of his own heart. St. Aubert, as he sometimes lingered to examine the wild plants in his path, often looked forward with pleasure to Emily and Valancourt, as they strolled on together; he, with a countenance of animated delight, pointing to her attention some grand feature of the scene; and she, listening and observing with a look of tender seriousness, that spoke the elevation of her mind. They appeared like two lovers who had never strayed beyond these their native mountains; whose situation had secluded them from the frivolities of common life, whose ideas were simple and grand, like the landscapes among which they moved, and who knew no other happiness, than in the union of pure and affectionate hearts. St. Aubert smiled, and sighed at the romantic picture of felicity his fancy drew; and sighed again to think, that nature and simplicity were so little known to the world, as that their pleasures were thought romantic. “The world,” said he, pursuing this train of thought, “ridicules a passion which it seldom feels; its scenes, and its interests, distract the mind, deprave the taste, corrupt the heart, and love cannot exist in a heart that has lost the meek dignity of innocence. Virtue and taste are nearly the same, for virtue is little more than active taste, and the most delicate affections of each combine in real love. How then are we to look for love in great cities, where selfishness, dissipation, and insincerity supply the place of tenderness, simplicity and truth?” It was near noon, when the travellers, having arrived at a piece of steep and dangerous road, alighted to walk. The road wound up an ascent, that was clothed with wood, and, instead of following the carriage, they entered the refreshing shade. A dewy coolness was diffused upon the air, which, with the bright verdure of turf, that grew under the trees, the mingled fragrance of flowers and of balm, thyme, and lavender, that enriched it, and the grandeur of the pines, beech, and chestnuts, that overshadowed them, rendered this a most delicious retreat. Sometimes, the thick foliage excluded all view of the country; at others, it admitted some partial catches of the distant scenery, which gave hints to the imagination to picture landscapes more interesting, more impressive, than any that had been presented to the eye. The wanderers often lingered to indulge in these reveries of fancy. The pauses of silence, such as had formerly interrupted the conversations of Valancourt and Emily, were more frequent today than ever. Valancourt often dropped suddenly from the most animating vivacity into fits of deep musing, and there was, sometimes, an unaffected melancholy in his smile, which Emily could not avoid understanding, for her heart was interested in the sentiment it spoke. St. Aubert was refreshed by the shades, and they continued to saunter under them, following, as nearly as they could guess, the direction of the road, till they perceived that they had totally lost it. They had continued near the brow of the precipice, allured by the scenery it exhibited, while the road wound far away over the cliff above. Valancourt called loudly to Michael, but heard no voice, except his own, echoing among the rocks, and his various efforts to regain the road were equally unsuccessful. While they were thus circumstanced, they perceived a shepherd’s cabin, between the boles of the trees at some distance, and Valancourt bounded on first to ask assistance. When he reached it, he saw only two little children, at play, on the turf before the door. He looked into the hut, but no person was there, and the eldest of the boys told him that their father was with his flocks, and their mother was gone down into the vale, but would be back presently. As he stood, considering what was further to be done, on a sudden he heard Michael’s voice roaring forth most manfully among the cliffs above, till he made their echoes ring. Valancourt immediately answered the call, and endeavoured to make his way through the thicket that clothed the steeps, following the direction of the sound. After much struggle over brambles and precipices, he reached Michael, and at length prevailed with him to be silent, and to listen to him. The road was at a considerable distance from the spot where St. Aubert and Emily were; the carriage could not easily return to the entrance of the wood, and, since it would be very fatiguing for St. Aubert to climb the long and steep road to the place where it now stood, Valancourt was anxious to find a more easy ascent, by the way he had himself passed. Meanwhile St. Aubert and Emily approached the cottage, and rested themselves on a rustic bench, fastened between two pines, which overshadowed it, till Valancourt, whose steps they had observed, should return. The eldest of the children desisted from his play, and stood still to observe the strangers, while the younger continued his little gambols, and teased his brother to join in them. St. Aubert looked with pleasure upon this picture of infantine simplicity, till it brought to his remembrance his own boys, whom he had lost about the age of these, and their lamented mother; and he sunk into a thoughtfulness, which Emily observing, she immediately began to sing one of those simple and lively airs he was so fond of, and which she knew how to give with the most captivating sweetness. St. Aubert smiled on her through his tears, took her hand and pressed it affectionately, and then tried to dissipate the melancholy reflections that lingered in his mind. While she sung, Valancourt approached, who was unwilling to interrupt her, and paused at a little distance to listen. When she had concluded, he joined the party, and told them, that he had found Michael, as well as a way, by which he thought they could ascend the cliff to the carriage. He pointed to the woody steeps above, which St. Aubert surveyed with an anxious eye. He was already wearied by his walk, and this ascent was formidable to him. He thought, however, it would be less toilsome than the long and broken road, and he determined to attempt it; but Emily, ever watchful of his ease, proposing that he should rest, and dine before they proceeded further, Valancourt went to the carriage for the refreshments deposited there. On his return, he proposed removing a little higher up the mountain, to where the woods opened upon a grand and extensive prospect; and thither they were preparing to go, when they saw a young woman join the children, and caress and weep over them. The travellers, interested by her distress, stopped to observe her. She took the youngest of the children in her arms, and, perceiving the strangers, hastily dried her tears, and proceeded to the cottage. St. Aubert, on enquiring the occasion of her sorrow, learned that her husband, who was a shepherd, and lived here in the summer months to watch over the flocks he led to feed upon these mountains, had lost, on the preceding night, his little all. A gang of gipsies, who had for some time infested the neighbourhood, had driven away several of his master’s sheep. “Jacques,” added the shepherd’s wife, “had saved a little money, and had bought a few sheep with it, and now they must go to his master for those that are stolen; and what is worse than all, his master, when he comes to know how it is, will trust him no longer with the care of his flocks, for he is a hard man! and then what is to become of our children!” The innocent countenance of the woman, and the simplicity of her manner in relating her grievance, inclined St. Aubert to believe her story; and Valancourt, convinced that it was true, asked eagerly what was the value of the stolen sheep; on hearing which he turned away with a look of disappointment. St. Aubert put some money into her hand, Emily too gave something from her little purse, and they walked towards the cliff; but Valancourt lingered behind, and spoke to the shepherd’s wife, who was now weeping with gratitude and surprise. He enquired how much money was yet wanting to replace the stolen sheep, and found, that it was a sum very little short of all he had about him. He was perplexed and distressed. “This sum then,” said he to himself, “would make this poor family completely happy—it is in my power to give it—to make them completely happy! But what is to become of me?—how shall I contrive to reach home with the little money that will remain?” For a moment he stood, unwilling to forego the luxury of raising a family from ruin to happiness, yet considering the difficulties of pursuing his journey with so small a sum as would be left. While he was in this state of perplexity, the shepherd himself appeared: his children ran to meet him; he took one of them in his arms, and, with the other clinging to his coat, came forward with a loitering step. His forlorn and melancholy look determined Valancourt at once; he threw down all the money he had, except a very few louis, and bounded away after St. Aubert and Emily, who were proceeding slowly up the steep. Valancourt had seldom felt his heart so light as at this moment; his gay spirits danced with pleasure; every object around him appeared more interesting, or beautiful, than before. St. Aubert observed the uncommon vivacity of his countenance: “What has pleased you so much?” said he. “O what a lovely day,” replied Valancourt, “how brightly the sun shines, how pure is this air, what enchanting scenery!” “It is indeed enchanting,” said St. Aubert, whom early experience had taught to understand the nature of Valancourt’s present feelings. “What pity that the wealthy, who can command such sunshine, should ever pass their days in gloom—in the cold shade of selfishness! For you, my young friend, may the sun always shine as brightly as at this moment; may your own conduct always give you the sunshine of benevolence and reason united!” Valancourt, highly flattered by this compliment, could make no reply but by a smile of gratitude. They continued to wind under the woods, between the grassy knolls of the mountain, and, as they reached the shady summit, which he had pointed out, the whole party burst into an exclamation. Behind the spot where they stood, the rock rose perpendicularly in a massy wall to a considerable height, and then branched out into overhanging crags. Their grey tints were well contrasted by the bright hues of the plants and wild flowers, that grew in their fractured sides, and were deepened by the gloom of the pines and cedars, that waved above. The steeps below, over which the eye passed abruptly to the valley, were fringed with thickets of alpine shrubs; and, lower still, appeared the tufted tops of the chesnut woods, that clothed their base, among which peeped forth the shepherd’s cottage, just left by the travellers, with its bluish smoke curling high in the air. On every side appeared the majestic summits of the Pyrenees, some exhibiting tremendous crags of marble, whose appearance was changing every instant, as the varying lights fell upon their surface; others, still higher, displaying only snowy points, while their lower steeps were covered almost invariably with forests of pine, larch, and oak, that stretched down to the vale. This was one of the narrow valleys, that open from the Pyrenees into the country of Rousillon, and whose green pastures, and cultivated beauty, form a decided and wonderful contrast to the romantic grandeur that environs it. Through a vista of the mountains appeared the lowlands of Rousillon, tinted with the blue haze of distance, as they united with the waters of the Mediterranean; where, on a promontory, which marked the boundary of the shore, stood a lonely beacon, over which were seen circling flights of sea-fowl. Beyond, appeared, now and then, a stealing sail, white with the sunbeam, and whose progress was perceivable by its approach to the light-house. Sometimes, too, was seen a sail so distant, that it served only to mark the line of separation between the sky and the waves. On the other side of the valley, immediately opposite to the spot where the travellers rested, a rocky pass opened toward Gascony. Here no sign of cultivation appeared. The rocks of granite, that screened the glen, rose abruptly from their base, and stretched their barren points to the clouds, unvaried with woods, and uncheered even by a hunter’s cabin. Sometimes, indeed, a gigantic larch threw its long shade over the precipice, and here and there a cliff reared on its brow a monumental cross, to tell the traveller the fate of him who had ventured thither before. This spot seemed the very haunt of banditti; and Emily, as she looked down upon it, almost expected to see them stealing out from some hollow cave to look for their prey. Soon after an object not less terrific struck her,—a gibbet standing on a point of rock near the entrance of the pass, and immediately over one of the crosses she had before observed. These were hieroglyphics that told a plain and dreadful story. She forbore to point it out to St. Aubert, but it threw a gloom over her spirits, and made her anxious to hasten forward, that they might with certainty reach Rousillon before night-fall. It was necessary, however, that St. Aubert should take some refreshment, and, seating themselves on the short dry turf, they opened the basket of provisions, while by breezy murmurs cool’d, Broad o’er _their_ heads the verdant cedars wave, And high palmetos lift their graceful shade. ———_they_ draw Ethereal soul, there drink reviving gales Profusely breathing from the piney groves, And vales of fragrance; there at a distance hear The roaring floods, and cataracts. THOMSON St. Aubert was revived by rest, and by the serene air of this summit; and Valancourt was so charmed with all around, and with the conversation of his companions, that he seemed to have forgotten he had any further to go. Having concluded their simple repast, they gave a long farewell look to the scene, and again began to ascend. St. Aubert rejoiced when he reached the carriage, which Emily entered with him; but Valancourt, willing to take a more extensive view of the enchanting country, into which they were about to descend, than he could do from a carriage, loosened his dogs, and once more bounded with them along the banks of the road. He often quitted it for points that promised a wider prospect, and the slow pace, at which the mules travelled, allowed him to overtake them with ease. Whenever a scene of uncommon magnificence appeared, he hastened to inform St. Aubert, who, though he was too much tired to walk himself, sometimes made the chaise wait, while Emily went to the neighbouring cliff. It was evening when they descended the lower alps, that bind Rousillon, and form a majestic barrier round that charming country, leaving it open only on the east to the Mediterranean. The gay tints of cultivation once more beautified the landscape; for the lowlands were coloured with the richest hues, which a luxuriant climate, and an industrious people can awaken into life. Groves of orange and lemon perfumed the air, their ripe fruit glowing among the foliage; while, sloping to the plains, extensive vineyards spread their treasures. Beyond these, woods and pastures, and mingled towns and hamlets stretched towards the sea, on whose bright surface gleamed many a distant sail; while, over the whole scene, was diffused the purple glow of evening. This landscape with the surrounding alps did, indeed, present a perfect picture of the lovely and the sublime, of “beauty sleeping in the lap of horror.” The travellers, having reached the plains, proceeded, between hedges of flowering myrtle and pomegranate, to the town of Arles, where they proposed to rest for the night. They met with simple, but neat accommodation, and would have passed a happy evening, after the toils and the delights of this day, had not the approaching separation thrown a gloom over their spirit. It was St. Aubert’s plan to proceed, on the morrow, to the borders of the Mediterranean, and travel along its shores into Languedoc; and Valancourt, since he was now nearly recovered, and had no longer a pretence for continuing with his new friends, resolved to leave them here. St. Aubert, who was much pleased with him, invited him to go further, but did not repeat the invitation, and Valancourt had resolution enough to forego the temptation of accepting it, that he might prove himself not unworthy of the favour. On the following morning, therefore, they were to part, St. Aubert to pursue his way to Languedoc, and Valancourt to explore new scenes among the mountains, on his return home. During this evening he was often silent and thoughtful; St. Aubert’s manner towards him was affectionate, though grave, and Emily was serious, though she made frequent efforts to appear cheerful. After one of the most melancholy evenings they had yet passed together, they separated for the night.
Source text: Project Gutenberg #3268. Public domain worldwide.
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This chapter is centrally concerned with the education of sensibility. St. Aubert functions as a moral commentator whose observations frame the reader's interpretation of Valancourt and Emily. His speech on love — "virtue is little more than active taste" — articulates the novel's governing aesthetic-ethical equation: refined feeling and moral goodness are inseparable. Radcliffe uses the Pyrenean landscape not merely as backdrop but as a moral mirror, reflecting the inner qualities of those who can perceive it rightly. Valancourt's "fire and simplicity" mark him as a natural aristocrat whose character has been formed by solitude and observation rather than social corruption.

The episode of the shepherd's family is a carefully staged test of benevolence. Valancourt's internal deliberation — weighing personal inconvenience against the power to relieve suffering — dramatises the sentimental ideal of spontaneous virtue. His subsequent joy, expressed through heightened perception of the landscape ("how brightly the sun shines"), exemplifies the eighteenth-century belief that benevolent action produces its own reward in feeling. St. Aubert's response, "may the sun always shine as brightly as at this moment," confirms the symbolic equivalence between moral sunshine and natural sunshine that structures the chapter's imagery.

Radcliffe's use of the sublime and the beautiful — categories drawn from Edmund Burke and developed by her own aesthetic practice — is particularly sophisticated here. The panoramic view from the summit juxtaposes cultivated Rousillon with the barren rocky pass toward Gascony. The latter, with its gibbet and memorial crosses, introduces the Gothic register that will dominate later volumes. Emily's imagination peoples the hollow caves with banditti, demonstrating how the sublime landscape activates both aesthetic pleasure and existential dread. The gibbet is the chapter's first unambiguous sign of violence and death, and Emily's decision to conceal it from her father is a small but telling act of protective love.

The pastoral interlude at the shepherd's cottage draws on a long literary tradition of idealised rural simplicity, but Radcliffe complicates it: the shepherd's family is genuinely impoverished and vulnerable, not merely decorative. The children at play recall St. Aubert's own dead sons, linking the pastoral scene to personal grief and to the novel's broader preoccupation with loss. Emily's instinctive response — singing to distract her father — establishes her as a figure of active, practical tenderness rather than passive sentiment.

The chapter closes with the melancholy of anticipated separation, a structural device Radcliffe uses to intensify romantic feeling without permitting its open expression. Valancourt's restraint in not accepting St. Aubert's repeated invitation is presented as evidence of moral worth; his silence and thoughtfulness during the evening mirror Emily's own suppressed feeling. The chapter thus moves from the expansive joy of the mountain summit to the contracted, interior register of the inn at Arles, enacting in miniature the novel's larger movement from natural freedom toward social and emotional constraint.

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✎ Mr. Shifflett's Note
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