The Mysteries of Udolpho Study Guide
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Volume IV, Chapter XIX

Chapter Summary

The final chapter of The Mysteries of Udolpho opens with the simultaneous weddings of Emily St. Aubert and Valancourt, and of Lady Blanche, celebrated in splendid baronial style at Château-le-Blanc. Annette and old Dorothée observe the festivities from a corridor, each responding to the spectacle in her own way. Valancourt and Emily then return to La Vallée, where Theresa welcomes them and they revisit the scenes associated with Monsieur and Madame St. Aubert.

Beneath the plane-tree where Valancourt first declared his love, the couple vow to live virtuously in honour of St. Aubert's memory. Practical resolutions follow: Valancourt's brother grants him part of the family estate; Emily purchases her father's domain at Epourville, installs Annette and Ludovico there, and donates Signora Laurentini's legacy to Monsieur Bonnac. The narrator closes with a direct moral address to the reader, affirming that innocence and patience ultimately triumph over vice.

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Original Text
Now my task is smoothly done, I can fly, or I can run Quickly to the green earth’s end, Where the bow’d welkin low doth bend, And, from thence, can soar as soon To the corners of the moon. MILTON The marriages of the Lady Blanche and Emily St. Aubert were celebrated, on the same day, and with the ancient baronial magnificence, at Château-le-Blanc. The feasts were held in the great hall of the castle, which, on this occasion, was hung with superb new tapestry, representing the exploits of Charlemagne and his twelve peers; here, were seen the Saracens, with their horrible visors, advancing to battle; and there, were displayed the wild solemnities of incantation, and the necromantic feats, exhibited by the magician _Jarl_ before the Emperor. The sumptuous banners of the family of Villeroi, which had long slept in dust, were once more unfurled, to wave over the gothic points of painted casements; and music echoed, in many a lingering close, through every winding gallery and colonnade of that vast edifice. As Annette looked down from the corridor upon the hall, whose arches and windows were illuminated with brilliant festoons of lamps, and gazed on the splendid dresses of the dancers, the costly liveries of the attendants, the canopies of purple velvet and gold, and listened to the gay strains that floated along the vaulted roof, she almost fancied herself in an enchanted palace, and declared, that she had not met with any place, which charmed her so much, since she read the fairy tales; nay, that the fairies themselves, at their nightly revels in this old hall, could display nothing finer; while old Dorothée, as she surveyed the scene, sighed, and said, the castle looked as it was wont to do in the time of her youth. After gracing the festivities of Château-le-Blanc, for some days, Valancourt and Emily took leave of their kind friends, and returned to La Vallée, where the faithful Theresa received them with unfeigned joy, and the pleasant shades welcomed them with a thousand tender and affecting remembrances; and, while they wandered together over the scenes, so long inhabited by the late Mons. and Madame St. Aubert, and Emily pointed out, with pensive affection, their favourite haunts, her present happiness was heightened, by considering, that it would have been worthy of their approbation, could they have witnessed it. Valancourt led her to the plane-tree on the terrace, where he had first ventured to declare his love, and where now the remembrance of the anxiety he had then suffered, and the retrospect of all the dangers and misfortunes they had each encountered, since last they sat together beneath its broad branches, exalted the sense of their present felicity, which, on this spot, sacred to the memory of St. Aubert, they solemnly vowed to deserve, as far as possible, by endeavouring to imitate his benevolence,—by remembering, that superior attainments of every sort bring with them duties of superior exertion,—and by affording to their fellow-beings, together with that portion of ordinary comforts, which prosperity always owes to misfortune, the example of lives passed in happy thankfulness to God, and, therefore, in careful tenderness to his creatures. Soon after their return to La Vallée, the brother of Valancourt came to congratulate him on his marriage, and to pay his respects to Emily, with whom he was so much pleased, as well as with the prospect of rational happiness, which these nuptials offered to Valancourt, that he immediately resigned to him a part of the rich domain, the whole of which, as he had no family, would of course descend to his brother, on his decease. The estates, at Thoulouse, were disposed of, and Emily purchased of Mons. Quesnel the ancient domain of her late father, where, having given Annette a marriage portion, she settled her as the housekeeper, and Ludovico as the steward; but, since both Valancourt and herself preferred the pleasant and long-loved shades of La Vallée to the magnificence of Epourville, they continued to reside there, passing, however, a few months in the year at the birth-place of St. Aubert, in tender respect to his memory. The legacy, which had been bequeathed to Emily by Signora Laurentini, she begged Valancourt would allow her to resign to Mons. Bonnac; and Valancourt, when she made the request, felt all the value of the compliment it conveyed. The castle of Udolpho, also, descended to the wife of Mons. Bonnac, who was the nearest surviving relation of the house of that name, and thus affluence restored his long-oppressed spirits to peace, and his family to comfort. O! how joyful it is to tell of happiness, such as that of Valancourt and Emily; to relate, that, after suffering under the oppression of the vicious and the disdain of the weak, they were, at length, restored to each other—to the beloved landscapes of their native country,—to the securest felicity of this life, that of aspiring to moral and labouring for intellectual improvement—to the pleasures of enlightened society, and to the exercise of the benevolence, which had always animated their hearts; while the bowers of La Vallée became, once more, the retreat of goodness, wisdom and domestic blessedness! O! useful may it be to have shown, that, though the vicious can sometimes pour affliction upon the good, their power is transient and their punishment certain; and that innocence, though oppressed by injustice, shall, supported by patience, finally triumph over misfortune! And, if the weak hand, that has recorded this tale, has, by its scenes, beguiled the mourner of one hour of sorrow, or, by its moral, taught him to sustain it—the effort, however humble, has not been vain, nor is the writer unrewarded.
Source text: Project Gutenberg #3268. Public domain worldwide.
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This concluding chapter functions as a deliberate narrative closure that resolves every outstanding plot thread with almost architectural symmetry. The double wedding at Château-le-Blanc mirrors the novel's structural pairing of the two heroines, Blanche and Emily, whose parallel courtships have run alongside each other since Volume III. Radcliffe stages the celebration in a hall hung with tapestries depicting Charlemagne's exploits and scenes of necromancy, a choice that quietly echoes the novel's sustained interest in the boundary between the marvellous and the rational: even at the moment of domestic triumph, the imagery of enchantment and dark magic frames the scene, as if to remind the reader of the Gothic world the characters are leaving behind.

The contrast between Annette's and Dorothée's responses to the festivities is a small but telling piece of character differentiation. Annette, the comic servant whose credulity has provided comic relief throughout, sees the hall as a fairy-tale scene, invoking the very genre of supernatural wonder that the novel has systematically demystified. Dorothée, the aged retainer whose memory stretches back to the tragedy of the Marchioness of Villeroi, reads the same spectacle as a melancholy restoration, a return to a former glory shadowed by loss. The juxtaposition encapsulates Radcliffe's double vision: the Gothic past is simultaneously enchanting and mournful.

The scene at the plane-tree is the emotional and thematic centre of the chapter. Radcliffe transforms a private romantic landmark into a site of moral covenant: the vow the couple make is not merely to each other but to the memory of St. Aubert and, by extension, to a programme of benevolence and intellectual improvement. The language here is notably Enlightenment in register—"superior attainments of every sort bring with them duties of superior exertion"—aligning the novel's conclusion with the period's discourse of rational virtue and social responsibility rather than with mere sentimental happiness.

The redistribution of property in the closing paragraphs enacts the novel's providential economy. Emily's decision to give Laurentini's legacy to Bonnac is presented not as charity but as a moral refusal to profit from a tainted inheritance; Valancourt's recognition of the compliment it implies confirms that both characters have internalised the ethical framework St. Aubert modelled. The descent of Udolpho itself to Bonnac's wife completes the symbolic dispersal of Montoni's ill-gotten power: the castle that embodied tyranny and terror is quietly absorbed into legitimate domestic order.

The narrator's direct address in the final three paragraphs is a formal instance of apostrophe and authorial intrusion unusual even by eighteenth-century standards. The exclamatory "O! how joyful" and "O! useful may it be" shift the register from narrative to sermon, making explicit the didactic contract Radcliffe has maintained throughout. The closing appeal—that even a "weak hand" may comfort a mourner or teach endurance—is a gesture of authorial modesty that simultaneously asserts the moral seriousness of Gothic fiction as a genre, defending the novel form against contemporary charges of frivolity or dangerous sensationalism.

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✎ Mr. Shifflett's Note
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