The Taming of the Shrew Study Guide

Act IV, Scene 4

Padua. Before Baptista's house

Scene Summary

Tranio, disguised as Lucentio, arrives before Baptista's house with the Pedant dressed as Lucentio's father Vincentio. After coaching the Pedant and confirming that Biondello has already primed Baptista with a false story, Tranio formally introduces the fake father, who consents to the marriage match. Baptista, pleased by the Pedant's directness, agrees to give Bianca to 'Lucentio' with a sufficient dowry. To avoid eavesdroppers — especially old Gremio — the men arrange to sign the marriage contract privately at Tranio's lodging that evening.

Once the older men depart, Biondello returns to brief the real Lucentio, still disguised as Cambio. He reveals that while Baptista is occupied with the counterfeit contract, Lucentio should take Bianca to Saint Luke's church, where a priest stands ready to marry them at once. Lucentio, confident of Bianca's willingness, resolves to act immediately.

Translation Style
🔓 Simple free · others need All-Access
✨ Character Voice Translations PREMIUM
Original Text
[Enter TRANIO, and the Pedant dressed like VINCENTIO] TRANIO Sir, this is the house: please it you that I call? PEDANT Ay, what else? and but I be deceived Signior Baptista may remember me, Near twenty years ago, in Genoa, Where we were lodgers at the Pegasus. TRANIO 'Tis well; and hold your own, in any case, With such austerity as 'longeth to a father. PEDANT I warrant you. [Enter BIONDELLO] But, sir, here comes your boy; 'Twere good he were school'd. TRANIO Fear you not him. Sirrah Biondello, Now do your duty throughly, I advise you: Imagine 'twere the right Vincentio. BIONDELLO Tut, fear not me. TRANIO But hast thou done thy errand to Baptista? BIONDELLO I told him that your father was at Venice, And that you look'd for him this day in Padua. TRANIO Thou'rt a tall fellow: hold thee that to drink. Here comes Baptista: set your countenance, sir. [Enter BAPTISTA and LUCENTIO] Signior Baptista, you are happily met. [To the Pedant] Sir, this is the gentleman I told you of: I pray you stand good father to me now, Give me Bianca for my patrimony. PEDANT Soft son! Sir, by your leave: having come to Padua To gather in some debts, my son Lucentio Made me acquainted with a weighty cause Of love between your daughter and himself: And, for the good report I hear of you And for the love he beareth to your daughter And she to him, to stay him not too long, I am content, in a good father's care, To have him match'd; and if you please to like No worse than I, upon some agreement Me shall you find ready and willing With one consent to have her so bestow'd; For curious I cannot be with you, Signior Baptista, of whom I hear so well. BAPTISTA Sir, pardon me in what I have to say: Your plainness and your shortness please me well. Right true it is, your son Lucentio here Doth love my daughter and she loveth him, Or both dissemble deeply their affections: And therefore, if you say no more than this, That like a father you will deal with him And pass my daughter a sufficient dower, The match is made, and all is done: Your son shall have my daughter with consent. TRANIO I thank you, sir. Where then do you know best We be affied and such assurance ta'en As shall with either part's agreement stand? BAPTISTA Not in my house, Lucentio; for, you know, Pitchers have ears, and I have many servants: Besides, old Gremio is hearkening still; And happily we might be interrupted. TRANIO Then at my lodging, an it like you: There doth my father lie; and there, this night, We'll pass the business privately and well. Send for your daughter by your servant here: My boy shall fetch the scrivener presently. The worst is this, that, at so slender warning, You are like to have a thin and slender pittance. BAPTISTA It likes me well. Biondello, hie you home, And bid Bianca make her ready straight; And, if you will, tell what hath happened, Lucentio's father is arrived in Padua, And how she's like to be Lucentio's wife. BIONDELLO I pray the gods she may with all my heart! TRANIO Dally not with the gods, but get thee gone. [Exit BIONDELLO] Signior Baptista, shall I lead the way? Welcome! one mess is like to be your cheer: Come, sir; we will better it in Pisa. BAPTISTA I follow you. [Exeunt TRANIO, Pedant, and BAPTISTA] [Re-enter BIONDELLO] BIONDELLO Cambio! LUCENTIO What sayest thou, Biondello? BIONDELLO You saw my master wink and laugh upon you? LUCENTIO Biondello, what of that? BIONDELLO Faith, nothing; but has left me here behind, to expound the meaning or moral of his signs and tokens. LUCENTIO I pray thee, moralize them. BIONDELLO Then thus. Baptista is safe, talking with the deceiving father of a deceitful son. LUCENTIO And what of him? BIONDELLO His daughter is to be brought by you to the supper. LUCENTIO And then? BIONDELLO The old priest of Saint Luke's church is at your command at all hours. LUCENTIO And what of all this? BIONDELLO I cannot tell; expect they are busied about a counterfeit assurance: take you assurance of her, 'cum privilegio ad imprimendum solum:' to the church; take the priest, clerk, and some sufficient honest witnesses: If this be not that you look for, I have no more to say, But bid Bianca farewell for ever and a day. LUCENTIO Hearest thou, Biondello? BIONDELLO I cannot tarry: I knew a wench married in an afternoon as she went to the garden for parsley to stuff a rabbit; and so may you, sir: and so, adieu, sir. My master hath appointed me to go to Saint Luke's, to bid the priest be ready to come against you come with your appendix. [Exit] LUCENTIO I may, and will, if she be so contented: She will be pleased; then wherefore should I doubt? Hap what hap may, I'll roundly go about her: It shall go hard if Cambio go without her. [Exit]
Modern English
Loading Simple translation…
Reading the Simple translation. Standard, Dramatic, and Advanced unlock with All-Access.

This scene operates as the comic machinery of the Bianca subplot at its most elaborate. Shakespeare layers deception upon deception: Tranio impersonates Lucentio, the Pedant impersonates Vincentio, and Biondello acts as the conspirators' go-between, all while the real Lucentio stands on stage in his own disguise as Cambio. The audience's privileged awareness of every layer of fraud generates sustained dramatic irony, since Baptista negotiates in complete good faith with men who are entirely fictitious in the roles they play.The scene's language of commerce and contract is conspicuous. Words such as 'patrimony,' 'dower,' 'assurance,' 'debts,' and 'agreement' saturate the negotiation, framing marriage as a financial transaction rather than a romantic union. This mercantile register exposes the commodification of women latent in Paduan society: Bianca is effectively transferred between men as a piece of property, her own voice entirely absent from the scene that decides her fate.Biondello's closing speech introduces a striking tonal shift. His rapid-fire, almost breathless instructions — culminating in the Latin tag cum privilegio ad imprimendum solum ('with sole right to print') — parody the very legal language of the contract being forged upstairs, suggesting that the real marriage Lucentio is about to contract is no more or less...

Full Analysis Available

Full analysis for all 14 scenes is available with an access code. Message Stephen if you'd like access for your class.

Already have a key?

"'Tis well; and hold your own, in any case, With such austerity as 'longeth to a father." — Tranio (4.4)

"Baptista is safe, talking with the deceiving father of a deceitful son." — Biondello (4.4)

"Pitchers have ears, and I have many servants: Besides, old Gremio is hearkening still;" — Baptista (4.4)

"take you assurance of her, 'cum privilegio ad imprimendum solum:' to the church; take the priest, clerk, and some sufficient honest witnesses:" — Biondello (4.4)

"I knew a wench married in an afternoon as she went to the garden for parsley to stuff a rabbit;" — Biondello (4.4)

"Hap what hap may, I'll roundly go about her: It shall go hard if Cambio go without her." — Lucentio (4.4)

"I am content, in a good father's care, To have him match'd; and if you please to like No worse than I, upon some agreement Me shall you find ready and willing With one consent to have her so bestow'd;" — Pedant (4.4)

Loading tags...

Ask the Bard

Click any tag to explore where it appears across the play, then ask the Bard to explain how it works in this scene.

Exploring tag...
The Bard's Take
Ask the Bard to explain how this element appears in this scene
Click a tag to search.
Ask the Bard about this scene
Type at least 2 characters to search
Character Map
Loading characters...
Off-Screen Activities
Loading activities...
Scene Quiz
1 / 5

Loading questions...

✎ Mr. Shifflett's Note
Mr. Shifflett
Mr. Shifflett
English Teacher · Seoul International School
Hey! I built this study guide and sprinkled my own teaching notes throughout — look for the gold highlights ✎ as you read.

These are the same insights I share with my students in class. I hope they help you see what makes Shakespeare's writing so brilliant. Enjoy!
SIS Teachers
Sign in with your @siskorea.org email for free full access to this guide and all GradeWise study guides — every scene, translation, and premium feature.
Sign In with SIS Email
How Easy Read Helps

These settings are based on peer-reviewed research on reading and dyslexia. They improve readability for everyone, not just students with dyslexia.

Extra letter & word spacing The single biggest research-backed improvement. Reduces "crowding" — where nearby letters interfere with recognition. Improves speed and accuracy.
Taller line height 1.5× or greater line spacing helps the eye track from line to line without losing place.
Sans-serif font Eye-tracking research shows sans-serif fonts improve reading performance over serif fonts. Letters appear less crowded.
Off-white backgrounds Pure white can appear too dazzling. Cream backgrounds produced the fastest reading times in research with dyslexic readers. Individual preference varies, so we offer choices.
Bold instead of italic Italic text makes letters run together, worsening crowding. Bold provides emphasis without reducing readability.
Shorter line length Lines of 60–70 characters are recommended. Longer lines make it harder to find the start of the next line.

Sources: British Dyslexia Association Style Guide (2023), Zorzi et al. (PNAS, 2012), Rello & Baeza-Yates (W3C, 2012), Sjoblom et al. (Annals of Dyslexia, 2016). Full research summary available on request.