The Taming of the Shrew Study Guide

Act V, Scene 2

Padua. Lucentio's house

Scene Summary

At a celebratory banquet hosted by Lucentio following the three weddings, the newly married couples and their guests engage in sharp verbal sparring. Petruchio proposes a wager: each husband will send for his wife, and the most obedient wife wins her husband a prize. Bianca sends word she is busy, the Widow refuses and bids Hortensio come to her, but Katharina arrives promptly at Petruchio's command and then fetches the other wives herself.

Petruchio presses his advantage further by ordering Katharina to throw her cap underfoot and to lecture the other wives on wifely duty. Katharina delivers a lengthy, formal speech arguing that wives owe their husbands complete obedience, comparing a wife's duty to a subject's loyalty to a sovereign. Petruchio wins the wager, kisses Kate, and the two exit together, leaving the other husbands chastened.

Translation Style
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Original Text
[Enter BAPTISTA, VINCENTIO, GREMIO, the Pedant, LUCENTIO, BIANCA, PETRUCHIO, KATHARINA, HORTENSIO, and Widow, TRANIO, BIONDELLO, and GRUMIO the Serving-men with Tranio bringing in a banquet] LUCENTIO At last, though long, our jarring notes agree: And time it is, when raging war is done, To smile at scapes and perils overblown. My fair Bianca, bid my father welcome, While I with self-same kindness welcome thine. Brother Petruchio, sister Katharina, And thou, Hortensio, with thy loving widow, Feast with the best, and welcome to my house: My banquet is to close our stomachs up, After our great good cheer. Pray you, sit down; For now we sit to chat as well as eat. PETRUCHIO Nothing but sit and sit, and eat and eat! BAPTISTA Padua affords this kindness, son Petruchio. PETRUCHIO Padua affords nothing but what is kind. HORTENSIO For both our sakes, I would that word were true. PETRUCHIO Now, for my life, Hortensio fears his widow. WIDOW Then never trust me, if I be afeard. PETRUCHIO You are very sensible, and yet you miss my sense: I mean, Hortensio is afeard of you. WIDOW He that is giddy thinks the world turns round. PETRUCHIO Roundly replied. KATHARINA Mistress, how mean you that? WIDOW Thus I conceive by him. PETRUCHIO Conceives by me! How likes Hortensio that? HORTENSIO My widow says, thus she conceives her tale. PETRUCHIO Very well mended. Kiss him for that, good widow. KATHARINA 'He that is giddy thinks the world turns round:' I pray you, tell me what you meant by that. WIDOW Your husband, being troubled with a shrew, Measures my husband's sorrow by his woe: And now you know my meaning, KATHARINA A very mean meaning. WIDOW Right, I mean you. KATHARINA And I am mean indeed, respecting you. PETRUCHIO To her, Kate! HORTENSIO To her, widow! PETRUCHIO A hundred marks, my Kate does put her down. HORTENSIO That's my office. PETRUCHIO Spoke like an officer; ha' to thee, lad! [Drinks to HORTENSIO] BAPTISTA How likes Gremio these quick-witted folks? GREMIO Believe me, sir, they butt together well. BIANCA Head, and butt! an hasty-witted body Would say your head and butt were head and horn. VINCENTIO Ay, mistress bride, hath that awaken'd you? BIANCA Ay, but not frighted me; therefore I'll sleep again. PETRUCHIO Nay, that you shall not: since you have begun, Have at you for a bitter jest or two! BIANCA Am I your bird? I mean to shift my bush; And then pursue me as you draw your bow. You are welcome all. [Exeunt BIANCA, KATHARINA, and Widow] PETRUCHIO She hath prevented me. Here, Signior Tranio. This bird you aim'd at, though you hit her not; Therefore a health to all that shot and miss'd. TRANIO O, sir, Lucentio slipp'd me like his greyhound, Which runs himself and catches for his master. PETRUCHIO A good swift simile, but something currish. TRANIO 'Tis well, sir, that you hunted for yourself: 'Tis thought your deer does hold you at a bay. BAPTISTA O ho, Petruchio! Tranio hits you now. LUCENTIO I thank thee for that gird, good Tranio. HORTENSIO Confess, confess, hath he not hit you here? PETRUCHIO A' has a little gall'd me, I confess; And, as the jest did glance away from me, 'Tis ten to one it maim'd you two outright. BAPTISTA Now, in good sadness, son Petruchio, I think thou hast the veriest shrew of all. PETRUCHIO Well, I say no: and therefore for assurance Let's each one send unto his wife; And he whose wife is most obedient To come at first when he doth send for her, Shall win the wager which we will propose. HORTENSIO Content. What is the wager? LUCENTIO Twenty crowns. PETRUCHIO Twenty crowns! I'll venture so much of my hawk or hound, But twenty times so much upon my wife. LUCENTIO A hundred then. HORTENSIO Content. PETRUCHIO A match! 'tis done. HORTENSIO Who shall begin? LUCENTIO That will I. Go, Biondello, bid your mistress come to me. BIONDELLO I go. [Exit] BAPTISTA Son, I'll be your half, Bianca comes. LUCENTIO I'll have no halves; I'll bear it all myself. [Re-enter BIONDELLO] How now! what news? BIONDELLO Sir, my mistress sends you word That she is busy and she cannot come. PETRUCHIO How! she is busy and she cannot come! Is that an answer? GREMIO Ay, and a kind one too: Pray God, sir, your wife send you not a worse. PETRUCHIO I hope better. HORTENSIO Sirrah Biondello, go and entreat my wife To come to me forthwith. [Exit BIONDELLO] PETRUCHIO O, ho! entreat her! Nay, then she must needs come. HORTENSIO I am afraid, sir, Do what you can, yours will not be entreated. [Re-enter BIONDELLO] Now, where's my wife? BIONDELLO She says you have some goodly jest in hand: She will not come: she bids you come to her. PETRUCHIO Worse and worse; she will not come! O vile, Intolerable, not to be endured! Sirrah Grumio, go to your mistress; Say, I command her to come to me. [Exit GRUMIO] HORTENSIO I know her answer. PETRUCHIO What? HORTENSIO She will not. PETRUCHIO The fouler fortune mine, and there an end. BAPTISTA Now, by my holidame, here comes Katharina! [Re-enter KATARINA] KATHARINA What is your will, sir, that you send for me? PETRUCHIO Where is your sister, and Hortensio's wife? KATHARINA They sit conferring by the parlor fire. PETRUCHIO Go fetch them hither: if they deny to come. Swinge me them soundly forth unto their husbands: Away, I say, and bring them hither straight. [Exit KATHARINA] LUCENTIO Here is a wonder, if you talk of a wonder. HORTENSIO And so it is: I wonder what it bodes. PETRUCHIO Marry, peace it bodes, and love and quiet life, And awful rule and right supremacy; And, to be short, what not, that's sweet and happy? BAPTISTA Now, fair befal thee, good Petruchio! The wager thou hast won; and I will add Unto their losses twenty thousand crowns; Another dowry to another daughter, For she is changed, as she had never been. PETRUCHIO Nay, I will win my wager better yet And show more sign of her obedience, Her new-built virtue and obedience. See where she comes and brings your froward wives As prisoners to her womanly persuasion. [Re-enter KATHARINA, with BIANCA and Widow] Katharina, that cap of yours becomes you not: Off with that bauble, throw it under-foot. WIDOW Lord, let me never have a cause to sigh, Till I be brought to such a silly pass! BIANCA Fie! what a foolish duty call you this? LUCENTIO I would your duty were as foolish too: The wisdom of your duty, fair Bianca, Hath cost me an hundred crowns since supper-time. BIANCA The more fool you, for laying on my duty. PETRUCHIO Katharina, I charge thee, tell these headstrong women What duty they do owe their lords and husbands. WIDOW Come, come, you're mocking: we will have no telling. PETRUCHIO Come on, I say; and first begin with her. WIDOW She shall not. PETRUCHIO I say she shall: and first begin with her. KATHARINA Fie, fie! unknit that threatening unkind brow, And dart not scornful glances from those eyes, To wound thy lord, thy king, thy governor: It blots thy beauty as frosts do bite the meads, Confounds thy fame as whirlwinds shake fair buds, And in no sense is meet or amiable. A woman moved is like a fountain troubled, Muddy, ill-seeming, thick, bereft of beauty; And while it is so, none so dry or thirsty Will deign to sip or touch one drop of it. Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land, To watch the night in storms, the day in cold, Whilst thou liest warm at home, secure and safe; And craves no other tribute at thy hands But love, fair looks and true obedience; Too little payment for so great a debt. Such duty as the subject owes the prince Even such a woman oweth to her husband; And when she is froward, peevish, sullen, sour, And not obedient to his honest will, What is she but a foul contending rebel And graceless traitor to her loving lord? I am ashamed that women are so simple To offer war where they should kneel for peace; Or seek for rule, supremacy and sway, When they are bound to serve, love and obey. Why are our bodies soft and weak and smooth, Unapt to toil and trouble in the world, But that our soft conditions and our hearts Should well agree with our external parts? Come, come, you froward and unable worms! My mind hath been as big as one of yours, My heart as great, my reason haply more, To bandy word for word and frown for frown; But now I see our lances are but straws, Our strength as weak, our weakness past compare, That seeming to be most which we indeed least are. Then vail your stomachs, for it is no boot, And place your hands below your husband's foot: In token of which duty, if he please, My hand is ready; may it do him ease. PETRUCHIO Why, there's a wench! Come on, and kiss me, Kate. LUCENTIO Well, go thy ways, old lad; for thou shalt ha't. VINCENTIO 'Tis a good hearing when children are toward. LUCENTIO But a harsh hearing when women are froward. PETRUCHIO Come, Kate, we'll to bed. We three are married, but you two are sped. [To LUCENTIO] 'Twas I won the wager, though you hit the white; And, being a winner, God give you good night! [Exeunt PETRUCHIO and KATHARINA] HORTENSIO Now, go thy ways; thou hast tamed a curst shrew. LUCENTIO 'Tis a wonder, by your leave, she will be tamed so. [Exeunt]
Modern English
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Act V, Scene 2 functions as the play's ideological climax, staging a public demonstration of taming before an audience of fathers, rivals, and new husbands. The wager structure is theatrically shrewd: by making obedience the object of a bet, Shakespeare frames the domestic as a competitive sport, implicating the male characters in a system of patriarchal exchange where wives are simultaneously prizes and proof of masculine authority. The scene thus literalises what the entire play has treated metaphorically — women as property whose value is measured by compliance.Katharina's closing speech is the most contested passage in the Shakespearean canon. Read at face value it is a conduct-book homily, rehearsing Elizabethan commonplaces about the husband as sovereign lord and the wife as grateful subject. Yet the speech's very excess — its elaborate similes of muddy fountains, frost-bitten meads, and whirlwind-shaken buds — invites scrutiny. The imagery of natural disorder applied to female anger echoes the play's opening frame of social misrule, suggesting that Katharina's capitulation restores a cosmic as well as domestic order. Whether this restoration is sincere, performed, or ironic remains deliberately unresolved by the text.The language of sovereignty pervades the speech: "lord," "king," "governor," "sovereign," "prince," and "subject" cluster...

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"Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign; one that cares for thee, And for thy maintenance commits his body To painful labour both by sea and land," — Katharina (5.2)

"Such duty as the subject owes the prince Even such a woman oweth to her husband;" — Katharina (5.2)

"A woman moved is like a fountain troubled, Muddy, ill-seeming, thick, bereft of beauty;" — Katharina (5.2)

"My mind hath been as big as one of yours, My heart as great, my reason haply more, To bandy word for word and frown for frown;" — Katharina (5.2)

"'Twas I won the wager, though you hit the white; And, being a winner, God give you good night!" — Petruchio (5.2)

"Marry, peace it bodes, and love and quiet life, And awful rule and right supremacy;" — Petruchio (5.2)

"'Tis a wonder, by your leave, she will be tamed so." — Lucentio (5.2)

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