As You Like It Study Guide

Act V, Scene 2

The forest

Scene Summary

Orlando and Oliver discuss Oliver's sudden love for Aliena (Celia in disguise), with Oliver pledging to surrender their father's estate to Orlando and live as a shepherd. Orlando consents to a wedding the next day. When Rosalind (still disguised as Ganymede) arrives, Orlando confesses he can no longer endure the pretence of courtship and longs for the real Rosalind. Rosalind then reveals, cryptically, that she possesses magical knowledge and promises to produce Rosalind in person at the wedding.

Silvius and Phebe enter, and the scene builds into a formal, echoing litany in which each lover declares the nature of love in turn. Rosalind, orchestrating the chaos, promises each party satisfaction and commands them all to meet the following day, when every lover will be paired and every marriage resolved.

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Original Text
[Enter ORLANDO and OLIVER] ORLANDO Is't possible that on so little acquaintance you should like her? that but seeing you should love her? and loving woo? and, wooing, she should grant? and will you persever to enjoy her? OLIVER Neither call the giddiness of it in question, the poverty of her, the small acquaintance, my sudden wooing, nor her sudden consenting; but say with me, I love Aliena; say with her that she loves me; consent with both that we may enjoy each other: it shall be to your good; for my father's house and all the revenue that was old Sir Rowland's will I estate upon you, and here live and die a shepherd. ORLANDO You have my consent. Let your wedding be to-morrow: thither will I invite the duke and all's contented followers. Go you and prepare Aliena; for look you, here comes my Rosalind. [Enter ROSALIND] ROSALIND God save you, brother. OLIVER And you, fair sister. [Exit] ROSALIND O, my dear Orlando, how it grieves me to see thee wear thy heart in a scarf! ORLANDO It is my arm. ROSALIND I thought thy heart had been wounded with the claws of a lion. ORLANDO Wounded it is, but with the eyes of a lady. ROSALIND Did your brother tell you how I counterfeited to swoon when he showed me your handkerchief? ORLANDO Ay, and greater wonders than that. ROSALIND O, I know where you are: nay, 'tis true: there was never any thing so sudden but the fight of two rams and Caesar's thrasonical brag of 'I came, saw, and overcame:' for your brother and my sister no sooner met but they looked, no sooner looked but they loved, no sooner loved but they sighed, no sooner sighed but they asked one another the reason, no sooner knew the reason but they sought the remedy; and in these degrees have they made a pair of stairs to marriage which they will climb incontinent, or else be incontinent before marriage: they are in the very wrath of love and they will together; clubs cannot part them. ORLANDO They shall be married to-morrow, and I will bid the duke to the nuptial. But, O, how bitter a thing it is to look into happiness through another man's eyes! By so much the more shall I to-morrow be at the height of heart-heaviness, by how much I shall think my brother happy in having what he wishes for. ROSALIND Why then, to-morrow I cannot serve your turn for Rosalind? ORLANDO I can live no longer by thinking. ROSALIND I will weary you then no longer with idle talking. Know of me then, for now I speak to some purpose, that I know you are a gentleman of good conceit: I speak not this that you should bear a good opinion of my knowledge, insomuch I say I know you are; neither do I labour for a greater esteem than may in some little measure draw a belief from you, to do yourself good and not to grace me. Believe then, if you please, that I can do strange things: I have, since I was three year old, conversed with a magician, most profound in his art and yet not damnable. If you do love Rosalind so near the heart as your gesture cries it out, when your brother marries Aliena, shall you marry her: I know into what straits of fortune she is driven; and it is not impossible to me, if it appear not inconvenient to you, to set her before your eyes tomorrow human as she is and without any danger. ORLANDO Speakest thou in sober meanings? ROSALIND By my life, I do; which I tender dearly, though I say I am a magician. Therefore, put you in your best array: bid your friends; for if you will be married to-morrow, you shall, and to Rosalind, if you will. [Enter SILVIUS and PHEBE] Look, here comes a lover of mine and a lover of hers. PHEBE Youth, you have done me much ungentleness, To show the letter that I writ to you. ROSALIND I care not if I have: it is my study To seem despiteful and ungentle to you: You are there followed by a faithful shepherd; Look upon him, love him; he worships you. PHEBE Good shepherd, tell this youth what 'tis to love. SILVIUS It is to be all made of sighs and tears; And so am I for Phebe. PHEBE And I for Ganymede. ORLANDO And I for Rosalind. ROSALIND And I for no woman. SILVIUS It is to be all made of faith and service; And so am I for Phebe. PHEBE And I for Ganymede. ORLANDO And I for Rosalind. ROSALIND And I for no woman. SILVIUS It is to be all made of fantasy, All made of passion and all made of wishes, All adoration, duty, and observance, All humbleness, all patience and impatience, All purity, all trial, all observance; And so am I for Phebe. PHEBE And so am I for Ganymede. ORLANDO And so am I for Rosalind. ROSALIND And so am I for no woman. PHEBE If this be so, why blame you me to love you? SILVIUS If this be so, why blame you me to love you? ORLANDO If this be so, why blame you me to love you? ROSALIND Who do you speak to, 'Why blame you me to love you?' ORLANDO To her that is not here, nor doth not hear. ROSALIND Pray you, no more of this; 'tis like the howling of Irish wolves against the moon. [To SILVIUS] I will help you, if I can: [To PHEBE] I would love you, if I could. To-morrow meet me all together. [To PHEBE] I will marry you, if ever I marry woman, and I'll be married to-morrow: [To ORLANDO] I will satisfy you, if ever I satisfied man, and you shall be married to-morrow: [To SILVIUS] I will content you, if what pleases you contents you, and you shall be married to-morrow. [To ORLANDO] As you love Rosalind, meet: [To SILVIUS] as you love Phebe, meet: and as I love no woman, I'll meet. So fare you well: I have left you commands. SILVIUS I'll not fail, if I live. PHEBE Nor I. ORLANDO Nor I. [Exeunt]
Modern English
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This scene functions as the dramatic pivot of the play's resolution, gathering all the romantic plots into a single, tightly managed moment before the weddings of Act V, Scene 4. Rosalind's promise to produce herself "human as she is and without any danger" by invoking a magician she has known since childhood is a piece of deliberate theatrical sleight of hand: the audience knows the magic is simply the removal of disguise, yet the language of the supernatural lends the imminent revelation a ceremonial weight. Shakespeare uses the fiction of magic to dignify what is, structurally, a rather convenient untying of knots, transforming plot mechanics into something that feels like wonder.The love-litany — Silvius's threefold definition of love answered in turn by Phebe, Orlando, and Rosalind — is one of the play's most formally self-conscious passages. Its anaphoric structure ("It is to be all made of…") draws on the conventions of Petrarchan blazon and complaint, cataloguing love's contradictions: faith and service, fantasy and passion, purity and trial. The repetition creates a comic, almost musical effect, yet it also exposes the absurdity of each lover's position. Rosalind's refrain, "And I for no woman," is the scene's sharpest irony: spoken by a...

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"I can live no longer by thinking." — Orlando (5.2)

"how bitter a thing it is to look into happiness through another man's eyes!" — Orlando (5.2)

"I have, since I was three year old, conversed with a magician, most profound in his art and yet not damnable." — Rosalind (5.2)

"It is to be all made of fantasy, All made of passion and all made of wishes, All adoration, duty, and observance, All humbleness, all patience and impatience, All purity, all trial, all observance;" — Silvius (5.2)

"And I for no woman." — Rosalind (5.2)

"Pray you, no more of this; 'tis like the howling of Irish wolves against the moon." — Rosalind (5.2)

"for your brother and my sister no sooner met but they looked, no sooner looked but they loved, no sooner loved but they sighed, no sooner sighed but they asked one another the reason, no sooner knew the reason but they sought the remedy;" — Rosalind (5.2)

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Mr. Shifflett
Mr. Shifflett
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