As You Like It Study Guide

Act II, Scene 3

Before Oliver's house

Scene Summary

Outside Oliver's house, Adam intercepts Orlando with an urgent warning: Oliver, envious of his brother's celebrated virtues and popularity, plans to burn Orlando's lodgings that very night with Orlando inside, and has other murderous schemes in reserve. Adam refuses to name Oliver as a true brother or son of Sir Rowland, so thoroughly does he condemn him.

Orlando despairs, unwilling to beg or turn to highway robbery, yet reluctant to remain. Adam resolves the crisis by offering his life savings of five hundred crowns and pledging his own service, insisting his temperate youth has left him still vigorous. Orlando praises Adam's old-world fidelity and accepts, promising they will seek modest contentment together; Adam vows to follow his master to his last breath.

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Original Text
[Enter ORLANDO and ADAM, meeting] ORLANDO Who's there? ADAM What, my young master? O, my gentle master! O my sweet master! O you memory Of old Sir Rowland! why, what make you here? Why are you virtuous? why do people love you? And wherefore are you gentle, strong and valiant? Why would you be so fond to overcome The bonny priser of the humorous duke? Your praise is come too swiftly home before you. Know you not, master, to some kind of men Their graces serve them but as enemies? No more do yours: your virtues, gentle master, Are sanctified and holy traitors to you. O, what a world is this, when what is comely Envenoms him that bears it! ORLANDO Why, what's the matter? ADAM O unhappy youth! Come not within these doors; within this roof The enemy of all your graces lives: Your brother--no, no brother; yet the son-- Yet not the son, I will not call him son Of him I was about to call his father-- Hath heard your praises, and this night he means To burn the lodging where you use to lie And you within it: if he fail of that, He will have other means to cut you off. I overheard him and his practises. This is no place; this house is but a butchery: Abhor it, fear it, do not enter it. ORLANDO Why, whither, Adam, wouldst thou have me go? ADAM No matter whither, so you come not here. ORLANDO What, wouldst thou have me go and beg my food? Or with a base and boisterous sword enforce A thievish living on the common road? This I must do, or know not what to do: Yet this I will not do, do how I can; I rather will subject me to the malice Of a diverted blood and bloody brother. ADAM But do not so. I have five hundred crowns, The thrifty hire I saved under your father, Which I did store to be my foster-nurse When service should in my old limbs lie lame And unregarded age in corners thrown: Take that, and He that doth the ravens feed, Yea, providently caters for the sparrow, Be comfort to my age! Here is the gold; And all this I give you. Let me be your servant: Though I look old, yet I am strong and lusty; For in my youth I never did apply Hot and rebellious liquors in my blood, Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities. ORLANDO O good old man, how well in thee appears The constant service of the antique world, When service sweat for duty, not for meed! Thou art not for the fashion of these times, Where none will sweat but for promotion, And having that, do choke their service up Even with the having: it is not so with thee. But, poor old man, thou prunest a rotten tree, That cannot so much as a blossom yield In lieu of all thy pains and husbandry But come thy ways; well go along together, And ere we have thy youthful wages spent, We'll light upon some settled low content. ADAM Master, go on, and I will follow thee, To the last gasp, with truth and loyalty. From seventeen years till now almost fourscore Here lived I, but now live here no more. At seventeen years many their fortunes seek; But at fourscore it is too late a week: Yet fortune cannot recompense me better Than to die well and not my master's debtor. [Exeunt]
Modern English
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This brief scene functions as a narrative hinge, propelling Orlando from the corrupt court world into the Forest of Arden. Shakespeare compresses exposition and character revelation into a single encounter, using the urgency of Oliver's plot to motivate the play's central pastoral displacement. The scene also quietly mirrors the earlier wrestling match: just as Orlando's physical virtue made him a target, here his moral virtue — his gentleness, valour, and popular grace — is the very cause of his danger, a bitter paradox Adam articulates with precision.Adam's opening speech develops the play's central paradox of virtue as liability. His image of "sanctified and holy traitors" frames goodness as self-betraying in a corrupt world, and the metaphor of venom — "what is comely / Envenoms him that bears it" — introduces the play's sustained interrogation of whether natural excellence can survive hostile social environments. This prepares the thematic contrast between the treacherous court and the restorative forest.Adam himself embodies the play's idealised vision of loyal service. Orlando's praise of "the constant service of the antique world, / When service sweat for duty, not for meed" explicitly codes Adam as a relic of a pre-commercial ethics, set against a present age where...

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"O, what a world is this, when what is comely / Envenoms him that bears it!" — Adam (2.3)

"Your virtues, gentle master, / Are sanctified and holy traitors to you." — Adam (2.3)

"Take that, and He that doth the ravens feed, / Yea, providently caters for the sparrow, / Be comfort to my age!" — Adam (2.3)

"Therefore my age is as a lusty winter, / Frosty, but kindly." — Adam (2.3)

"O good old man, how well in thee appears / The constant service of the antique world, / When service sweat for duty, not for meed!" — Orlando (2.3)

"But, poor old man, thou prunest a rotten tree, / That cannot so much as a blossom yield / In lieu of all thy pains and husbandry." — Orlando (2.3)

"To the last gasp, with truth and loyalty. / From seventeen years till now almost fourscore / Here lived I, but now live here no more." — Adam (2.3)

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Mr. Shifflett
Mr. Shifflett
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