Richard III Study Guide

Act III, Scene 6

The same

Scene Summary

A Scrivener enters alone, holding the formal indictment of Lord Hastings that he has spent eleven hours copying out in a fair legal hand. He notes that the document was brought to him by Catesby the previous night, and that the original draft took equally long to prepare.

He then observes, with bitter irony, that Hastings was still alive, untried, and free only five hours ago. The Scrivener reflects that the conspiracy is so transparent that everyone can see it, yet no one dares say so aloud. He closes with a grim aphorism: the world is corrupt, and when wickedness must be acknowledged only in private thought, all things will come to ruin.

Translation Style
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✨ Character Voice Translations PREMIUM
Original Text
[Enter a Scrivener, with a paper in his hand] SCRIVENER This is the indictment of the good Lord Hastings; Which in a set hand fairly is engross'd, That it may be this day read over in Paul's. And mark how well the sequel hangs together: Eleven hours I spent to write it over, For yesternight by Catesby was it brought me; The precedent was full as long a-doing: And yet within these five hours lived Lord Hastings, Untainted, unexamined, free, at liberty Here's a good world the while! Why who's so gross, That seeth not this palpable device? Yet who's so blind, but says he sees it not? Bad is the world; and all will come to nought, When such bad dealings must be seen in thought. [Exit]
Modern English
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This brief choric interlude is one of the most structurally precise moments in the play. Shakespeare gives the stage entirely to an anonymous craftsman whose sole dramatic function is to expose the gap between legal form and political reality. The indictment is a document of state, yet its chronology damns the regime that produced it: the paperwork condemning Hastings was commissioned before Hastings was arrested, tried, or executed. The Scrivener's arithmetic — eleven hours of copying, a precedent draft of equal length, and Hastings alive just five hours ago — transforms bureaucratic detail into devastating evidence of premeditated murder dressed as due process.The scene develops the play's pervasive theme of performance and dissemblance. Richard has consistently staged reality for an audience; here the staging is literalised in a written script. The indictment is itself a theatrical prop, designed to be "read over in Paul's" — a public performance of legality. The Scrivener's awareness that the device is "palpable" yet universally unacknowledged dramatises the complicity of silence that tyranny depends upon. His rhetorical chiasmus — "who's so gross / That seeth not this palpable device? / Yet who's so blind, but says he sees it not?" — captures the double bind...

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"Eleven hours I spent to write it over, / For yesternight by Catesby was it brought me;" — Scrivener (3.6)

"And yet within these five hours lived Lord Hastings, / Untainted, unexamined, free, at liberty" — Scrivener (3.6)

"Here's a good world the while!" — Scrivener (3.6)

"Why who's so gross, / That seeth not this palpable device? / Yet who's so blind, but says he sees it not?" — Scrivener (3.6)

"Bad is the world; and all will come to nought, / When such bad dealings must be seen in thought." — Scrivener (3.6)

"That it may be this day read over in Paul's." — Scrivener (3.6)

"The precedent was full as long a-doing:" — Scrivener (3.6)

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✎ Mr. Shifflett's Note
Mr. Shifflett
Mr. Shifflett
English Teacher · Seoul International School
Hey! I built this study guide and sprinkled my own teaching notes throughout — look for the gold highlights ✎ as you read.

These are the same insights I share with my students in class. I hope they help you see what makes Shakespeare's writing so brilliant. Enjoy!
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