Richard III Study Guide

Act I, Scene 2

The same. Another street

Scene Summary

Lady Anne accompanies the coffin of King Henry VI through the streets, pausing to curse his murderer, Richard of Gloucester. Richard suddenly appears, halts the procession, and endures Anne's torrent of denunciations—she calls him a devil, accuses him of killing both Henry and her husband Edward, and spits at him. Richard, undeterred, deflects every charge, claims her beauty drove him to murder, and offers her his sword to kill him. Anne cannot bring herself to strike. Richard presses his advantage, offers her a ring, and persuades her to leave the funeral to him and meet him at Crosby Place.

Once Anne and her attendants exit, Richard delivers a triumphant soliloquy marvelling at his own seductive power. He gloats that he has won a woman who had every reason to hate him, using nothing but his wit and dissembling looks, and resolves to buy a mirror to admire his newly discovered appeal before returning to bury the king.

Translation Style
✨ Character Voice Translations PREMIUM
Original Text
[Enter the corpse of KING HENRY the Sixth, Gentlemen with halberds to guard it; LADY ANNE being the mourner] LADY ANNE Set down, set down your honourable load, If honour may be shrouded in a hearse, Whilst I awhile obsequiously lament The untimely fall of virtuous Lancaster. Poor key-cold figure of a holy king! Pale ashes of the house of Lancaster! Thou bloodless remnant of that royal blood! Be it lawful that I invocate thy ghost, To hear the lamentations of Poor Anne, Wife to thy Edward, to thy slaughter'd son, Stabb'd by the selfsame hand that made these wounds! Lo, in these windows that let forth thy life, I pour the helpless balm of my poor eyes. Cursed be the hand that made these fatal holes! Cursed be the heart that had the heart to do it! Cursed the blood that let this blood from hence! More direful hap betide that hated wretch, That makes us wretched by the death of thee, Than I can wish to adders, spiders, toads, Or any creeping venom'd thing that lives! If ever he have child, abortive be it, Prodigious, and untimely brought to light, Whose ugly and unnatural aspect May fright the hopeful mother at the view; And that be heir to his unhappiness! If ever he have wife, let her he made A miserable by the death of him As I am made by my poor lord and thee! Come, now towards Chertsey with your holy load, Taken from Paul's to be interred there; And still, as you are weary of the weight, Rest you, whiles I lament King Henry's corse. [Enter GLOUCESTER] GLOUCESTER Stay, you that bear the corse, and set it down. LADY ANNE What black magician conjures up this fiend, To stop devoted charitable deeds? GLOUCESTER Villains, set down the corse; or, by Saint Paul, I'll make a corse of him that disobeys. GENTLEMAN My lord, stand back, and let the coffin pass. GLOUCESTER Unmanner'd dog! stand thou, when I command: Advance thy halbert higher than my breast, Or, by Saint Paul, I'll strike thee to my foot, And spurn upon thee, beggar, for thy boldness. LADY ANNE What, do you tremble? are you all afraid? Alas, I blame you not; for you are mortal, And mortal eyes cannot endure the devil. Avaunt, thou dreadful minister of hell! Thou hadst but power over his mortal body, His soul thou canst not have; therefore be gone. GLOUCESTER Sweet saint, for charity, be not so curst. LADY ANNE Foul devil, for God's sake, hence, and trouble us not; For thou hast made the happy earth thy hell, Fill'd it with cursing cries and deep exclaims. If thou delight to view thy heinous deeds, Behold this pattern of thy butcheries. O, gentlemen, see, see! dead Henry's wounds Open their congeal'd mouths and bleed afresh! Blush, Blush, thou lump of foul deformity; For 'tis thy presence that exhales this blood From cold and empty veins, where no blood dwells; Thy deed, inhuman and unnatural, Provokes this deluge most unnatural. O God, which this blood madest, revenge his death! O earth, which this blood drink'st revenge his death! Either heaven with lightning strike the murderer dead, Or earth, gape open wide and eat him quick, As thou dost swallow up this good king's blood Which his hell-govern'd arm hath butchered! GLOUCESTER Lady, you know no rules of charity, Which renders good for bad, blessings for curses. LADY ANNE Villain, thou know'st no law of God nor man: No beast so fierce but knows some touch of pity. GLOUCESTER But I know none, and therefore am no beast. LADY ANNE O wonderful, when devils tell the truth! GLOUCESTER More wonderful, when angels are so angry. Vouchsafe, divine perfection of a woman, Of these supposed-evils, to give me leave, By circumstance, but to acquit myself. LADY ANNE Vouchsafe, defused infection of a man, For these known evils, but to give me leave, By circumstance, to curse thy cursed self. GLOUCESTER Fairer than tongue can name thee, let me have Some patient leisure to excuse myself. LADY ANNE Fouler than heart can think thee, thou canst make No excuse current, but to hang thyself. GLOUCESTER By such despair, I should accuse myself. LADY ANNE And, by despairing, shouldst thou stand excused; For doing worthy vengeance on thyself, Which didst unworthy slaughter upon others. GLOUCESTER Say that I slew them not? LADY ANNE Why, then they are not dead: But dead they are, and devilish slave, by thee. GLOUCESTER I did not kill your husband. LADY ANNE Why, then he is alive. GLOUCESTER Nay, he is dead; and slain by Edward's hand. LADY ANNE In thy foul throat thou liest: Queen Margaret saw Thy murderous falchion smoking in his blood; The which thou once didst bend against her breast, But that thy brothers beat aside the point. GLOUCESTER I was provoked by her slanderous tongue, which laid their guilt upon my guiltless shoulders. LADY ANNE Thou wast provoked by thy bloody mind. Which never dreamt on aught but butcheries: Didst thou not kill this king? GLOUCESTER I grant ye. LADY ANNE Dost grant me, hedgehog? then, God grant me too Thou mayst be damned for that wicked deed! O, he was gentle, mild, and virtuous! GLOUCESTER The fitter for the King of heaven, that hath him. LADY ANNE He is in heaven, where thou shalt never come. GLOUCESTER Let him thank me, that holp to send him thither; For he was fitter for that place than earth. LADY ANNE And thou unfit for any place but hell. GLOUCESTER Yes, one place else, if you will hear me name it. LADY ANNE Some dungeon. GLOUCESTER Your bed-chamber. LADY ANNE Ill rest betide the chamber where thou liest! GLOUCESTER So will it, madam till I lie with you. LADY ANNE I hope so. GLOUCESTER I know so. But, gentle Lady Anne, To leave this keen encounter of our wits, And fall somewhat into a slower method, Is not the causer of the timeless deaths Of these Plantagenets, Henry and Edward, As blameful as the executioner? LADY ANNE Thou art the cause, and most accursed effect. GLOUCESTER Your beauty was the cause of that effect; Your beauty: which did haunt me in my sleep To undertake the death of all the world, So I might live one hour in your sweet bosom. LADY ANNE If I thought that, I tell thee, homicide, These nails should rend that beauty from my cheeks. GLOUCESTER These eyes could never endure sweet beauty's wreck; You should not blemish it, if I stood by: As all the world is cheered by the sun, So I by that; it is my day, my life. LADY ANNE Black night o'ershade thy day, and death thy life! GLOUCESTER Curse not thyself, fair creature thou art both. LADY ANNE I would I were, to be revenged on thee. GLOUCESTER It is a quarrel most unnatural, To be revenged on him that loveth you. LADY ANNE It is a quarrel just and reasonable, To be revenged on him that slew my husband. GLOUCESTER He that bereft thee, lady, of thy husband, Did it to help thee to a better husband. LADY ANNE His better doth not breathe upon the earth. GLOUCESTER He lives that loves thee better than he could. LADY ANNE Name him. GLOUCESTER Plantagenet. LADY ANNE Why, that was he. GLOUCESTER The selfsame name, but one of better nature. LADY ANNE Where is he? GLOUCESTER Here. [She spitteth at him] Why dost thou spit at me? LADY ANNE Would it were mortal poison, for thy sake! GLOUCESTER Never came poison from so sweet a place. LADY ANNE Never hung poison on a fouler toad. Out of my sight! thou dost infect my eyes. GLOUCESTER Thine eyes, sweet lady, have infected mine. LADY ANNE Would they were basilisks, to strike thee dead! GLOUCESTER I would they were, that I might die at once; For now they kill me with a living death. Those eyes of thine from mine have drawn salt tears, Shamed their aspect with store of childish drops: These eyes that never shed remorseful tear, No, when my father York and Edward wept, To hear the piteous moan that Rutland made When black-faced Clifford shook his sword at him; Nor when thy warlike father, like a child, Told the sad story of my father's death, And twenty times made pause to sob and weep, That all the standers-by had wet their cheeks Like trees bedash'd with rain: in that sad time My manly eyes did scorn an humble tear; And what these sorrows could not thence exhale, Thy beauty hath, and made them blind with weeping. I never sued to friend nor enemy; My tongue could never learn sweet smoothing word; But now thy beauty is proposed my fee, My proud heart sues, and prompts my tongue to speak. [She looks scornfully at him] Teach not thy lips such scorn, for they were made For kissing, lady, not for such contempt. If thy revengeful heart cannot forgive, Lo, here I lend thee this sharp-pointed sword; Which if thou please to hide in this true bosom. And let the soul forth that adoreth thee, I lay it naked to the deadly stroke, And humbly beg the death upon my knee. [He lays his breast open: she offers at it with his sword] Nay, do not pause; for I did kill King Henry, But 'twas thy beauty that provoked me. Nay, now dispatch; 'twas I that stabb'd young Edward, But 'twas thy heavenly face that set me on. [Here she lets fall the sword] Take up the sword again, or take up me. LADY ANNE Arise, dissembler: though I wish thy death, I will not be the executioner. GLOUCESTER Then bid me kill myself, and I will do it. LADY ANNE I have already. GLOUCESTER Tush, that was in thy rage: Speak it again, and, even with the word, That hand, which, for thy love, did kill thy love, Shall, for thy love, kill a far truer love; To both their deaths thou shalt be accessary. LADY ANNE I would I knew thy heart. GLOUCESTER 'Tis figured in my tongue. LADY ANNE I fear me both are false. GLOUCESTER Then never man was true. LADY ANNE Well, well, put up your sword. GLOUCESTER Say, then, my peace is made. LADY ANNE That shall you know hereafter. GLOUCESTER But shall I live in hope? LADY ANNE All men, I hope, live so. GLOUCESTER Vouchsafe to wear this ring. LADY ANNE To take is not to give. GLOUCESTER Look, how this ring encompasseth finger. Even so thy breast encloseth my poor heart; Wear both of them, for both of them are thine. And if thy poor devoted suppliant may But beg one favour at thy gracious hand, Thou dost confirm his happiness for ever. LADY ANNE What is it? GLOUCESTER That it would please thee leave these sad designs To him that hath more cause to be a mourner, And presently repair to Crosby Place; Where, after I have solemnly interr'd At Chertsey monastery this noble king, And wet his grave with my repentant tears, I will with all expedient duty see you: For divers unknown reasons. I beseech you, Grant me this boon. LADY ANNE With all my heart; and much it joys me too, To see you are become so penitent. Tressel and Berkeley, go along with me. GLOUCESTER Bid me farewell. LADY ANNE 'Tis more than you deserve; But since you teach me how to flatter you, Imagine I have said farewell already. [Exeunt LADY ANNE, TRESSEL, and BERKELEY] GLOUCESTER Sirs, take up the corse. GENTLEMEN Towards Chertsey, noble lord? GLOUCESTER No, to White-Friars; there attend my coining. [Exeunt all but GLOUCESTER] Was ever woman in this humour woo'd? Was ever woman in this humour won? I'll have her; but I will not keep her long. What! I, that kill'd her husband and his father, To take her in her heart's extremest hate, With curses in her mouth, tears in her eyes, The bleeding witness of her hatred by; Having God, her conscience, and these bars against me, And I nothing to back my suit at all, But the plain devil and dissembling looks, And yet to win her, all the world to nothing! Ha! Hath she forgot already that brave prince, Edward, her lord, whom I, some three months since, Stabb'd in my angry mood at Tewksbury? A sweeter and a lovelier gentleman, Framed in the prodigality of nature, Young, valiant, wise, and, no doubt, right royal, The spacious world cannot again afford And will she yet debase her eyes on me, That cropp'd the golden prime of this sweet prince, And made her widow to a woful bed? On me, whose all not equals Edward's moiety? On me, that halt and am unshapen thus? My dukedom to a beggarly denier, I do mistake my person all this while: Upon my life, she finds, although I cannot, Myself to be a marvellous proper man. I'll be at charges for a looking-glass, And entertain some score or two of tailors, To study fashions to adorn my body: Since I am crept in favour with myself, Will maintain it with some little cost. But first I'll turn yon fellow in his grave; And then return lamenting to my love. Shine out, fair sun, till I have bought a glass, That I may see my shadow as I pass. [Exit]
Modern English
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This scene is one of the most audacious theatrical set-pieces in Shakespeare, functioning as a sustained demonstration of Richard's rhetorical virtuosity and Machiavellian manipulation. The staging is deliberately grotesque: a wooing conducted over a bleeding corpse. Shakespeare uses this physical detail—Anne's invocation of Henry's wounds reopening in Richard's presence—to literalise the idea that Richard's very existence is an affront to natural and moral order. The bleeding body becomes a memento mori that Richard must rhetorically neutralise, and his success in doing so measures the terrifying reach of his persuasive power.

The scene's language is structured around a series of antithetical exchanges that Richard consistently turns to his advantage. Anne calls him a devil; he calls her a saint. She calls him foul; he calls her fair. Each inversion enacts Richard's core strategy: to destabilise Anne's moral certainties by mirroring her rhetoric back at her in distorted form. His claim that her beauty caused the murders is a masterstroke of sophistry—it flatters while it absolves, and it shifts moral agency from perpetrator to victim. Anne's inability to refute it reveals how flattery can disarm even justified rage.

Richard's offer of the sword is the scene's theatrical climax and its most revealing moment of psychological manipulation. By placing himself in apparent vulnerability, he forces Anne into the role of executioner, a role she cannot accept without becoming the very thing she condemns. Her hesitation is not weakness but a moral scruple Richard has deliberately engineered. The moment she lets the sword fall, the power dynamic inverts permanently: she has, in effect, granted him permission to live, and therefore to pursue her.

The closing soliloquy reframes everything the audience has just witnessed as a performance within a performance. Richard's gleeful self-congratulation—"Was ever woman in this humour woo'd? / Was ever woman in this humour won?"—confirms that the entire scene was a calculated exercise. His sardonic plan to buy a looking-glass echoes the opening soliloquy's preoccupation with his own deformity, but now the mirror is a trophy of self-satisfaction rather than an emblem of inadequacy. The irony is savage: Richard, whom nature made ugly, has just convinced a woman to find him attractive through sheer force of language.

Thematically, the scene interrogates the relationship between beauty, desire, and moral corruption. Anne is not simply foolish; she is overwhelmed by a rhetoric that exploits the very virtues—charity, mercy, the capacity for hope—that define her character. Shakespeare thus implicates virtue itself in its own undoing, suggesting that innocence is no defence against calculated evil. The scene also advances the play's broader concern with language as power: Richard does not conquer by force here but by words alone, establishing him as a figure whose danger lies primarily in his tongue.

"Was ever woman in this humour woo'd? / Was ever woman in this humour won?" — Gloucester (1.2)

"Blush, Blush, thou lump of foul deformity; / For 'tis thy presence that exhales this blood / From cold and empty veins, where no blood dwells;" — Lady Anne (1.2)

"Your beauty was the cause of that effect; / Your beauty: which did haunt me in my sleep / To undertake the death of all the world, / So I might live one hour in your sweet bosom." — Gloucester (1.2)

"I'll have her; but I will not keep her long." — Gloucester (1.2)

"Never came poison from so sweet a place." — Gloucester (1.2)

"Nay, do not pause; for I did kill King Henry, / But 'twas thy beauty that provoked me. / Nay, now dispatch; 'twas I that stabb'd young Edward, / But 'twas thy heavenly face that set me on." — Gloucester (1.2)

"Shine out, fair sun, till I have bought a glass, / That I may see my shadow as I pass." — Gloucester (1.2)

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✎ Mr. Shifflett's Note
Mr. Shifflett
Mr. Shifflett
English Teacher · Seoul International School
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