Henry V Study Guide

Act III, Scene 2

The same

Scene Summary

Bardolph urges the cowardly Nym, Pistol, and the Boy toward the breach at Harfleur, but all three hang back in fear. Fluellen drives them forward with threats, and once alone, the Boy delivers a sharp soliloquy exposing each man's cowardice and petty thievery, resolving to find better service.

Fluellen then meets Gower, who reports that the Duke of Gloucester's siege-mines are being directed by the Irishman Macmorris. Macmorris arrives with the Scottish Captain Jamy, furious that the trumpet has sounded retreat before the mines could be sprung. Fluellen attempts to open a scholarly debate on Roman military discipline, but the exchange nearly turns violent when Macmorris bristles at a remark about his 'nation,' and only a parley trumpet prevents open quarrel.

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Original Text
[Enter NYM, BARDOLPH, PISTOL, and Boy] BARDOLPH On, on, on, on, on! to the breach, to the breach! NYM Pray thee, corporal, stay: the knocks are too hot; and, for mine own part, I have not a case of lives: the humour of it is too hot, that is the very plain-song of it. PISTOL The plain-song is most just: for humours do abound: Knocks go and come; God's vassals drop and die; And sword and shield, In bloody field, Doth win immortal fame. BOY Would I were in an alehouse in London! I would give all my fame for a pot of ale and safety. PISTOL And I: If wishes would prevail with me, My purpose should not fail with me, But thither would I hie. BOY As duly, but not as truly, As bird doth sing on bough. [Enter FLUELLEN] FLUELLEN Up to the breach, you dogs! avaunt, you cullions! [Driving them forward] PISTOL Be merciful, great duke, to men of mould. Abate thy rage, abate thy manly rage, Abate thy rage, great duke! Good bawcock, bate thy rage; use lenity, sweet chuck! NYM These be good humours! your honour wins bad humours. [Exeunt all but Boy] BOY As young as I am, I have observed these three swashers. I am boy to them all three: but all they three, though they would serve me, could not be man to me; for indeed three such antics do not amount to a man. For Bardolph, he is white-livered and red-faced; by the means whereof a' faces it out, but fights not. For Pistol, he hath a killing tongue and a quiet sword; by the means whereof a' breaks words, and keeps whole weapons. For Nym, he hath heard that men of few words are the best men; and therefore he scorns to say his prayers, lest a' should be thought a coward: but his few bad words are matched with as few good deeds; for a' never broke any man's head but his own, and that was against a post when he was drunk. They will steal any thing, and call it purchase. Bardolph stole a lute-case, bore it twelve leagues, and sold it for three half pence. Nym and Bardolph are sworn brothers in filching, and in Calais they stole a fire-shovel: I knew by that piece of service the men would carry coals. They would have me as familiar with men's pockets as their gloves or their handkerchers: which makes much against my manhood, if I should take from another's pocket to put into mine; for it is plain pocketing up of wrongs. I must leave them, and seek some better service: their villany goes against my weak stomach, and therefore I must cast it up. [Exit] [Re-enter FLUELLEN, GOWER following] GOWER Captain Fluellen, you must come presently to the mines; the Duke of Gloucester would speak with you. FLUELLEN To the mines! tell you the duke, it is not so good to come to the mines; for, look you, the mines is not according to the disciplines of the war: the concavities of it is not sufficient; for, look you, the athversary, you may discuss unto the duke, look you, is digt himself four yard under the countermines: by Cheshu, I think a' will plough up all, if there is not better directions. GOWER The Duke of Gloucester, to whom the order of the siege is given, is altogether directed by an Irishman, a very valiant gentleman, i' faith. FLUELLEN It is Captain Macmorris, is it not? GOWER I think it be. FLUELLEN By Cheshu, he is an ass, as in the world: I will verify as much in his beard: be has no more directions in the true disciplines of the wars, look you, of the Roman disciplines, than is a puppy-dog. [Enter MACMORRIS and Captain JAMY] GOWER Here a' comes; and the Scots captain, Captain Jamy, with him. FLUELLEN Captain Jamy is a marvellous falourous gentleman, that is certain; and of great expedition and knowledge in th' aunchient wars, upon my particular knowledge of his directions: by Cheshu, he will maintain his argument as well as any military man in the world, in the disciplines of the pristine wars of the Romans. JAMY I say gud-day, Captain Fluellen. FLUELLEN God-den to your worship, good Captain James. GOWER How now, Captain Macmorris! have you quit the mines? have the pioneers given o'er? MACMORRIS By Chrish, la! tish ill done: the work ish give over, the trompet sound the retreat. By my hand, I swear, and my father's soul, the work ish ill done; it ish give over: I would have blowed up the town, so Chrish save me, la! in an hour: O, tish ill done, tish ill done; by my hand, tish ill done! FLUELLEN Captain Macmorris, I beseech you now, will you voutsafe me, look you, a few disputations with you, as partly touching or concerning the disciplines of the war, the Roman wars, in the way of argument, look you, and friendly communication; partly to satisfy my opinion, and partly for the satisfaction, look you, of my mind, as touching the direction of the military discipline; that is the point. JAMY It sall be vary gud, gud feith, gud captains bath: and I sall quit you with gud leve, as I may pick occasion; that sall I, marry. MACMORRIS It is no time to discourse, so Chrish save me: the day is hot, and the weather, and the wars, and the king, and the dukes: it is no time to discourse. The town is beseeched, and the trumpet call us to the breach; and we talk, and, be Chrish, do nothing: 'tis shame for us all: so God sa' me, 'tis shame to stand still; it is shame, by my hand: and there is throats to be cut, and works to be done; and there ish nothing done, so Chrish sa' me, la! JAMY By the mess, ere theise eyes of mine take themselves to slomber, ay'll de gud service, or ay'll lig i' the grund for it; ay, or go to death; and ay'll pay 't as valourously as I may, that sall I suerly do, that is the breff and the long. Marry, I wad full fain hear some question 'tween you tway. FLUELLEN Captain Macmorris, I think, look you, under your correction, there is not many of your nation-- MACMORRIS Of my nation! What ish my nation? Ish a villain, and a bastard, and a knave, and a rascal. What ish my nation? Who talks of my nation? FLUELLEN Look you, if you take the matter otherwise than is meant, Captain Macmorris, peradventure I shall think you do not use me with that affability as in discretion you ought to use me, look you: being as good a man as yourself, both in the disciplines of war, and in the derivation of my birth, and in other particularities. MACMORRIS I do not know you so good a man as myself: so Chrish save me, I will cut off your head. GOWER Gentlemen both, you will mistake each other. JAMY A! that's a foul fault. [A parley sounded] GOWER The town sounds a parley. FLUELLEN Captain Macmorris, when there is more better opportunity to be required, look you, I will be so bold as to tell you I know the disciplines of war; and there is an end. [Exeunt]
Modern English
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This scene functions as a deliberate comic counterpoint to the heroic rhetoric of Henry's 'Once more unto the breach' speech that immediately precedes it. By showing Bardolph, Nym, and Pistol fleeing the very breach they are urged toward, Shakespeare deflates martial idealism and reminds the audience that the rank and file do not necessarily share their king's transcendent vision of glory. The juxtaposition is structurally ironic: Henry's speech ends on the word 'England,' and the scene opens with Bardolph's hollow echo of the same command, drained of all conviction.The Boy's soliloquy is the scene's dramatic and thematic centrepiece. His cool, analytical prose — contrasting with the bombast of his masters — establishes him as a figure of clear-sighted moral intelligence. Each portrait is built on an antithesis: Bardolph is 'white-livered and red-faced,' Pistol has 'a killing tongue and a quiet sword,' Nym scorns prayer lest he seem a coward yet performs no brave deeds. These paradoxes expose the gap between reputation and reality, a gap that runs through the entire play's examination of kingship and honour. The Boy's decision to leave them signals a nascent moral agency that makes his later death all the more poignant.The second half of the...

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"Would I were in an alehouse in London! I would give all my fame for a pot of ale and safety." — Boy (3.2)

"For Pistol, he hath a killing tongue and a quiet sword; by the means whereof a' breaks words, and keeps whole weapons." — Boy (3.2)

"They will steal any thing, and call it purchase." — Boy (3.2)

"their villany goes against my weak stomach, and therefore I must cast it up." — Boy (3.2)

"Of my nation! What ish my nation? Ish a villain, and a bastard, and a knave, and a rascal. What ish my nation? Who talks of my nation?" — Macmorris (3.2)

"It is no time to discourse, so Chrish save me: the day is hot, and the weather, and the wars, and the king, and the dukes: it is no time to discourse." — Macmorris (3.2)

"By the mess, ere theise eyes of mine take themselves to slomber, ay'll de gud service, or ay'll lig i' the grund for it; ay, or go to death; and ay'll pay 't as valourously as I may, that sall I suerly do, that is the breff and the long." — Jamy (3.2)

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Mr. Shifflett
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