Henry V Study Guide

Act III, Scene 4

The French King's palace

Scene Summary

In a brief comic interlude set at the French court, Princess Katharine summons her lady-in-waiting Alice, who has lived in England, to give her an informal English lesson. Katharine asks Alice to name the hand, fingers, nails, arm, elbow, neck, and chin in English, carefully repeating and memorising each word. She stumbles over pronunciations, substituting "de nick" for "neck" and "de sin" for "chin," and confuses "elbow" with "bilbow."

When Alice supplies the words for "foot" and "gown" ("de foot" and "de coun"), Katharine is scandalized because the English sounds closely resemble obscene French words. Despite her mock horror, she includes them in her final recitation of the full list, declares the lesson sufficient for one day, and the two women exit together to dinner.

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✨ Character Voice Translations PREMIUM
Original Text
[Enter KATHARINE and ALICE] KATHARINE Alice, tu as ete en Angleterre, et tu parles bien le langage. ALICE Un peu, madame. KATHARINE Je te prie, m'enseignez: il faut que j'apprenne a parler. Comment appelez-vous la main en Anglois? ALICE La main? elle est appelee de hand. KATHARINE De hand. Et les doigts? ALICE Les doigts? ma foi, j'oublie les doigts; mais je me souviendrai. Les doigts? je pense qu'ils sont appeles de fingres; oui, de fingres. KATHARINE La main, de hand; les doigts, de fingres. Je pense que je suis le bon ecolier; j'ai gagne deux mots d'Anglois vitement. Comment appelez-vous les ongles? ALICE Les ongles? nous les appelons de nails. KATHARINE De nails. Ecoutez; dites-moi, si je parle bien: de hand, de fingres, et de nails. ALICE C'est bien dit, madame; il est fort bon Anglois. KATHARINE Dites-moi l'Anglois pour le bras. ALICE De arm, madame. KATHARINE Et le coude? ALICE De elbow. KATHARINE De elbow. Je m'en fais la repetition de tous les mots que vous m'avez appris des a present. ALICE Il est trop difficile, madame, comme je pense. KATHARINE Excusez-moi, Alice; ecoutez: de hand, de fingres, de nails, de arma, de bilbow. ALICE De elbow, madame. KATHARINE O Seigneur Dieu, je m'en oublie! de elbow. Comment appelez-vous le col? ALICE De neck, madame. KATHARINE De nick. Et le menton? ALICE De chin. KATHARINE De sin. Le col, de nick; de menton, de sin. ALICE Oui. Sauf votre honneur, en verite, vous prononcez les mots aussi droit que les natifs d'Angleterre. KATHARINE Je ne doute point d'apprendre, par la grace de Dieu, et en peu de temps. ALICE N'avez vous pas deja oublie ce que je vous ai enseigne? KATHARINE Non, je reciterai a vous promptement: de hand, de fingres, de mails-- ALICE De nails, madame. KATHARINE De nails, de arm, de ilbow. ALICE Sauf votre honneur, de elbow. KATHARINE Ainsi dis-je; de elbow, de nick, et de sin. Comment appelez-vous le pied et la robe? ALICE De foot, madame; et de coun. KATHARINE De foot et de coun! O Seigneur Dieu! ce sont mots de son mauvais, corruptible, gros, et impudique, et non pour les dames d'honneur d'user: je ne voudrais prononcer ces mots devant les seigneurs de France pour tout le monde. Foh! le foot et le coun! Neanmoins, je reciterai une autre fois ma lecon ensemble: de hand, de fingres, de nails, de arm, de elbow, de nick, de sin, de foot, de coun. ALICE Excellent, madame! KATHARINE C'est assez pour une fois: allons-nous a diner. [Exeunt]
Modern English
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This scene functions as a comic interlude that provides tonal relief between the high-stakes military councils of Acts II and III, yet it carries significant dramatic weight. Katharine's English lesson anticipates the play's final act, in which Henry will woo her as part of the peace settlement, making her linguistic preparation a quiet form of political foreshadowing. The audience understands what Katharine does not yet know: that she is, in a sense, preparing herself to become an English queen.Shakespeare's choice to write the scene almost entirely in French is itself a bold theatrical device. English-speaking audiences are placed in the position of partial outsiders, experiencing a mild version of the linguistic alienation that Katharine herself feels. This structural empathy deepens the audience's sympathy for her and subtly complicates the play's triumphalist English nationalism by giving France an intimate, human domestic space.The malapropism and mispronunciation comedy operates on two levels simultaneously. On the surface, Katharine's errors — "de bilbow" for "elbow," "de nick" for "neck" — are simply charming mistakes that characterise her as an eager but imperfect student. At a deeper level, the phonetic accidents that make "foot" and "gown" sound like French obscenities enact a broader theme of the...

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"Alice, tu as ete en Angleterre, et tu parles bien le langage." — Katharine (3.4)

"Je pense que je suis le bon ecolier; j'ai gagne deux mots d'Anglois vitement." — Katharine (3.4)

"Oui. Sauf votre honneur, en verite, vous prononcez les mots aussi droit que les natifs d'Angleterre." — Alice (3.4)

"De foot et de coun! O Seigneur Dieu! ce sont mots de son mauvais, corruptible, gros, et impudique, et non pour les dames d'honneur d'user." — Katharine (3.4)

"Je ne doute point d'apprendre, par la grace de Dieu, et en peu de temps." — Katharine (3.4)

"C'est assez pour une fois: allons-nous a diner." — Katharine (3.4)

"Neanmoins, je reciterai une autre fois ma lecon ensemble: de hand, de fingres, de nails, de arm, de elbow, de nick, de sin, de foot, de coun." — Katharine (3.4)

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✎ Mr. Shifflett's Note
Mr. Shifflett
Mr. Shifflett
English Teacher · Seoul International School
Hey! I built this study guide and sprinkled my own teaching notes throughout — look for the gold highlights ✎ as you read.

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Sources: British Dyslexia Association Style Guide (2023), Zorzi et al. (PNAS, 2012), Rello & Baeza-Yates (W3C, 2012), Sjoblom et al. (Annals of Dyslexia, 2016). Full research summary available on request.