Anna Karenina Study Guide
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Part Six, Chapter 4

Chapter Summary

Walking through the forest with Varenka and the children on a mushroom-gathering excursion, Sergey Ivanovitch grows increasingly conscious of his deep feeling for her and senses she reciprocates it. He steps away from the group, ostensibly to pick mushrooms alone, and pauses behind a flowering spindle-tree to deliberate privately, lighting a cigar and reasoning through every possible objection to a proposal.

He methodically enumerates Varenka's virtues—her youth, her religious sincerity, her independence from worldly society, her lack of encumbering family—and dismisses each counter-argument, including loyalty to his late fiancée Marie and the question of his age. Seeing Varenka framed in the golden slanting sunlight against the oatfield and distant forest, his heart resolves. He flings away the cigar and strides toward her with deliberate steps.

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Original Text
Varenka, with her white kerchief on her black hair, surrounded by the children, gaily and good-humoredly looking after them, and at the same time visibly excited at the possibility of receiving a declaration from the man she cared for, was very attractive. Sergey Ivanovitch walked beside her, and never left off admiring her. Looking at her, he recalled all the delightful things he had heard from her lips, all the good he knew about her, and became more and more conscious that the feeling he had for her was something special that he had felt long, long ago, and only once, in his early youth. The feeling of happiness in being near her continually grew, and at last reached such a point that, as he put a huge, slender-stalked agaric fungus in her basket, he looked straight into her face, and noticing the flush of glad and alarmed excitement that overspread her face, he was confused himself, and smiled to her in silence a smile that said too much. “If so,” he said to himself, “I ought to think it over and make up my mind, and not give way like a boy to the impulse of a moment.” “I’m going to pick by myself apart from all the rest, or else my efforts will make no show,” he said, and he left the edge of the forest where they were walking on low silky grass between old birch trees standing far apart, and went more into the heart of the wood, where between the white birch trunks there were gray trunks of aspen and dark bushes of hazel. Walking some forty paces away, Sergey Ivanovitch, knowing he was out of sight, stood still behind a bushy spindle-tree in full flower with its rosy red catkins. It was perfectly still all round him. Only overhead in the birches under which he stood, the flies, like a swarm of bees, buzzed unceasingly, and from time to time the children’s voices were floated across to him. All at once he heard, not far from the edge of the wood, the sound of Varenka’s contralto voice, calling Grisha, and a smile of delight passed over Sergey Ivanovitch’s face. Conscious of this smile, he shook his head disapprovingly at his own condition, and taking out a cigar, he began lighting it. For a long while he could not get a match to light against the trunk of a birch tree. The soft scales of the white bark rubbed off the phosphorus, and the light went out. At last one of the matches burned, and the fragrant cigar smoke, hovering uncertainly in flat, wide coils, stretched away forwards and upwards over a bush under the overhanging branches of a birch tree. Watching the streak of smoke, Sergey Ivanovitch walked gently on, deliberating on his position. “Why not?” he thought. “If it were only a passing fancy or a passion, if it were only this attraction—this mutual attraction (I can call it a mutual attraction), but if I felt that it was in contradiction with the whole bent of my life—if I felt that in giving way to this attraction I should be false to my vocation and my duty ... but it’s not so. The only thing I can say against it is that, when I lost Marie, I said to myself that I would remain faithful to her memory. That’s the only thing I can say against my feeling.... That’s a great thing,” Sergey Ivanovitch said to himself, feeling at the same time that this consideration had not the slightest importance for him personally, but would only perhaps detract from his romantic character in the eyes of others. “But apart from that, however much I searched, I should never find anything to say against my feeling. If I were choosing by considerations of suitability alone, I could not have found anything better.” However many women and girls he thought of whom he knew, he could not think of a girl who united to such a degree all, positively all, the qualities he would wish to see in his wife. She had all the charm and freshness of youth, but she was not a child; and if she loved him, she loved him consciously as a woman ought to love; that was one thing. Another point: she was not only far from being worldly, but had an unmistakable distaste for worldly society, and at the same time she knew the world, and had all the ways of a woman of the best society, which were absolutely essential to Sergey Ivanovitch’s conception of the woman who was to share his life. Thirdly: she was religious, and not like a child, unconsciously religious and good, as Kitty, for example, was, but her life was founded on religious principles. Even in trifling matters, Sergey Ivanovitch found in her all that he wanted in his wife: she was poor and alone in the world, so she would not bring with her a mass of relations and their influence into her husband’s house, as he saw now in Kitty’s case. She would owe everything to her husband, which was what he had always desired too for his future family life. And this girl, who united all these qualities, loved him. He was a modest man, but he could not help seeing it. And he loved her. There was one consideration against it—his age. But he came of a long-lived family, he had not a single gray hair, no one would have taken him for forty, and he remembered Varenka’s saying that it was only in Russia that men of fifty thought themselves old, and that in France a man of fifty considers himself dans la force de l’âge, while a man of forty is un jeune homme. But what did the mere reckoning of years matter when he felt as young in heart as he had been twenty years ago? Was it not youth to feel as he felt now, when coming from the other side to the edge of the wood he saw in the glowing light of the slanting sunbeams the gracious figure of Varenka in her yellow gown with her basket, walking lightly by the trunk of an old birch tree, and when this impression of the sight of Varenka blended so harmoniously with the beauty of the view, of the yellow oatfield lying bathed in the slanting sunshine, and beyond it the distant ancient forest flecked with yellow and melting into the blue of the distance? His heart throbbed joyously. A softened feeling came over him. He felt that he had made up his mind. Varenka, who had just crouched down to pick a mushroom, rose with a supple movement and looked round. Flinging away the cigar, Sergey Ivanovitch advanced with resolute steps towards her.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter is constructed around the tension between rational deliberation and spontaneous feeling, a tension Tolstoy embeds in Sergey Ivanovitch's very character. Unlike the impulsive Levin or the passion-driven Anna, Koznyshev is an intellectual who must think his way into emotion. His interior monologue is structured almost as a philosophical argument—thesis, counter-thesis, refutation—yet the conclusion is reached not by logic but by a visual impression: Varenka in the yellow gown bathed in slanting sunlight. Tolstoy thus quietly exposes the limits of pure rationalism: the heart decides what the mind merely ratifies.

The natural setting functions as an extended pathetic fallacy and as symbolic counterpoint. The birch forest, with its white trunks, buzzing flies, and rosy catkins, is alive and generative; the cigar smoke that "hovers uncertainly" before drifting upward mirrors Sergey Ivanovitch's own suspended indecision. The match that repeatedly fails to light against the birch bark is a subtle comic-ironic image of a man who cannot quite ignite his own resolve through will alone. When he finally flings the cigar away, the gesture signals the abandonment of cerebral control in favor of instinct.

Tolstoy uses free indirect discourse with particular sophistication here. The long parenthetical self-correction—"this mutual attraction (I can call it a mutual attraction)"—captures the way Sergey Ivanovitch simultaneously experiences and edits his own feeling, performing modesty even in private thought. His dismissal of loyalty to Marie as having "not the slightest importance for him personally" but mattering only for his "romantic character in the eyes of others" is a moment of startling self-knowledge that deepens his characterization beyond the merely pompous intellectual he can appear elsewhere in the novel.

The chapter also advances Tolstoy's critique of social calculation in marriage. Sergey Ivanovitch's enumeration of Varenka's suitability—she is not worldly, she is religious, she is poor and therefore will bring no intrusive relations—reads as a checklist that inadvertently reduces a human being to a set of convenient properties. The implicit contrast with Kitty's marriage to Levin, mentioned twice as a cautionary example of domestic entanglement, underscores how differently the two brothers approach love. Yet Tolstoy does not condemn Koznyshev; the luminous final image of Varenka in the golden light suggests genuine feeling breaking through the accounting.

The chapter's closing visual tableau—Varenka rising "with a supple movement" from the mushroom she has just picked, framed by yellow oatfields and a distant forest "melting into the blue of the distance"—is one of Tolstoy's characteristic epiphanic landscapes, in which an outer scene crystallizes an inner transformation. The verb "throbbed" applied to Sergey Ivanovitch's heart, and the phrase "resolute steps," mark the rare moment when this most guarded of characters surrenders to life rather than observing it. The chapter ends on the threshold of the declaration, a structural suspension that will be answered—and ironically deflated—in the chapter that follows.

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✎ Mr. Shifflett's Note
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