Anna Karenina Study Guide
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Part One, Chapter 17

Chapter Summary

The morning after the Shtcherbatskys' party, Vronsky arrives at the Petersburg railway station to meet his mother and encounters Oblonsky, who is there to meet his sister Anna Karenina. The two men converse on the steps: Vronsky dismisses Karenin as outside his social interests and recalls Anna only vaguely. Oblonsky hints that Levin made an offer to Kitty the previous evening, and Vronsky, hearing this, feels an immediate surge of triumphant excitement.

As the train approaches, Tolstoy describes the station coming to life with porters, policemen, and the mechanical spectacle of the arriving locomotive. Vronsky, electrified by the news about Kitty, stands oblivious to his mother until a guard announces her compartment. The narrator then reveals that Vronsky neither truly respects nor loves his mother, maintaining only the outward forms of filial devotion demanded by his social world.

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Original Text
Next day at eleven o’clock in the morning Vronsky drove to the station of the Petersburg railway to meet his mother, and the first person he came across on the great flight of steps was Oblonsky, who was expecting his sister by the same train. “Ah! your excellency!” cried Oblonsky, “whom are you meeting?” “My mother,” Vronsky responded, smiling, as everyone did who met Oblonsky. He shook hands with him, and together they ascended the steps. “She is to be here from Petersburg today.” “I was looking out for you till two o’clock last night. Where did you go after the Shtcherbatskys’?” “Home,” answered Vronsky. “I must own I felt so well content yesterday after the Shtcherbatskys’ that I didn’t care to go anywhere.” “I know a gallant steed by tokens sure, And by his eyes I know a youth in love,” declaimed Stepan Arkadyevitch, just as he had done before to Levin. Vronsky smiled with a look that seemed to say that he did not deny it, but he promptly changed the subject. “And whom are you meeting?” he asked. “I? I’ve come to meet a pretty woman,” said Oblonsky. “You don’t say so!” “Honi soit qui mal y pense! My sister Anna.” “Ah! that’s Madame Karenina,” said Vronsky. “You know her, no doubt?” “I think I do. Or perhaps not ... I really am not sure,” Vronsky answered heedlessly, with a vague recollection of something stiff and tedious evoked by the name Karenina. “But Alexey Alexandrovitch, my celebrated brother-in-law, you surely must know. All the world knows him.” “I know him by reputation and by sight. I know that he’s clever, learned, religious somewhat.... But you know that’s not ... not in my line,” said Vronsky in English. “Yes, he’s a very remarkable man; rather a conservative, but a splendid man,” observed Stepan Arkadyevitch, “a splendid man.” “Oh, well, so much the better for him,” said Vronsky smiling. “Oh, you’ve come,” he said, addressing a tall old footman of his mother’s, standing at the door; “come here.” Besides the charm Oblonsky had in general for everyone, Vronsky had felt of late specially drawn to him by the fact that in his imagination he was associated with Kitty. “Well, what do you say? Shall we give a supper on Sunday for the diva?” he said to him with a smile, taking his arm. “Of course. I’m collecting subscriptions. Oh, did you make the acquaintance of my friend Levin?” asked Stepan Arkadyevitch. “Yes; but he left rather early.” “He’s a capital fellow,” pursued Oblonsky. “Isn’t he?” “I don’t know why it is,” responded Vronsky, “in all Moscow people—present company of course excepted,” he put in jestingly, “there’s something uncompromising. They are all on the defensive, lose their tempers, as though they all want to make one feel something....” “Yes, that’s true, it is so,” said Stepan Arkadyevitch, laughing good-humoredly. “Will the train soon be in?” Vronsky asked a railway official. “The train’s signaled,” answered the man. The approach of the train was more and more evident by the preparatory bustle in the station, the rush of porters, the movement of policemen and attendants, and people meeting the train. Through the frosty vapor could be seen workmen in short sheepskins and soft felt boots crossing the rails of the curving line. The hiss of the boiler could be heard on the distant rails, and the rumble of something heavy. “No,” said Stepan Arkadyevitch, who felt a great inclination to tell Vronsky of Levin’s intentions in regard to Kitty. “No, you’ve not got a true impression of Levin. He’s a very nervous man, and is sometimes out of humor, it’s true, but then he is often very nice. He’s such a true, honest nature, and a heart of gold. But yesterday there were special reasons,” pursued Stepan Arkadyevitch, with a meaning smile, totally oblivious of the genuine sympathy he had felt the day before for his friend, and feeling the same sympathy now, only for Vronsky. “Yes, there were reasons why he could not help being either particularly happy or particularly unhappy.” Vronsky stood still and asked directly: “How so? Do you mean he made your belle-sœur an offer yesterday?” “Maybe,” said Stepan Arkadyevitch. “I fancied something of the sort yesterday. Yes, if he went away early, and was out of humor too, it must mean it.... He’s been so long in love, and I’m very sorry for him.” “So that’s it! I should imagine, though, she might reckon on a better match,” said Vronsky, drawing himself up and walking about again, “though I don’t know him, of course,” he added. “Yes, that is a hateful position! That’s why most fellows prefer to have to do with Klaras. If you don’t succeed with them it only proves that you’ve not enough cash, but in this case one’s dignity’s at stake. But here’s the train.” The engine had already whistled in the distance. A few instants later the platform was quivering, and with puffs of steam hanging low in the air from the frost, the engine rolled up, with the lever of the middle wheel rhythmically moving up and down, and the stooping figure of the engine-driver covered with frost. Behind the tender, setting the platform more and more slowly swaying, came the luggage van with a dog whining in it. At last the passenger carriages rolled in, oscillating before coming to a standstill. A smart guard jumped out, giving a whistle, and after him one by one the impatient passengers began to get down: an officer of the guards, holding himself erect, and looking severely about him; a nimble little merchant with a satchel, smiling gaily; a peasant with a sack over his shoulder. Vronsky, standing beside Oblonsky, watched the carriages and the passengers, totally oblivious of his mother. What he had just heard about Kitty excited and delighted him. Unconsciously he arched his chest, and his eyes flashed. He felt himself a conqueror. “Countess Vronskaya is in that compartment,” said the smart guard, going up to Vronsky. The guard’s words roused him, and forced him to think of his mother and his approaching meeting with her. He did not in his heart respect his mother, and without acknowledging it to himself, he did not love her, though in accordance with the ideas of the set in which he lived, and with his own education, he could not have conceived of any behavior to his mother not in the highest degree respectful and obedient, and the more externally obedient and respectful his behavior, the less in his heart he respected and loved her.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
Modern English
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This chapter functions as a carefully engineered threshold: it positions Vronsky at the literal and figurative point of arrival, awaiting both his mother and, unknowingly, Anna. Tolstoy exploits the dramatic irony of Vronsky's vague, dismissive recollection of "something stiff and tedious" associated with the name Karenina, a judgment that will be spectacularly overturned within moments. The reader, already acquainted with Anna's vitality, registers the gap between Vronsky's casual indifference and the magnitude of what is about to happen.

The conversation about Levin's failed proposal reveals Vronsky's competitive masculinity. His immediate physical response — arching his chest, eyes flashing, feeling "a conqueror" — frames romantic pursuit as a contest of social dominance rather than genuine feeling. His remark that men prefer women like "Klaras" because failure there costs only money, not dignity, exposes the transactional logic underlying his world's treatment of women. Kitty is valuable partly because winning her confirms status.

The arrival of the train is one of Tolstoy's most celebrated set pieces of industrial modernity. The locomotive is rendered with almost physiological precision — the rhythmically moving lever, the frost-covered engine-driver, the oscillating carriages — and the passage of passengers (officer, merchant, peasant) offers a compressed social panorama. The train is not merely backdrop; it is the novel's central symbol of fate and mechanical force, introduced here before it claims its full significance.

The revelation of Vronsky's relationship with his mother delivers a sharp psychological portrait through free indirect discourse. Tolstoy notes that Vronsky "did not in his heart respect his mother, and without acknowledging it to himself, he did not love her," yet performs the highest external deference. This gap between inner reality and social performance is the same structure that will govern his relationship with Anna — desire masked, then displayed, within the rigid forms of his class. The mother's arrival thus foreshadows the novel's broader critique of social performance versus authentic feeling.

Oblonsky's role throughout the chapter is that of a social lubricant and unwitting catalyst. His cheerful indiscretion in hinting at Levin's proposal — motivated by a sympathy that shifts effortlessly from Levin to Vronsky — illustrates his moral weightlessness. Tolstoy's aside that Oblonsky felt "totally oblivious of the genuine sympathy he had felt the day before for his friend" is a small but precise indictment, linking Oblonsky's inconstancy to the broader theme of self-deception that runs through the novel's Petersburg and Moscow worlds alike.

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