Anna Karenina Study Guide
Color Theme
Font Style
Sans Serif System Mono Accessible
Text Size

Part One, Chapter 20

Chapter Summary

Anna spends the day at the Oblonskys', receiving no visitors but quietly engineering a reconciliation between Dolly and Stiva. She sends Stiva a note urging him to dine at home, and after dinner she signals him with a wink to go to his wife — a gesture that works, as the couple's estrangement softens. Meanwhile, Kitty arrives and is immediately captivated by Anna, falling into an admiring, almost romantic attachment to her older, glamorous sister-in-law.

Anna and Kitty converse about balls and youth, with Anna evoking the bittersweet passage from girlhood into adult life. Anna mentions meeting Vronsky at the railway station and relays his mother's praise of him to an eager Kitty, though she withholds the detail of the two hundred roubles he donated — a detail that troubles her in a way she cannot quite articulate. The chapter closes with Anna joyfully playing with the children.

Translation Style
✨ Character Voice Translations PREMIUM
Original Text
The whole of that day Anna spent at home, that’s to say at the Oblonskys’, and received no one, though some of her acquaintances had already heard of her arrival, and came to call the same day. Anna spent the whole morning with Dolly and the children. She merely sent a brief note to her brother to tell him that he must not fail to dine at home. “Come, God is merciful,” she wrote. Oblonsky did dine at home: the conversation was general, and his wife, speaking to him, addressed him as “Stiva,” as she had not done before. In the relations of the husband and wife the same estrangement still remained, but there was no talk now of separation, and Stepan Arkadyevitch saw the possibility of explanation and reconciliation. Immediately after dinner Kitty came in. She knew Anna Arkadyevna, but only very slightly, and she came now to her sister’s with some trepidation, at the prospect of meeting this fashionable Petersburg lady, whom everyone spoke so highly of. But she made a favorable impression on Anna Arkadyevna—she saw that at once. Anna was unmistakably admiring her loveliness and her youth: before Kitty knew where she was she found herself not merely under Anna’s sway, but in love with her, as young girls do fall in love with older and married women. Anna was not like a fashionable lady, nor the mother of a boy of eight years old. In the elasticity of her movements, the freshness and the unflagging eagerness which persisted in her face, and broke out in her smile and her glance, she would rather have passed for a girl of twenty, had it not been for a serious and at times mournful look in her eyes, which struck and attracted Kitty. Kitty felt that Anna was perfectly simple and was concealing nothing, but that she had another higher world of interests inaccessible to her, complex and poetic. After dinner, when Dolly went away to her own room, Anna rose quickly and went up to her brother, who was just lighting a cigar. “Stiva,” she said to him, winking gaily, crossing him and glancing towards the door, “go, and God help you.” He threw down the cigar, understanding her, and departed through the doorway. When Stepan Arkadyevitch had disappeared, she went back to the sofa where she had been sitting, surrounded by the children. Either because the children saw that their mother was fond of this aunt, or that they felt a special charm in her themselves, the two elder ones, and the younger following their lead, as children so often do, had clung about their new aunt since before dinner, and would not leave her side. And it had become a sort of game among them to sit as close as possible to their aunt, to touch her, hold her little hand, kiss it, play with her ring, or even touch the flounce of her skirt. “Come, come, as we were sitting before,” said Anna Arkadyevna, sitting down in her place. And again Grisha poked his little face under her arm, and nestled with his head on her gown, beaming with pride and happiness. “And when is your next ball?” she asked Kitty. “Next week, and a splendid ball. One of those balls where one always enjoys oneself.” “Why, are there balls where one always enjoys oneself?” Anna said, with tender irony. “It’s strange, but there are. At the Bobrishtchevs’ one always enjoys oneself, and at the Nikitins’ too, while at the Mezhkovs’ it’s always dull. Haven’t you noticed it?” “No, my dear, for me there are no balls now where one enjoys oneself,” said Anna, and Kitty detected in her eyes that mysterious world which was not open to her. “For me there are some less dull and tiresome.” “How can you be dull at a ball?” “Why should not I be dull at a ball?” inquired Anna. Kitty perceived that Anna knew what answer would follow. “Because you always look nicer than anyone.” Anna had the faculty of blushing. She blushed a little, and said: “In the first place it’s never so; and secondly, if it were, what difference would it make to me?” “Are you coming to this ball?” asked Kitty. “I imagine it won’t be possible to avoid going. Here, take it,” she said to Tanya, who was pulling the loosely-fitting ring off her white, slender-tipped finger. “I shall be so glad if you go. I should so like to see you at a ball.” “Anyway, if I do go, I shall comfort myself with the thought that it’s a pleasure to you ... Grisha, don’t pull my hair. It’s untidy enough without that,” she said, putting up a straying lock, which Grisha had been playing with. “I imagine you at the ball in lilac.” “And why in lilac precisely?” asked Anna, smiling. “Now, children, run along, run along. Do you hear? Miss Hoole is calling you to tea,” she said, tearing the children from her, and sending them off to the dining-room. “I know why you press me to come to the ball. You expect a great deal of this ball, and you want everyone to be there to take part in it.” “How do you know? Yes.” “Oh! what a happy time you are at,” pursued Anna. “I remember, and I know that blue haze like the mist on the mountains in Switzerland. That mist which covers everything in that blissful time when childhood is just ending, and out of that vast circle, happy and gay, there is a path growing narrower and narrower, and it is delightful and alarming to enter the ballroom, bright and splendid as it is.... Who has not been through it?” Kitty smiled without speaking. “But how did she go through it? How I should like to know all her love story!” thought Kitty, recalling the unromantic appearance of Alexey Alexandrovitch, her husband. “I know something. Stiva told me, and I congratulate you. I liked him so much,” Anna continued. “I met Vronsky at the railway station.” “Oh, was he there?” asked Kitty, blushing. “What was it Stiva told you?” “Stiva gossiped about it all. And I should be so glad ... I traveled yesterday with Vronsky’s mother,” she went on; “and his mother talked without a pause of him, he’s her favorite. I know mothers are partial, but....” “What did his mother tell you?” “Oh, a great deal! And I know that he’s her favorite; still one can see how chivalrous he is.... Well, for instance, she told me that he had wanted to give up all his property to his brother, that he had done something extraordinary when he was quite a child, saved a woman out of the water. He’s a hero, in fact,” said Anna, smiling and recollecting the two hundred roubles he had given at the station. But she did not tell Kitty about the two hundred roubles. For some reason it was disagreeable to her to think of it. She felt that there was something that had to do with her in it, and something that ought not to have been. “She pressed me very much to go and see her,” Anna went on; “and I shall be glad to go to see her tomorrow. Stiva is staying a long while in Dolly’s room, thank God,” Anna added, changing the subject, and getting up, Kitty fancied, displeased with something. “No, I’m first! No, I!” screamed the children, who had finished tea, running up to their Aunt Anna. “All together,” said Anna, and she ran laughing to meet them, and embraced and swung round all the throng of swarming children, shrieking with delight.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
Modern English
Select a style above to load the modern English translation.

This chapter functions as a carefully orchestrated character introduction for Anna in her domestic, benevolent aspect, before the novel's tragic machinery fully engages. Tolstoy presents her first as a healer of the Oblonsky marriage: her note — 'Come, God is merciful' — and her wordless wink to Stiva are small acts of social intelligence that restore what pages of argument could not. This positions Anna as someone who understands human weakness without condemning it, a quality that will make her own eventual transgression feel all the more charged.

The extended portrait of Anna through Kitty's eyes is one of Tolstoy's most sophisticated uses of free indirect discourse. Kitty's perception — that Anna 'had another higher world of interests inaccessible to her, complex and poetic' — tells us as much about Kitty's romantic imagination as it does about Anna. Yet the technique also validates Anna's interiority: she genuinely possesses depths that the younger woman senses but cannot name. The detail that Anna 'would rather have passed for a girl of twenty' yet carries 'a serious and at times mournful look in her eyes' introduces the novel's central tension between Anna's vitality and her underlying sorrow.

The dialogue about balls enacts a generational and experiential divide. Kitty inhabits the 'blue haze' of anticipation; Anna has passed through it and found the other side less luminous. Anna's metaphor — 'that mist which covers everything in that blissful time when childhood is just ending' — is lyrical and nostalgic, but it also marks Anna as someone for whom social pleasure has become hollow, a condition that makes her susceptible to the intensity Vronsky will offer. The irony is that Anna is describing Kitty's present happiness while already, unknowingly, moving toward its destruction.

The brief passage concerning the two hundred roubles is a masterpiece of psychological foreshadowing. Anna withholds the anecdote because 'there was something that had to do with her in it, and something that ought not to have been.' The narrator does not explain; the discomfort is rendered as a felt but unexamined sensation. This is Tolstoy's method of showing moral intuition operating below conscious thought — Anna's conscience registers a disturbance before her mind can formulate it, prefiguring the self-deception that will define her later arc.

The chapter closes with Anna laughing and swinging the children, an image of spontaneous, uncomplicated joy that stands in deliberate contrast to the suppressed unease of the roubles episode. Tolstoy frames Anna between these two registers — the warmly maternal and the obscurely troubled — so that neither a purely sympathetic nor a purely critical reading of her is available. This tonal ambivalence is the ethical signature of the novel as a whole.

Loading quotes...

Loading tags...

Ask the Reader

Click any tag to explore where it appears across the book, then ask the Reader to explain how it works in this chapter.

Exploring tag...
The Reader's Take
Ask the Reader to explain how this element appears in this chapter
Click a tag to search.
Ask the Reader about this chapter
Type at least 2 characters to search
Characters & Figures
Loading figures...
✎ Mr. Shifflett's Note
SIS Teachers
Sign in with your @siskorea.org email for free full access to this guide and all GradeWise study guides — every chapter, translation, and premium feature.
Sign In with SIS Email