Anna Karenina Study Guide
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Part Three, Chapter 5

Chapter Summary

After lunch, Levin resumes mowing between an experienced old peasant and a young newlywed mower named Mishka. As the afternoon progresses, Levin increasingly enters states of near-unconscious physical absorption in which the scythe seems to move of its own accord. He drinks from the stream, eats the old man's simple sop, and falls asleep beside him in the meadow. Waking to a transformed landscape, he feels no fatigue—only a desire to mow more.

Levin proposes cutting Mashkin Upland before nightfall, and the old man rallies the peasants with the promise of vodka. The whole crew races enthusiastically into the wooded ravine as the sun sets, mowing through waist-high grass in the dewy dusk. The old man collects mushrooms for his wife and climbs steep slopes without missing a blade, while Levin follows, feeling driven by some force beyond himself.

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Original Text
After lunch Levin was not in the same place in the string of mowers as before, but stood between the old man who had accosted him jocosely, and now invited him to be his neighbor, and a young peasant, who had only been married in the autumn, and who was mowing this summer for the first time. The old man, holding himself erect, moved in front, with his feet turned out, taking long, regular strides, and with a precise and regular action which seemed to cost him no more effort than swinging one’s arms in walking, as though it were in play, he laid down the high, even row of grass. It was as though it were not he but the sharp scythe of itself swishing through the juicy grass. Behind Levin came the lad Mishka. His pretty, boyish face, with a twist of fresh grass bound round his hair, was all working with effort; but whenever anyone looked at him he smiled. He would clearly have died sooner than own it was hard work for him. Levin kept between them. In the very heat of the day the mowing did not seem such hard work to him. The perspiration with which he was drenched cooled him, while the sun, that burned his back, his head, and his arms, bare to the elbow, gave a vigor and dogged energy to his labor; and more and more often now came those moments of unconsciousness, when it was possible not to think what one was doing. The scythe cut of itself. These were happy moments. Still more delightful were the moments when they reached the stream where the rows ended, and the old man rubbed his scythe with the wet, thick grass, rinsed its blade in the fresh water of the stream, ladled out a little in a tin dipper, and offered Levin a drink. “What do you say to my home-brew, eh? Good, eh?” said he, winking. And truly Levin had never drunk any liquor so good as this warm water with green bits floating in it, and a taste of rust from the tin dipper. And immediately after this came the delicious, slow saunter, with his hand on the scythe, during which he could wipe away the streaming sweat, take deep breaths of air, and look about at the long string of mowers and at what was happening around in the forest and the country. The longer Levin mowed, the oftener he felt the moments of unconsciousness in which it seemed not his hands that swung the scythe, but the scythe mowing of itself, a body full of life and consciousness of its own, and as though by magic, without thinking of it, the work turned out regular and well-finished of itself. These were the most blissful moments. It was only hard work when he had to break off the motion, which had become unconscious, and to think; when he had to mow round a hillock or a tuft of sorrel. The old man did this easily. When a hillock came he changed his action, and at one time with the heel, and at another with the tip of his scythe, clipped the hillock round both sides with short strokes. And while he did this he kept looking about and watching what came into his view: at one moment he picked a wild berry and ate it or offered it to Levin, then he flung away a twig with the blade of the scythe, then he looked at a quail’s nest, from which the bird flew just under the scythe, or caught a snake that crossed his path, and lifting it on the scythe as though on a fork showed it to Levin and threw it away. For both Levin and the young peasant behind him, such changes of position were difficult. Both of them, repeating over and over again the same strained movement, were in a perfect frenzy of toil, and were incapable of shifting their position and at the same time watching what was before them. Levin did not notice how time was passing. If he had been asked how long he had been working he would have said half an hour—and it was getting on for dinner time. As they were walking back over the cut grass, the old man called Levin’s attention to the little girls and boys who were coming from different directions, hardly visible through the long grass, and along the road towards the mowers, carrying sacks of bread dragging at their little hands and pitchers of the sour rye-beer, with cloths wrapped round them. “Look’ee, the little emmets crawling!” he said, pointing to them, and he shaded his eyes with his hand to look at the sun. They mowed two more rows; the old man stopped. “Come, master, dinner time!” he said briskly. And on reaching the stream the mowers moved off across the lines of cut grass towards their pile of coats, where the children who had brought their dinners were sitting waiting for them. The peasants gathered into groups—those further away under a cart, those nearer under a willow bush. Levin sat down by them; he felt disinclined to go away. All constraint with the master had disappeared long ago. The peasants got ready for dinner. Some washed, the young lads bathed in the stream, others made a place comfortable for a rest, untied their sacks of bread, and uncovered the pitchers of rye-beer. The old man crumbled up some bread in a cup, stirred it with the handle of a spoon, poured water on it from the dipper, broke up some more bread, and having seasoned it with salt, he turned to the east to say his prayer. “Come, master, taste my sop,” said he, kneeling down before the cup. The sop was so good that Levin gave up the idea of going home. He dined with the old man, and talked to him about his family affairs, taking the keenest interest in them, and told him about his own affairs and all the circumstances that could be of interest to the old man. He felt much nearer to him than to his brother, and could not help smiling at the affection he felt for this man. When the old man got up again, said his prayer, and lay down under a bush, putting some grass under his head for a pillow, Levin did the same, and in spite of the clinging flies that were so persistent in the sunshine, and the midges that tickled his hot face and body, he fell asleep at once and only waked when the sun had passed to the other side of the bush and reached him. The old man had been awake a long while, and was sitting up whetting the scythes of the younger lads. Levin looked about him and hardly recognized the place, everything was so changed. The immense stretch of meadow had been mown and was sparkling with a peculiar fresh brilliance, with its lines of already sweet-smelling grass in the slanting rays of the evening sun. And the bushes about the river had been cut down, and the river itself, not visible before, now gleaming like steel in its bends, and the moving, ascending, peasants, and the sharp wall of grass of the unmown part of the meadow, and the hawks hovering over the stripped meadow—all was perfectly new. Raising himself, Levin began considering how much had been cut and how much more could still be done that day. The work done was exceptionally much for forty-two men. They had cut the whole of the big meadow, which had, in the years of serf labor, taken thirty scythes two days to mow. Only the corners remained to do, where the rows were short. But Levin felt a longing to get as much mowing done that day as possible, and was vexed with the sun sinking so quickly in the sky. He felt no weariness; all he wanted was to get his work done more and more quickly and as much done as possible. “Could you cut Mashkin Upland too?—what do you think?” he said to the old man. “As God wills, the sun’s not high. A little vodka for the lads?” At the afternoon rest, when they were sitting down again, and those who smoked had lighted their pipes, the old man told the men that “Mashkin Upland’s to be cut—there’ll be some vodka.” “Why not cut it? Come on, Tit! We’ll look sharp! We can eat at night. Come on!” cried voices, and eating up their bread, the mowers went back to work. “Come, lads, keep it up!” said Tit, and ran on ahead almost at a trot. “Get along, get along!” said the old man, hurrying after him and easily overtaking him, “I’ll mow you down, look out!” And young and old mowed away, as though they were racing with one another. But however fast they worked, they did not spoil the grass, and the rows were laid just as neatly and exactly. The little piece left uncut in the corner was mown in five minutes. The last of the mowers were just ending their rows while the foremost snatched up their coats onto their shoulders, and crossed the road towards Mashkin Upland. The sun was already sinking into the trees when they went with their jingling dippers into the wooded ravine of Mashkin Upland. The grass was up to their waists in the middle of the hollow, soft, tender, and feathery, spotted here and there among the trees with wild heart’s-ease. After a brief consultation—whether to take the rows lengthwise or diagonally—Prohor Yermilin, also a renowned mower, a huge, black-haired peasant, went on ahead. He went up to the top, turned back again and started mowing, and they all proceeded to form in line behind him, going downhill through the hollow and uphill right up to the edge of the forest. The sun sank behind the forest. The dew was falling by now; the mowers were in the sun only on the hillside, but below, where a mist was rising, and on the opposite side, they mowed into the fresh, dewy shade. The work went rapidly. The grass cut with a juicy sound, and was at once laid in high, fragrant rows. The mowers from all sides, brought closer together in the short row, kept urging one another on to the sound of jingling dippers and clanging scythes, and the hiss of the whetstones sharpening them, and good-humored shouts. Levin still kept between the young peasant and the old man. The old man, who had put on his short sheepskin jacket, was just as good-humored, jocose, and free in his movements. Among the trees they were continually cutting with their scythes the so-called “birch mushrooms,” swollen fat in the succulent grass. But the old man bent down every time he came across a mushroom, picked it up and put it in his bosom. “Another present for my old woman,” he said as he did so. Easy as it was to mow the wet, soft grass, it was hard work going up and down the steep sides of the ravine. But this did not trouble the old man. Swinging his scythe just as ever, and moving his feet in their big, plaited shoes with firm, little steps, he climbed slowly up the steep place, and though his breeches hanging out below his smock, and his whole frame trembled with effort, he did not miss one blade of grass or one mushroom on his way, and kept making jokes with the peasants and Levin. Levin walked after him and often thought he must fall, as he climbed with a scythe up a steep cliff where it would have been hard work to clamber without anything. But he climbed up and did what he had to do. He felt as though some external force were moving him.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter is one of Tolstoy's most celebrated depictions of physical labor as spiritual experience. The repeated description of Levin's scythe moving "of itself" enacts a philosophical argument: genuine fulfillment comes not from conscious intellectual striving but from the dissolution of self into purposeful, embodied work. The grammatical agency shifts from Levin to the scythe—"the scythe cut of itself"—mirroring the psychological phenomenon of what modern readers might call flow, but which Tolstoy frames in quasi-mystical terms as the body's own consciousness.

The old peasant functions as a folk ideal and structural foil. Where Levin and the young Mishka struggle with interruptions to their rhythm, the old man adapts effortlessly, picking berries, tossing snakes, collecting mushrooms for his wife—all without breaking stride. His ease is not mere physical superiority but a sign of integrated, unhurried wisdom. Tolstoy uses the contrast to suggest that the peasant's relationship to labor is ontologically different from the educated landowner's: it is habitual, communal, and unselfconscious in ways Levin is only beginning to access.

The communal meal at midday is charged with symbolic weight. The old man's prayer facing east, his sharing of sop and home-brew, and Levin's reluctance to leave enact a temporary dissolution of class boundaries. Levin feels "much nearer to him than to his brother"—a pointed contrast with the intellectual estrangement he experiences with Sergei Ivanovich in earlier chapters. The simplicity of the food (water with rust, bread crumbled in a cup) is presented as superior to anything wealth can provide, inverting conventional hierarchies of refinement.

Tolstoy's prose style in this chapter performs its own argument through sensory accumulation. The texture of wet grass, the taste of rust, the smell of cut rows in slanting evening light, the "juicy sound" of the scythe—these details are not decorative but epistemological. They insist that truth is apprehended through the body before it is understood by the mind. The transformed meadow Levin surveys on waking—"sparkling with a peculiar fresh brilliance"—functions as an objective correlative for his own inner renewal.

The chapter closes with Levin climbing the steep ravine feeling "as though some external force were moving him," an image that anticipates his later spiritual crisis and conversion. The motif of unconscious agency—whether in the scythe, the old man's effortless competence, or this mysterious external force—points toward Tolstoy's broader theological concern with grace versus will. Labor here becomes a secular sacrament, a rehearsal for the surrender of ego that Levin will eventually seek in religious terms.

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