Anna Karenina Study Guide
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Part Seven, Chapter 25

Chapter Summary

After a night of reconciliation, Anna and Vronsky begin their morning in apparent harmony, preparing to leave their rented rooms. The mood fractures when Vronsky's valet brings a telegram from Stiva about the divorce proceedings; Vronsky's reluctance to show it to Anna ignites her suspicion. An argument escalates through accusations about his mother, the question of children, and the ambiguity of their position, until Yashvin's arrival forces both to suppress the quarrel behind social performance.

Anna speaks coolly to their guest while signalling to Vronsky that no reconciliation is possible. After Voytov arrives and Anna withdraws, Vronsky visits her room briefly on a business pretext. He leaves without resolving anything, catching a glimpse of her white, trembling face in the mirror but failing to stop. He spends the entire day away; that evening Anna sends word through her maid that she has a headache and does not wish to see him.

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Original Text
Feeling that the reconciliation was complete, Anna set eagerly to work in the morning preparing for their departure. Though it was not settled whether they should go on Monday or Tuesday, as they had each given way to the other, Anna packed busily, feeling absolutely indifferent whether they went a day earlier or later. She was standing in her room over an open box, taking things out of it, when he came in to see her earlier than usual, dressed to go out. “I’m going off at once to see maman; she can send me the money by Yegorov. And I shall be ready to go tomorrow,” he said. Though she was in such a good mood, the thought of his visit to his mother’s gave her a pang. “No, I shan’t be ready by then myself,” she said; and at once reflected, “so then it was possible to arrange to do as I wished.” “No, do as you meant to do. Go into the dining-room, I’m coming directly. It’s only to turn out those things that aren’t wanted,” she said, putting something more on the heap of frippery that lay in Annushka’s arms. Vronsky was eating his beefsteak when she came into the dining-room. “You wouldn’t believe how distasteful these rooms have become to me,” she said, sitting down beside him to her coffee. “There’s nothing more awful than these chambres garnies. There’s no individuality in them, no soul. These clocks, and curtains, and, worst of all, the wallpapers—they’re a nightmare. I think of Vozdvizhenskoe as the promised land. You’re not sending the horses off yet?” “No, they will come after us. Where are you going to?” “I wanted to go to Wilson’s to take some dresses to her. So it’s really to be tomorrow?” she said in a cheerful voice; but suddenly her face changed. Vronsky’s valet came in to ask him to sign a receipt for a telegram from Petersburg. There was nothing out of the way in Vronsky’s getting a telegram, but he said, as though anxious to conceal something from her, that the receipt was in his study, and he turned hurriedly to her. “By tomorrow, without fail, I will finish it all.” “From whom is the telegram?” she asked, not hearing him. “From Stiva,” he answered reluctantly. “Why didn’t you show it to me? What secret can there be between Stiva and me?” Vronsky called the valet back, and told him to bring the telegram. “I didn’t want to show it to you, because Stiva has such a passion for telegraphing: why telegraph when nothing is settled?” “About the divorce?” “Yes; but he says he has not been able to come at anything yet. He has promised a decisive answer in a day or two. But here it is; read it.” With trembling hands Anna took the telegram, and read what Vronsky had told her. At the end was added: “Little hope; but I will do everything possible and impossible.” “I said yesterday that it’s absolutely nothing to me when I get, or whether I never get, a divorce,” she said, flushing crimson. “There was not the slightest necessity to hide it from me.” “So he may hide and does hide his correspondence with women from me,” she thought. “Yashvin meant to come this morning with Voytov,” said Vronsky; “I believe he’s won from Pyevtsov all and more than he can pay, about sixty thousand.” “No,” she said, irritated by his so obviously showing by this change of subject that he was irritated, “why did you suppose that this news would affect me so, that you must even try to hide it? I said I don’t want to consider it, and I should have liked you to care as little about it as I do.” “I care about it because I like definiteness,” he said. “Definiteness is not in the form but the love,” she said, more and more irritated, not by his words, but by the tone of cool composure in which he spoke. “What do you want it for?” “My God! love again,” he thought, frowning. “Oh, you know what for; for your sake and your children’s in the future.” “There won’t be children in the future.” “That’s a great pity,” he said. “You want it for the children’s sake, but you don’t think of me?” she said, quite forgetting or not having heard that he had said, “For your sake and the children’s.” The question of the possibility of having children had long been a subject of dispute and irritation to her. His desire to have children she interpreted as a proof he did not prize her beauty. “Oh, I said: for your sake. Above all for your sake,” he repeated, frowning as though in pain, “because I am certain that the greater part of your irritability comes from the indefiniteness of the position.” “Yes, now he has laid aside all pretense, and all his cold hatred for me is apparent,” she thought, not hearing his words, but watching with terror the cold, cruel judge who looked mocking her out of his eyes. “The cause is not that,” she said, “and, indeed, I don’t see how the cause of my irritability, as you call it, can be that I am completely in your power. What indefiniteness is there in the position? on the contrary....” “I am very sorry that you don’t care to understand,” he interrupted, obstinately anxious to give utterance to his thought. “The indefiniteness consists in your imagining that I am free.” “On that score you can set your mind quite at rest,” she said, and turning away from him, she began drinking her coffee. She lifted her cup, with her little finger held apart, and put it to her lips. After drinking a few sips she glanced at him, and by his expression, she saw clearly that he was repelled by her hand, and her gesture, and the sound made by her lips. “I don’t care in the least what your mother thinks, and what match she wants to make for you,” she said, putting the cup down with a shaking hand. “But we are not talking about that.” “Yes, that’s just what we are talking about. And let me tell you that a heartless woman, whether she’s old or not old, your mother or anyone else, is of no consequence to me, and I would not consent to know her.” “Anna, I beg you not to speak disrespectfully of my mother.” “A woman whose heart does not tell her where her son’s happiness and honor lie has no heart.” “I repeat my request that you will not speak disrespectfully of my mother, whom I respect,” he said, raising his voice and looking sternly at her. She did not answer. Looking intently at him, at his face, his hands, she recalled all the details of their reconciliation the previous day, and his passionate caresses. “There, just such caresses he has lavished, and will lavish, and longs to lavish on other women!” she thought. “You don’t love your mother. That’s all talk, and talk, and talk!” she said, looking at him with hatred in her eyes. “Even if so, you must....” “Must decide, and I have decided,” she said, and she would have gone away, but at that moment Yashvin walked into the room. Anna greeted him and remained. Why, when there was a tempest in her soul, and she felt she was standing at a turning point in her life, which might have fearful consequences—why, at that minute, she had to keep up appearances before an outsider, who sooner or later must know it all—she did not know. But at once quelling the storm within her, she sat down and began talking to their guest. “Well, how are you getting on? Has your debt been paid you?” she asked Yashvin. “Oh, pretty fair; I fancy I shan’t get it all, but I shall get a good half. And when are you off?” said Yashvin, looking at Vronsky, and unmistakably guessing at a quarrel. “The day after tomorrow, I think,” said Vronsky. “You’ve been meaning to go so long, though.” “But now it’s quite decided,” said Anna, looking Vronsky straight in the face with a look which told him not to dream of the possibility of reconciliation. “Don’t you feel sorry for that unlucky Pyevtsov?” she went on, talking to Yashvin. “I’ve never asked myself the question, Anna Arkadyevna, whether I’m sorry for him or not. You see, all my fortune’s here”—he touched his breast pocket—“and just now I’m a wealthy man. But today I’m going to the club, and I may come out a beggar. You see, whoever sits down to play with me—he wants to leave me without a shirt to my back, and so do I him. And so we fight it out, and that’s the pleasure of it.” “Well, but suppose you were married,” said Anna, “how would it be for your wife?” Yashvin laughed. “That’s why I’m not married, and never mean to be.” “And Helsingfors?” said Vronsky, entering into the conversation and glancing at Anna’s smiling face. Meeting his eyes, Anna’s face instantly took a coldly severe expression as though she were saying to him: “It’s not forgotten. It’s all the same.” “Were you really in love?” she said to Yashvin. “Oh heavens! ever so many times! But you see, some men can play but only so that they can always lay down their cards when the hour of a rendezvous comes, while I can take up love, but only so as not to be late for my cards in the evening. That’s how I manage things.” “No, I didn’t mean that, but the real thing.” She would have said Helsingfors, but would not repeat the word used by Vronsky. Voytov, who was buying the horse, came in. Anna got up and went out of the room. Before leaving the house, Vronsky went into her room. She would have pretended to be looking for something on the table, but ashamed of making a pretense, she looked straight in his face with cold eyes. “What do you want?” she asked in French. “To get the guarantee for Gambetta, I’ve sold him,” he said, in a tone which said more clearly than words, “I’ve no time for discussing things, and it would lead to nothing.” “I’m not to blame in any way,” he thought. “If she will punish herself, tant pis pour elle. But as he was going he fancied that she said something, and his heart suddenly ached with pity for her. “Eh, Anna?” he queried. “I said nothing,” she answered just as coldly and calmly. “Oh, nothing, tant pis then,” he thought, feeling cold again, and he turned and went out. As he was going out he caught a glimpse in the looking-glass of her face, white, with quivering lips. He even wanted to stop and to say some comforting word to her, but his legs carried him out of the room before he could think what to say. The whole of that day he spent away from home, and when he came in late in the evening the maid told him that Anna Arkadyevna had a headache and begged him not to go in to her.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter is a masterclass in Tolstoy's technique of psychological realism, tracing the exact mechanism by which a fragile reconciliation collapses. The morning's industrious packing establishes a surface of purposeful domesticity that the narrative immediately begins to erode. Every small gesture becomes charged: Vronsky's hesitation over the telegram, Anna's lifted coffee cup with its 'little finger held apart,' the mirror glimpse at the chapter's close. Tolstoy insists that intimacy is conducted not in declarations but in these micro-signals, and that Anna reads them with an accuracy that is itself a form of torment.

The telegram functions as a structural pivot. In itself it carries little news — Stiva has made no progress on the divorce — yet Vronsky's instinct to conceal it transforms a bureaucratic non-event into proof, for Anna, of systematic deception. Her thought that he hides correspondence with women from her is a leap the narrator presents without endorsement, leaving the reader to measure the gap between what Vronsky actually does and what Anna perceives. This gap is the novel's central epistemological problem: Anna's interpretive faculty, once her greatest social gift, has become a machine for producing suffering.

The argument over definiteness crystallises the couple's incompatible needs. Vronsky wants the divorce because he prizes legal clarity and social standing; Anna insists that 'definiteness is not in the form but the love,' locating security entirely in emotional certainty. Neither position is simply wrong, but they are incommensurable, and the exchange reveals how thoroughly each has ceased to inhabit the other's conceptual world. The intrusion of the children question — Anna hearing only what confirms her fear that Vronsky no longer values her beauty — shows Tolstoy's understanding that in a deteriorating relationship every statement is received through a filter of accumulated grievance.

Yashvin's visit introduces the chapter's sharpest irony. His gambling philosophy — that each player wants to ruin the other and that is the pleasure of it — is an unconscious commentary on the zero-sum dynamic now governing Anna and Vronsky's relationship. Anna's questions about love and Helsingfors, ostensibly directed at Yashvin, are oblique challenges to Vronsky; her refusal to repeat the word 'Helsingfors' after Vronsky uses it is a small but precise act of cold war. The social performance Anna maintains before the guest anticipates the theatrical self-control that will increasingly define her as the novel moves toward its catastrophe.

The chapter closes on a threshold image of devastating economy: Vronsky catches Anna's white face with quivering lips in the looking-glass, feels pity, but his legs carry him out before he can speak. The mirror, a recurring symbol of self-scrutiny and distorted perception throughout the novel, here reflects not Anna's vanity but her anguish — and Vronsky's failure to act on what he sees. His bilingual self-justification in French signals the emotional retreat into formality that substitutes for genuine feeling. The day spent entirely away from home and the headache message delivered through a maid complete the chapter's arc from apparent intimacy to total estrangement.

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