Anna Karenina Study Guide
Color Theme
Font Style
Sans Serif System Mono Accessible
Text Size

Part Six, Chapter 32

Chapter Summary

Before Vronsky leaves for the elections, a cold glance from him destroys Anna's composure and plants the seed of dread that his love is fading. Alone for five days, she fills her time with walks, hospital visits, and reading, but on the sixth day panic overwhelms her and she sends him a contradictory letter. She immediately regrets it, yet cannot suppress her longing for his return. When he arrives, she runs to meet him joyfully, and the evening passes pleasantly with Princess Varvara present.

Late that night, alone together, Anna raises the letter and the exchange escalates into an argument about duties, freedom, and separation. Vronsky's eyes betray a vindictive, persecuted look that Anna reads as catastrophe. The confrontation crystallises her resolve: she will seek a divorce and accompany him to Moscow. By the end of November they depart together, living as a married couple while awaiting Karenin's reply.

Translation Style
✨ Character Voice Translations PREMIUM
Original Text
Before Vronsky’s departure for the elections, Anna had reflected that the scenes constantly repeated between them each time he left home, might only make him cold to her instead of attaching him to her, and resolved to do all she could to control herself so as to bear the parting with composure. But the cold, severe glance with which he had looked at her when he came to tell her he was going had wounded her, and before he had started her peace of mind was destroyed. In solitude afterwards, thinking over that glance which had expressed his right to freedom, she came, as she always did, to the same point—the sense of her own humiliation. “He has the right to go away when and where he chooses. Not simply to go away, but to leave me. He has every right, and I have none. But knowing that, he ought not to do it. What has he done, though?... He looked at me with a cold, severe expression. Of course that is something indefinable, impalpable, but it has never been so before, and that glance means a great deal,” she thought. “That glance shows the beginning of indifference.” And though she felt sure that a coldness was beginning, there was nothing she could do, she could not in any way alter her relations to him. Just as before, only by love and by charm could she keep him. And so, just as before, only by occupation in the day, by morphine at night, could she stifle the fearful thought of what would be if he ceased to love her. It is true there was still one means; not to keep him—for that she wanted nothing more than his love—but to be nearer to him, to be in such a position that he would not leave her. That means was divorce and marriage. And she began to long for that, and made up her mind to agree to it the first time he or Stiva approached her on the subject. Absorbed in such thoughts, she passed five days without him, the five days that he was to be at the elections. Walks, conversation with Princess Varvara, visits to the hospital, and, most of all, reading—reading of one book after another—filled up her time. But on the sixth day, when the coachman came back without him, she felt that now she was utterly incapable of stifling the thought of him and of what he was doing there, just at that time her little girl was taken ill. Anna began to look after her, but even that did not distract her mind, especially as the illness was not serious. However hard she tried, she could not love this little child, and to feign love was beyond her powers. Towards the evening of that day, still alone, Anna was in such a panic about him that she decided to start for the town, but on second thoughts wrote him the contradictory letter that Vronsky received, and without reading it through, sent it off by a special messenger. The next morning she received his letter and regretted her own. She dreaded a repetition of the severe look he had flung at her at parting, especially when he knew that the baby was not dangerously ill. But still she was glad she had written to him. At this moment Anna was positively admitting to herself that she was a burden to him, that he would relinquish his freedom regretfully to return to her, and in spite of that she was glad he was coming. Let him weary of her, but he would be here with her, so that she would see him, would know of every action he took. She was sitting in the drawing-room near a lamp, with a new volume of Taine, and as she read, listening to the sound of the wind outside, and every minute expecting the carriage to arrive. Several times she had fancied she heard the sound of wheels, but she had been mistaken. At last she heard not the sound of wheels, but the coachman’s shout and the dull rumble in the covered entry. Even Princess Varvara, playing patience, confirmed this, and Anna, flushing hotly, got up; but instead of going down, as she had done twice before, she stood still. She suddenly felt ashamed of her duplicity, but even more she dreaded how he might meet her. All feeling of wounded pride had passed now; she was only afraid of the expression of his displeasure. She remembered that her child had been perfectly well again for the last two days. She felt positively vexed with her for getting better from the very moment her letter was sent off. Then she thought of him, that he was here, all of him, with his hands, his eyes. She heard his voice. And forgetting everything, she ran joyfully to meet him. “Well, how is Annie?” he said timidly from below, looking up to Anna as she ran down to him. He was sitting on a chair, and a footman was pulling off his warm over-boot. “Oh, she is better.” “And you?” he said, shaking himself. She took his hand in both of hers, and drew it to her waist, never taking her eyes off him. “Well, I’m glad,” he said, coldly scanning her, her hair, her dress, which he knew she had put on for him. All was charming, but how many times it had charmed him! And the stern, stony expression that she so dreaded settled upon his face. “Well, I’m glad. And are you well?” he said, wiping his damp beard with his handkerchief and kissing her hand. “Never mind,” she thought, “only let him be here, and so long as he’s here he cannot, he dare not, cease to love me.” The evening was spent happily and gaily in the presence of Princess Varvara, who complained to him that Anna had been taking morphine in his absence. “What am I to do? I couldn’t sleep.... My thoughts prevented me. When he’s here I never take it—hardly ever.” He told her about the election, and Anna knew how by adroit questions to bring him to what gave him most pleasure—his own success. She told him of everything that interested him at home; and all that she told him was of the most cheerful description. But late in the evening, when they were alone, Anna, seeing that she had regained complete possession of him, wanted to erase the painful impression of the glance he had given her for her letter. She said: “Tell me frankly, you were vexed at getting my letter, and you didn’t believe me?” As soon as she had said it, she felt that however warm his feelings were to her, he had not forgiven her for that. “Yes,” he said, “the letter was so strange. First, Annie ill, and then you thought of coming yourself.” “It was all the truth.” “Oh, I don’t doubt it.” “Yes, you do doubt it. You are vexed, I see.” “Not for one moment. I’m only vexed, that’s true, that you seem somehow unwilling to admit that there are duties....” “The duty of going to a concert....” “But we won’t talk about it,” he said. “Why not talk about it?” she said. “I only meant to say that matters of real importance may turn up. Now, for instance, I shall have to go to Moscow to arrange about the house.... Oh, Anna, why are you so irritable? Don’t you know that I can’t live without you?” “If so,” said Anna, her voice suddenly changing, “it means that you are sick of this life.... Yes, you will come for a day and go away, as men do....” “Anna, that’s cruel. I am ready to give up my whole life.” But she did not hear him. “If you go to Moscow, I will go too. I will not stay here. Either we must separate or else live together.” “Why, you know, that’s my one desire. But for that....” “We must get a divorce. I will write to him. I see I cannot go on like this.... But I will come with you to Moscow.” “You talk as if you were threatening me. But I desire nothing so much as never to be parted from you,” said Vronsky, smiling. But as he said these words there gleamed in his eyes not merely a cold look, but the vindictive look of a man persecuted and made cruel. She saw the look and correctly divined its meaning. “If so, it’s a calamity!” that glance told her. It was a moment’s impression, but she never forgot it. Anna wrote to her husband asking him about a divorce, and towards the end of November, taking leave of Princess Varvara, who wanted to go to Petersburg, she went with Vronsky to Moscow. Expecting every day an answer from Alexey Alexandrovitch, and after that the divorce, they now established themselves together like married people.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
Modern English
Select a style above to load the modern English translation.

This chapter is constructed around the power asymmetry of emotional dependency. Tolstoy opens with Anna's deliberate resolution to remain composed, then immediately shows that resolution shattered by a single glance — a structural irony that establishes the chapter's central argument: Anna's will is no match for her need. The narrative free indirect discourse allows readers to inhabit her rationalising mind as she oscillates between self-awareness and compulsive longing, demonstrating that lucidity offers no protection against passion.

The motif of the glance organises the entire chapter. Vronsky's cold, severe glance at departure, the stern, stony expression on his return, and finally the vindictive look of a man persecuted and made cruel form a visual grammar of deteriorating intimacy. Tolstoy insists that these glances communicate what words cannot or will not: the beginning of indifference, resentment, and entrapment. Anna's ability to correctly divine the meaning of the final look signals her tragic perceptiveness — she understands her situation with precision yet cannot alter it.

Morphine appears here not merely as a plot detail but as a symbol of Anna's existential condition. It is the chemical analogue of Vronsky himself: a substance she uses to stifle the fearful thought of abandonment, one she claims to need less when he is present, and one that Princess Varvara's disclosure turns into a social embarrassment. The drug externalises Anna's interior dissolution, making visible the degree to which her psychological survival depends on an unreliable source.

The late-night argument enacts the paradox of articulation: Anna's attempt to clear the air by naming the tension instead deepens it. Vronsky's language of 'duties' and Anna's counter-thrust about 'a concert' compress the novel's broader conflict between social obligation and individual desire into a domestic quarrel. His declaration that he is ready to give up his whole life is undercut immediately by the vindictive look, a Tolstoyan technique of using physical detail to expose the gap between professed feeling and actual emotional state.

The chapter closes with a deceptively calm coda — divorce sought, Moscow journey begun, a quasi-marital arrangement established — but the final sentence's conditional phrasing withholds resolution. Tolstoy frames apparent progress as suspension, reinforcing the novel's deterministic undertow: Anna moves toward a social form that can no longer save her because the psychological damage is already done. The calamity she reads in Vronsky's eyes is not a future event but a present truth she has just been forced to see.

Loading quotes...

Loading tags...

Ask the Reader

Click any tag to explore where it appears across the book, then ask the Reader to explain how it works in this chapter.

Exploring tag...
The Reader's Take
Ask the Reader to explain how this element appears in this chapter
Click a tag to search.
Ask the Reader about this chapter
Type at least 2 characters to search
Characters & Figures
Loading figures...
✎ Mr. Shifflett's Note
SIS Teachers
Sign in with your @siskorea.org email for free full access to this guide and all GradeWise study guides — every chapter, translation, and premium feature.
Sign In with SIS Email