Anna Karenina Study Guide
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Part Seven, Chapter 11

Chapter Summary

After an evening spent with Anna Karenina, Levin walks out into the frosty night with Stepan Arkadyevitch, deeply moved by Anna's charm and depth of feeling. He returns home to find two routine letters—one about unsold corn, one from his sister—and reflects on his day, noting a faint unease about the sympathy he felt for Anna. He finds Kitty low-spirited after waiting alone for him all evening.

Levin recounts his evening to Kitty, mentioning his encounter with Vronsky and then, blushing, his visit to Anna. Kitty, though visibly shaken, controls herself until Levin leaves to change his coat; when he returns she breaks into tears, accusing him of being bewitched by Anna. After a long argument lasting until three in the morning, Levin soothes her by confessing that wine and pity had weakened his judgment, and he promises to avoid Anna.

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Original Text
“What a marvelous, sweet and unhappy woman!” he was thinking, as he stepped out into the frosty air with Stepan Arkadyevitch. “Well, didn’t I tell you?” said Stepan Arkadyevitch, seeing that Levin had been completely won over. “Yes,” said Levin dreamily, “an extraordinary woman! It’s not her cleverness, but she has such wonderful depth of feeling. I’m awfully sorry for her!” “Now, please God, everything will soon be settled. Well, well, don’t be hard on people in future,” said Stepan Arkadyevitch, opening the carriage door. “Good-bye; we don’t go the same way.” Still thinking of Anna, of everything, even the simplest phrase in their conversation with her, and recalling the minutest changes in her expression, entering more and more into her position, and feeling sympathy for her, Levin reached home. At home Kouzma told Levin that Katerina Alexandrovna was quite well, and that her sisters had not long been gone, and he handed him two letters. Levin read them at once in the hall, that he might not overlook them later. One was from Sokolov, his bailiff. Sokolov wrote that the corn could not be sold, that it was fetching only five and a half roubles, and that more than that could not be got for it. The other letter was from his sister. She scolded him for her business being still unsettled. “Well, we must sell it at five and a half if we can’t get more,” Levin decided the first question, which had always before seemed such a weighty one, with extraordinary facility on the spot. “It’s extraordinary how all one’s time is taken up here,” he thought, considering the second letter. He felt himself to blame for not having got done what his sister had asked him to do for her. “Today, again, I’ve not been to the court, but today I’ve certainly not had time.” And resolving that he would not fail to do it next day, he went up to his wife. As he went in, Levin rapidly ran through mentally the day he had spent. All the events of the day were conversations, conversations he had heard and taken part in. All the conversations were upon subjects which, if he had been alone at home, he would never have taken up, but here they were very interesting. And all these conversations were right enough, only in two places there was something not quite right. One was what he had said about the carp, the other was something not “quite the thing” in the tender sympathy he was feeling for Anna. Levin found his wife low-spirited and dull. The dinner of the three sisters had gone off very well, but then they had waited and waited for him, all of them had felt dull, the sisters had departed, and she had been left alone. “Well, and what have you been doing?” she asked him, looking straight into his eyes, which shone with rather a suspicious brightness. But that she might not prevent his telling her everything, she concealed her close scrutiny of him, and with an approving smile listened to his account of how he had spent the evening. “Well, I’m very glad I met Vronsky. I felt quite at ease and natural with him. You understand, I shall try not to see him, but I’m glad that this awkwardness is all over,” he said, and remembering that by way of trying not to see him, he had immediately gone to call on Anna, he blushed. “We talk about the peasants drinking; I don’t know which drinks most, the peasantry or our own class; the peasants do on holidays, but....” But Kitty took not the slightest interest in discussing the drinking habits of the peasants. She saw that he blushed, and she wanted to know why. “Well, and then where did you go?” “Stiva urged me awfully to go and see Anna Arkadyevna.” And as he said this, Levin blushed even more, and his doubts as to whether he had done right in going to see Anna were settled once for all. He knew now that he ought not to have done so. Kitty’s eyes opened in a curious way and gleamed at Anna’s name, but controlling herself with an effort, she concealed her emotion and deceived him. “Oh!” was all she said. “I’m sure you won’t be angry at my going. Stiva begged me to, and Dolly wished it,” Levin went on. “Oh, no!” she said, but he saw in her eyes a constraint that boded him no good. “She is a very sweet, very, very unhappy, good woman,” he said, telling her about Anna, her occupations, and what she had told him to say to her. “Yes, of course, she is very much to be pitied,” said Kitty, when he had finished. “Whom was your letter from?” He told her, and believing in her calm tone, he went to change his coat. Coming back, he found Kitty in the same easy chair. When he went up to her, she glanced at him and broke into sobs. “What? what is it?” he asked, knowing beforehand what. “You’re in love with that hateful woman; she has bewitched you! I saw it in your eyes. Yes, yes! What can it all lead to? You were drinking at the club, drinking and gambling, and then you went ... to her of all people! No, we must go away.... I shall go away tomorrow.” It was a long while before Levin could soothe his wife. At last he succeeded in calming her, only by confessing that a feeling of pity, in conjunction with the wine he had drunk, had been too much for him, that he had succumbed to Anna’s artful influence, and that he would avoid her. One thing he did with more sincerity confess to was that living so long in Moscow, a life of nothing but conversation, eating and drinking, he was degenerating. They talked till three o’clock in the morning. Only at three o’clock were they sufficiently reconciled to be able to go to sleep.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter operates as a domestic counterpoint to the glamour of Anna's salon. Tolstoy structures the scene as a descent: Levin moves from the charged, almost enchanted atmosphere of Anna's drawing room back into the mundane world of corn prices and unanswered letters, yet he carries the enchantment with him. The juxtaposition is deliberate—the trivial business letters that Levin dispatches with sudden ease signal that Anna's influence has temporarily displaced his normal scale of values, a subtle warning that infatuation distorts moral judgment.

Levin's progressive blushes form the chapter's most precise psychological notation. He blushes when he remembers going to Anna, blushes again when he names her to Kitty, and the narrator confirms that these involuntary signals settle his own doubt: "he knew now that he ought not to have done so." Tolstoy uses free indirect discourse throughout to collapse the distance between narrator and character, making the reader privy to Levin's self-deception even as Levin half-perceives it himself.

Kitty's response is rendered with equal subtlety. Her initial "Oh!" and her controlled "Oh, no!" are masterclasses in suppressed emotion; the narrator notes the "constraint that boded him no good" lurking behind her calm tone. When she finally breaks into sobs, the outburst is not melodrama but the release of carefully managed feeling—a technique Tolstoy uses to distinguish Kitty's mature emotional intelligence from mere jealousy. Her accusation that Anna has "bewitched" Levin echoes the novel's broader association of Anna with dangerous, almost supernatural allure.

The chapter also advances the novel's sustained meditation on marriage as a moral arena. The reconciliation reached at three in the morning is not simply a domestic squabble resolved; it is a test of the transparency and honesty that Tolstoy presents as the foundation of Levin and Kitty's marriage. Levin's partial confession—admitting wine and pity but framing Anna's influence as "artful"—is itself a small moral compromise, and the chapter leaves open whether full honesty or protective omission better serves the marriage bond.

Finally, the chapter functions structurally as a foil to Anna and Vronsky's relationship. Where Anna and Vronsky's union is defined by passion unchecked by social or moral constraint, Levin and Kitty's is shown working through conflict toward renewed intimacy. The late-night conversation, exhausting and painful, nonetheless ends in reconciliation and sleep—a quiet affirmation of the regenerative capacity of honest domestic love that Tolstoy sets against the destructive trajectory of Anna's story.

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✎ Mr. Shifflett's Note
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