Anna Karenina Study Guide
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Part Six, Chapter 25

Chapter Summary

Vronsky and Anna remain on his country estate through summer and into autumn, having taken no steps toward divorce. Their life appears outwardly comfortable—Anna immerses herself in reading and study, assists with the hospital project, and devotes herself entirely to pleasing Vronsky, while he manages his estates with increasing competence and satisfaction. Yet beneath this surface contentment, Vronsky grows restless under Anna's emotional dependence and her attempts to bind him.

When the provincial elections in Kashinsky draw Vronsky away, he braces for a confrontation with Anna. To his surprise, she accepts his departure with unusual calm, asking only when he will return. Unsettled by her composure—recognising it as a sign she has formed some private resolution—he nevertheless departs without seeking a frank explanation, telling himself that preserving his masculine independence is non-negotiable.

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Original Text
Vronsky and Anna spent the whole summer and part of the winter in the country, living in just the same condition, and still taking no steps to obtain a divorce. It was an understood thing between them that they should not go away anywhere; but both felt, the longer they lived alone, especially in the autumn, without guests in the house, that they could not stand this existence, and that they would have to alter it. Their life was apparently such that nothing better could be desired. They had the fullest abundance of everything; they had a child, and both had occupation. Anna devoted just as much care to her appearance when they had no visitors, and she did a great deal of reading, both of novels and of what serious literature was in fashion. She ordered all the books that were praised in the foreign papers and reviews she received, and read them with that concentrated attention which is only given to what is read in seclusion. Moreover, every subject that was of interest to Vronsky, she studied in books and special journals, so that he often went straight to her with questions relating to agriculture or architecture, sometimes even with questions relating to horse-breeding or sport. He was amazed at her knowledge, her memory, and at first was disposed to doubt it, to ask for confirmation of her facts; and she would find what he asked for in some book, and show it to him. The building of the hospital, too, interested her. She did not merely assist, but planned and suggested a great deal herself. But her chief thought was still of herself—how far she was dear to Vronsky, how far she could make up to him for all he had given up. Vronsky appreciated this desire not only to please, but to serve him, which had become the sole aim of her existence, but at the same time he wearied of the loving snares in which she tried to hold him fast. As time went on, and he saw himself more and more often held fast in these snares, he had an ever growing desire, not so much to escape from them, as to try whether they hindered his freedom. Had it not been for this growing desire to be free, not to have scenes every time he wanted to go to the town to a meeting or a race, Vronsky would have been perfectly satisfied with his life. The rôle he had taken up, the rôle of a wealthy landowner, one of that class which ought to be the very heart of the Russian aristocracy, was entirely to his taste; and now, after spending six months in that character, he derived even greater satisfaction from it. And his management of his estate, which occupied and absorbed him more and more, was most successful. In spite of the immense sums cost him by the hospital, by machinery, by cows ordered from Switzerland, and many other things, he was convinced that he was not wasting, but increasing his substance. In all matters affecting income, the sales of timber, wheat, and wool, the letting of lands, Vronsky was hard as a rock, and knew well how to keep up prices. In all operations on a large scale on this and his other estates, he kept to the simplest methods involving no risk, and in trifling details he was careful and exacting to an extreme degree. In spite of all the cunning and ingenuity of the German steward, who would try to tempt him into purchases by making his original estimate always far larger than really required, and then representing to Vronsky that he might get the thing cheaper, and so make a profit, Vronsky did not give in. He listened to his steward, cross-examined him, and only agreed to his suggestions when the implement to be ordered or constructed was the very newest, not yet known in Russia, and likely to excite wonder. Apart from such exceptions, he resolved upon an increased outlay only where there was a surplus, and in making such an outlay he went into the minutest details, and insisted on getting the very best for his money; so that by the method on which he managed his affairs, it was clear that he was not wasting, but increasing his substance. In October there were the provincial elections in the Kashinsky province, where were the estates of Vronsky, Sviazhsky, Koznishev, Oblonsky, and a small part of Levin’s land. These elections were attracting public attention from several circumstances connected with them, and also from the people taking part in them. There had been a great deal of talk about them, and great preparations were being made for them. Persons who never attended the elections were coming from Moscow, from Petersburg, and from abroad to attend these. Vronsky had long before promised Sviazhsky to go to them. Before the elections Sviazhsky, who often visited Vozdvizhenskoe, drove over to fetch Vronsky. On the day before there had been almost a quarrel between Vronsky and Anna over this proposed expedition. It was the very dullest autumn weather, which is so dreary in the country, and so, preparing himself for a struggle, Vronsky, with a hard and cold expression, informed Anna of his departure as he had never spoken to her before. But, to his surprise, Anna accepted the information with great composure, and merely asked when he would be back. He looked intently at her, at a loss to explain this composure. She smiled at his look. He knew that way she had of withdrawing into herself, and knew that it only happened when she had determined upon something without letting him know her plans. He was afraid of this; but he was so anxious to avoid a scene that he kept up appearances, and half sincerely believed in what he longed to believe in—her reasonableness. “I hope you won’t be dull?” “I hope not,” said Anna. “I got a box of books yesterday from Gautier’s. No, I shan’t be dull.” “She’s trying to take that tone, and so much the better,” he thought, “or else it would be the same thing over and over again.” And he set off for the elections without appealing to her for a candid explanation. It was the first time since the beginning of their intimacy that he had parted from her without a full explanation. From one point of view this troubled him, but on the other side he felt that it was better so. “At first there will be, as this time, something undefined kept back, and then she will get used to it. In any case I can give up anything for her, but not my masculine independence,” he thought.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter operates as a quiet but devastating anatomy of a relationship in slow decline. Tolstoy structures the chapter around a surface/depth contrast: the couple's life appears enviable—abundance, occupation, a child—yet the narrator's ironic framing insists that appearances deceive. The repeated phrase "apparently such that nothing better could be desired" signals free indirect discourse, exposing the gap between social performance and inner reality. The chapter thus enacts one of the novel's central preoccupations: the way social forms can mask and even accelerate psychological dissolution.

Anna's intellectual self-transformation is rendered with particular ambivalence. Her voracious reading and mastery of Vronsky's interests—agriculture, architecture, horse-breeding—might seem admirable, yet Tolstoy frames it as an act of self-erasure. Her "chief thought was still of herself—how far she was dear to Vronsky." The irony is sharp: she studies the world only to reflect it back at him. This mirrors the novel's broader critique of how romantic love, when made the sole purpose of a woman's existence, becomes a form of self-imprisonment more confining than any social convention.

Vronsky's characterisation deepens here through his management of the estate. His financial acumen—hard "as a rock" in income matters, resistant to the German steward's manipulations—establishes him as a man of genuine practical competence. Yet Tolstoy juxtaposes this mastery of the external world with his growing inability to manage the emotional world Anna creates around him. The "loving snares" metaphor is central: Anna's devotion is figured as entrapment, and Vronsky's desire is not to escape love but to test whether he still possesses freedom within it. This anticipates the novel's tragic logic, in which love and liberty are rendered irreconcilable.

The provincial elections function as more than plot mechanism. They represent the homosocial public sphere—Sviazhsky, Koznishev, Oblonsky, Levin—from which Anna's transgression has effectively exiled Vronsky, yet to which he is still drawn. His eagerness to attend, and his relief at Anna's unexpected composure, reveal that he has begun to chafe against the very life he chose. The elections thus symbolise the masculine civic identity that romantic passion has placed under threat.

The chapter's closing exchange is a masterpiece of suppressed communication. Anna's smile, her withdrawal "into herself," and her reference to Gautier's books are all surfaces that conceal a private determination Vronsky cannot read. His decision to depart "without a full explanation" marks a structural first in their relationship—a precedent for emotional distance. His final rationalisation, "not my masculine independence," reveals the ideological fault line that will eventually destroy them: gender asymmetry means that the same passion which defines Anna's entire existence is, for Vronsky, only one claim among many.

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✎ Mr. Shifflett's Note
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