Anna Karenina Study Guide
Color Theme
Font Style
Sans Serif System Mono Accessible
Text Size

Part Seven, Chapter 28

Chapter Summary

Anna rides through sunlit Moscow streets in Vronsky's carriage, her thoughts lurching between self-reproach, defiance, and despair. She reads shop signs, recalls a girlhood pilgrimage to Troitsa, and resolves to visit Dolly and confess her unhappiness. When she arrives, she learns that Kitty Levin is also present, and the knowledge that Vronsky once loved Kitty sharpens her bitterness.

Dolly receives Anna warmly and shares a letter from Stiva about the divorce negotiations, but Anna dismisses it with cold indifference. Kitty overcomes her reluctance and enters; the two women exchange strained pleasantries. Anna departs abruptly, leaving a parting remark about Levin that carries a barely concealed edge. Dolly and Kitty are left remarking on Anna's loveliness and the unmistakable air of misery about her.

Translation Style
✨ Character Voice Translations PREMIUM
Original Text
It was bright and sunny. A fine rain had been falling all the morning, and now it had not long cleared up. The iron roofs, the flags of the roads, the flints of the pavements, the wheels and leather, the brass and the tinplate of the carriages—all glistened brightly in the May sunshine. It was three o’clock, and the very liveliest time in the streets. As she sat in a corner of the comfortable carriage, that hardly swayed on its supple springs, while the grays trotted swiftly, in the midst of the unceasing rattle of wheels and the changing impressions in the pure air, Anna ran over the events of the last days, and she saw her position quite differently from how it had seemed at home. Now the thought of death seemed no longer so terrible and so clear to her, and death itself no longer seemed so inevitable. Now she blamed herself for the humiliation to which she had lowered herself. “I entreat him to forgive me. I have given in to him. I have owned myself in fault. What for? Can’t I live without him?” And leaving unanswered the question how she was going to live without him, she fell to reading the signs on the shops. “Office and warehouse. Dental surgeon. Yes, I’ll tell Dolly all about it. She doesn’t like Vronsky. I shall be sick and ashamed, but I’ll tell her. She loves me, and I’ll follow her advice. I won’t give in to him; I won’t let him train me as he pleases. Filippov, bun shop. They say they send their dough to Petersburg. The Moscow water is so good for it. Ah, the springs at Mitishtchen, and the pancakes!” And she remembered how, long, long ago, when she was a girl of seventeen, she had gone with her aunt to Troitsa. “Riding, too. Was that really me, with red hands? How much that seemed to me then splendid and out of reach has become worthless, while what I had then has gone out of my reach forever! Could I ever have believed then that I could come to such humiliation? How conceited and self-satisfied he will be when he gets my note! But I will show him.... How horrid that paint smells! Why is it they’re always painting and building? Modes et robes, she read. A man bowed to her. It was Annushka’s husband. “Our parasites”; she remembered how Vronsky had said that. “Our? Why our? What’s so awful is that one can’t tear up the past by its roots. One can’t tear it out, but one can hide one’s memory of it. And I’ll hide it.” And then she thought of her past with Alexey Alexandrovitch, of how she had blotted the memory of it out of her life. “Dolly will think I’m leaving my second husband, and so I certainly must be in the wrong. As if I cared to be right! I can’t help it!” she said, and she wanted to cry. But at once she fell to wondering what those two girls could be smiling about. “Love, most likely. They don’t know how dreary it is, how low.... The boulevard and the children. Three boys running, playing at horses. Seryozha! And I’m losing everything and not getting him back. Yes, I’m losing everything, if he doesn’t return. Perhaps he was late for the train and has come back by now. Longing for humiliation again!” she said to herself. “No, I’ll go to Dolly, and say straight out to her, I’m unhappy, I deserve this, I’m to blame, but still I’m unhappy, help me. These horses, this carriage—how loathsome I am to myself in this carriage—all his; but I won’t see them again.” Thinking over the words in which she would tell Dolly, and mentally working her heart up to great bitterness, Anna went upstairs. “Is there anyone with her?” she asked in the hall. “Katerina Alexandrovna Levin,” answered the footman. “Kitty! Kitty, whom Vronsky was in love with!” thought Anna, “the girl he thinks of with love. He’s sorry he didn’t marry her. But me he thinks of with hatred, and is sorry he had anything to do with me.” The sisters were having a consultation about nursing when Anna called. Dolly went down alone to see the visitor who had interrupted their conversation. “Well, so you’ve not gone away yet? I meant to have come to you,” she said; “I had a letter from Stiva today.” “We had a telegram too,” answered Anna, looking round for Kitty. “He writes that he can’t make out quite what Alexey Alexandrovitch wants, but he won’t go away without a decisive answer.” “I thought you had someone with you. Can I see the letter?” “Yes; Kitty,” said Dolly, embarrassed. “She stayed in the nursery. She has been very ill.” “So I heard. May I see the letter?” “I’ll get it directly. But he doesn’t refuse; on the contrary, Stiva has hopes,” said Dolly, stopping in the doorway. “I haven’t, and indeed I don’t wish it,” said Anna. “What’s this? Does Kitty consider it degrading to meet me?” thought Anna when she was alone. “Perhaps she’s right, too. But it’s not for her, the girl who was in love with Vronsky, it’s not for her to show me that, even if it is true. I know that in my position I can’t be received by any decent woman. I knew that from the first moment I sacrificed everything to him. And this is my reward! Oh, how I hate him! And what did I come here for? I’m worse here, more miserable.” She heard from the next room the sisters’ voices in consultation. “And what am I going to say to Dolly now? Amuse Kitty by the sight of my wretchedness, submit to her patronizing? No; and besides, Dolly wouldn’t understand. And it would be no good my telling her. It would only be interesting to see Kitty, to show her how I despise everyone and everything, how nothing matters to me now.” Dolly came in with the letter. Anna read it and handed it back in silence. “I knew all that,” she said, “and it doesn’t interest me in the least.” “Oh, why so? On the contrary, I have hopes,” said Dolly, looking inquisitively at Anna. She had never seen her in such a strangely irritable condition. “When are you going away?” she asked. Anna, half-closing her eyes, looked straight before her and did not answer. “Why does Kitty shrink from me?” she said, looking at the door and flushing red. “Oh, what nonsense! She’s nursing, and things aren’t going right with her, and I’ve been advising her.... She’s delighted. She’ll be here in a minute,” said Dolly awkwardly, not clever at lying. “Yes, here she is.” Hearing that Anna had called, Kitty had wanted not to appear, but Dolly persuaded her. Rallying her forces, Kitty went in, walked up to her, blushing, and shook hands. “I am so glad to see you,” she said with a trembling voice. Kitty had been thrown into confusion by the inward conflict between her antagonism to this bad woman and her desire to be nice to her. But as soon as she saw Anna’s lovely and attractive face, all feeling of antagonism disappeared. “I should not have been surprised if you had not cared to meet me. I’m used to everything. You have been ill? Yes, you are changed,” said Anna. Kitty felt that Anna was looking at her with hostile eyes. She ascribed this hostility to the awkward position in which Anna, who had once patronized her, must feel with her now, and she felt sorry for her. They talked of Kitty’s illness, of the baby, of Stiva, but it was obvious that nothing interested Anna. “I came to say good-bye to you,” she said, getting up. “Oh, when are you going?” But again not answering, Anna turned to Kitty. “Yes, I am very glad to have seen you,” she said with a smile. “I have heard so much of you from everyone, even from your husband. He came to see me, and I liked him exceedingly,” she said, unmistakably with malicious intent. “Where is he?” “He has gone back to the country,” said Kitty, blushing. “Remember me to him, be sure you do.” “I’ll be sure to!” Kitty said naïvely, looking compassionately into her eyes. “So good-bye, Dolly.” And kissing Dolly and shaking hands with Kitty, Anna went out hurriedly. “She’s just the same and just as charming! She’s very lovely!” said Kitty, when she was alone with her sister. “But there’s something piteous about her. Awfully piteous!” “Yes, there’s something unusual about her today,” said Dolly. “When I went with her into the hall, I fancied she was almost crying.”
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
Modern English
Select a style above to load the modern English translation.

This chapter is structured as a stream of consciousness journey, both literal and psychological. Tolstoy uses the moving carriage as an objective correlative for Anna's unstable mental state: the vehicle's smooth motion contrasts violently with the jagged, associative leaps of her interior monologue. The technique anticipates modernist fiction and is among the most technically sophisticated passages in the novel, demonstrating how external sensation — shop signs, the smell of paint, two laughing girls — triggers memory, self-accusation, and fantasy in rapid, unpredictable succession.

The motif of the past as irrecoverable dominates Anna's reverie. Her memory of the seventeen-year-old girl who rode to Troitsa with red hands functions as a tragic counterpoint to her present degradation: innocence and social belonging have been replaced by shame and isolation. The rhetorical question 'Was that really me?' signals a fragmented identity, a self that can no longer be unified across time. Tolstoy reinforces this with Anna's compulsive reading of shop signs — a displacement activity that simultaneously reveals and conceals the void beneath her thoughts.

The visit to Dolly enacts the social death Anna has long feared. Kitty's initial reluctance to appear is a concrete dramatisation of respectable society's judgment, and Anna's instantaneous, hostile interpretation — 'Kitty, whom Vronsky was in love with!' — shows how thoroughly jealousy and paranoia have colonised her perception. Significantly, Kitty's actual response is compassionate, not contemptuous; the gap between Anna's reading of events and their reality is a structural irony Tolstoy sustains throughout the chapter, hinting that Anna's suffering is partly self-generated.

Anna's malicious intent in mentioning Levin — 'I liked him exceedingly... Where is he?' — reveals the degradation of her social instincts. She arrives intending to seek help and leaves having deployed cruelty as a defensive weapon. This inversion of her original purpose underscores the novel's argument that moral disintegration accompanies social exile: Anna cannot accept the sympathy she desperately needs because accepting it would require acknowledging vulnerability.

The chapter closes with Kitty's double verdict — 'very lovely' and 'awfully piteous' — which encapsulates Tolstoy's own ambivalent portrait of Anna throughout the novel. Beauty and ruin are held in the same breath, and the word 'piteous' carries both compassion and a hint of condescension, reflecting the limits of female solidarity within a patriarchal social order that has already decided Anna's fate.

Loading quotes...

Loading tags...

Ask the Reader

Click any tag to explore where it appears across the book, then ask the Reader to explain how it works in this chapter.

Exploring tag...
The Reader's Take
Ask the Reader to explain how this element appears in this chapter
Click a tag to search.
Ask the Reader about this chapter
Type at least 2 characters to search
Characters & Figures
Loading figures...
✎ Mr. Shifflett's Note
SIS Teachers
Sign in with your @siskorea.org email for free full access to this guide and all GradeWise study guides — every chapter, translation, and premium feature.
Sign In with SIS Email