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Part Three, Chapter 11

Chapter Summary

In mid-July, the village elder from Levin's sister's estate arrives to report on the hay harvest, but his evasive manner arouses Levin's suspicion that the crop has been dishonestly divided. Levin drives over himself, consults the old beekeeper Parmenitch, and inspects the haystacks, discovering they contain only thirty-two wagon-loads rather than the claimed fifty. After a prolonged afternoon dispute, the peasants are compelled to accept the corrected reckoning.

Once the argument is settled, Levin sits on a haycock and watches the meadow alive with workers. An old man sits beside him and they exchange warm words about the weather and the harvest. Levin then observes the old man's son, Ivan Parmenov, and his young wife loading hay together with evident physical grace and mutual tenderness, their faces expressing what Tolstoy calls a freshly awakened love.

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Original Text
In the middle of July the elder of the village on Levin’s sister’s estate, about fifteen miles from Pokrovskoe, came to Levin to report on how things were going there and on the hay. The chief source of income on his sister’s estate was from the riverside meadows. In former years the hay had been bought by the peasants for twenty roubles the three acres. When Levin took over the management of the estate, he thought on examining the grasslands that they were worth more, and he fixed the price at twenty-five roubles the three acres. The peasants would not give that price, and, as Levin suspected, kept off other purchasers. Then Levin had driven over himself, and arranged to have the grass cut, partly by hired labor, partly at a payment of a certain proportion of the crop. His own peasants put every hindrance they could in the way of this new arrangement, but it was carried out, and the first year the meadows had yielded a profit almost double. The previous year—which was the third year—the peasants had maintained the same opposition to the arrangement, and the hay had been cut on the same system. This year the peasants were doing all the mowing for a third of the hay crop, and the village elder had come now to announce that the hay had been cut, and that, fearing rain, they had invited the counting-house clerk over, had divided the crop in his presence, and had raked together eleven stacks as the owner’s share. From the vague answers to his question how much hay had been cut on the principal meadow, from the hurry of the village elder who had made the division, not asking leave, from the whole tone of the peasant, Levin perceived that there was something wrong in the division of the hay, and made up his mind to drive over himself to look into the matter. Arriving for dinner at the village, and leaving his horse at the cottage of an old friend of his, the husband of his brother’s wet-nurse, Levin went to see the old man in his bee-house, wanting to find out from him the truth about the hay. Parmenitch, a talkative, comely old man, gave Levin a very warm welcome, showed him all he was doing, told him everything about his bees and the swarms of that year; but gave vague and unwilling answers to Levin’s inquiries about the mowing. This confirmed Levin still more in his suspicions. He went to the hay fields and examined the stacks. The haystacks could not possibly contain fifty wagon-loads each, and to convict the peasants Levin ordered the wagons that had carried the hay to be brought up directly, to lift one stack, and carry it into the barn. There turned out to be only thirty-two loads in the stack. In spite of the village elder’s assertions about the compressibility of hay, and its having settled down in the stacks, and his swearing that everything had been done in the fear of God, Levin stuck to his point that the hay had been divided without his orders, and that, therefore, he would not accept that hay as fifty loads to a stack. After a prolonged dispute the matter was decided by the peasants taking these eleven stacks, reckoning them as fifty loads each. The arguments and the division of the haycocks lasted the whole afternoon. When the last of the hay had been divided, Levin, intrusting the superintendence of the rest to the counting-house clerk, sat down on a haycock marked off by a stake of willow, and looked admiringly at the meadow swarming with peasants. In front of him, in the bend of the river beyond the marsh, moved a bright-colored line of peasant women, and the scattered hay was being rapidly formed into gray winding rows over the pale green stubble. After the women came the men with pitchforks, and from the gray rows there were growing up broad, high, soft haycocks. To the left, carts were rumbling over the meadow that had been already cleared, and one after another the haycocks vanished, flung up in huge forkfuls, and in their place there were rising heavy cartloads of fragrant hay hanging over the horses’ hind-quarters. “What weather for haying! What hay it’ll be!” said an old man, squatting down beside Levin. “It’s tea, not hay! It’s like scattering grain to the ducks, the way they pick it up!” he added, pointing to the growing haycocks. “Since dinner time they’ve carried a good half of it.” “The last load, eh?” he shouted to a young peasant, who drove by, standing in the front of an empty cart, shaking the cord reins. “The last, dad!” the lad shouted back, pulling in the horse, and, smiling, he looked round at a bright, rosy-cheeked peasant girl who sat in the cart smiling too, and drove on. “Who’s that? Your son?” asked Levin. “My baby,” said the old man with a tender smile. “What a fine fellow!” “The lad’s all right.” “Married already?” “Yes, it’s two years last St. Philip’s day.” “Any children?” “Children indeed! Why, for over a year he was innocent as a babe himself, and bashful too,” answered the old man. “Well, the hay! It’s as fragrant as tea!” he repeated, wishing to change the subject. Levin looked more attentively at Ivan Parmenov and his wife. They were loading a haycock onto the cart not far from him. Ivan Parmenov was standing on the cart, taking, laying in place, and stamping down the huge bundles of hay, which his pretty young wife deftly handed up to him, at first in armfuls, and then on the pitchfork. The young wife worked easily, merrily, and dexterously. The close-packed hay did not once break away off her fork. First she gathered it together, stuck the fork into it, then with a rapid, supple movement leaned the whole weight of her body on it, and at once with a bend of her back under the red belt she drew herself up, and arching her full bosom under the white smock, with a smart turn swung the fork in her arms, and flung the bundle of hay high onto the cart. Ivan, obviously doing his best to save her every minute of unnecessary labor, made haste, opening his arms to clutch the bundle and lay it in the cart. As she raked together what was left of the hay, the young wife shook off the bits of hay that had fallen on her neck, and straightening the red kerchief that had dropped forward over her white brow, not browned like her face by the sun, she crept under the cart to tie up the load. Ivan directed her how to fasten the cord to the cross-piece, and at something she said he laughed aloud. In the expressions of both faces was to be seen vigorous, young, freshly awakened love.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter enacts one of Tolstoy's central structural contrasts: the world of property and conflict set against the world of labor and natural harmony. The first half is dominated by suspicion, dispute, and the grinding machinery of estate management. Levin's careful forensic work — ordering wagons, counting loads, resisting the elder's specious arguments about hay compression — establishes him as a conscientious but embattled landowner whose rational reforms are perpetually resisted by peasant custom and collective self-interest. The episode is not merely comic; it dramatizes the structural antagonism between the gentry's improving ideology and the peasantry's communal survival strategies.

The chapter's pivot is the moment Levin sits down on the haycock and simply looks. The shift from active agent to contemplative observer is marked by a sudden expansion of the prose into panoramic description. The 'bright-colored line of peasant women,' the 'gray winding rows,' the 'broad, high, soft haycocks' rising across the pale green stubble — this is Tolstoy's characteristic painterly realism, rendering agricultural labor as something close to the sublime. The visual rhythm of the passage mirrors the organic sequence of the harvest itself, and Levin's admiring gaze signals his recurring desire to dissolve his gentry identity into peasant life.

The old man's dialogue functions as a choral commentary. His simile — 'It's tea, not hay!' — is a small masterpiece of vernacular poetry, capturing the quality of the dried grass through sensory analogy while also expressing a peasant's unsentimental pleasure in good work and good weather. His tender pride in his son and the gentle questions about marriage and children draw Levin into a brief, warm human exchange that contrasts sharply with the adversarial tone of the hay dispute. The conversation is also structurally preparatory: it directs Levin's attention toward Ivan Parmenov and his wife.

The description of Ivan and his wife loading the cart is one of the novel's most celebrated passages of embodied love. Tolstoy renders the young wife's movements with extraordinary physical precision — the lean of her body, the bend at the back, the arch of her bosom, the smart turn of the fork — not to eroticize her but to show how labor and love are fused in her. Every gesture is simultaneously efficient and beautiful; her husband's reciprocal haste to spare her effort is a form of tenderness expressed through work rather than words. The phrase 'vigorous, young, freshly awakened love' closes the chapter as an interpretive statement, but the power of the passage lies in how completely Tolstoy has already shown rather than told that love through bodily action.

Thematically, the chapter anticipates Levin's later crisis of meaning. He is a man of property who cannot fully inhabit property relations, and a man of intellect who finds his deepest satisfaction in scenes of instinctive, physical, communal life. The juxtaposition of the dishonest hay division and the luminous image of the Parmenov couple encapsulates the novel's persistent question about where authentic existence is to be found — in the management of estates and the assertion of rights, or in the wordless, embodied rhythms of love and work.

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