Anna Karenina Study Guide
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Part Seven, Chapter 1

Chapter Summary

Three months into the Levins' stay in Moscow, Kitty's confinement is overdue, yet she alone remains serene and joyful, already feeling a distinct love for her unborn child. Levin, by contrast, is restless and out of place in the city, unable to find meaningful occupation and ill at ease in society, though Kitty privately admires how attractive he appears to others.

A significant event occurs when Kitty unexpectedly meets Vronsky at her godmother Princess Marya Borissovna's home. She manages the encounter with composure, exchanging only brief pleasantries before turning away. When she tells Levin, he flushes more than she did, but her candid account reassures him, and he resolves to treat Vronsky as a friendly acquaintance rather than an enemy.

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Original Text
The Levins had been three months in Moscow. The date had long passed on which, according to the most trustworthy calculations of people learned in such matters, Kitty should have been confined. But she was still about, and there was nothing to show that her time was any nearer than two months ago. The doctor, the monthly nurse, and Dolly and her mother, and most of all Levin, who could not think of the approaching event without terror, began to be impatient and uneasy. Kitty was the only person who felt perfectly calm and happy. She was distinctly conscious now of the birth of a new feeling of love for the future child, for her to some extent actually existing already, and she brooded blissfully over this feeling. He was not by now altogether a part of herself, but sometimes lived his own life independently of her. Often this separate being gave her pain, but at the same time she wanted to laugh with a strange new joy. All the people she loved were with her, and all were so good to her, so attentively caring for her, so entirely pleasant was everything presented to her, that if she had not known and felt that it must all soon be over, she could not have wished for a better and pleasanter life. The only thing that spoiled the charm of this manner of life was that her husband was not here as she loved him to be, and as he was in the country. She liked his serene, friendly, and hospitable manner in the country. In the town he seemed continually uneasy and on his guard, as though he were afraid someone would be rude to him, and still more to her. At home in the country, knowing himself distinctly to be in his right place, he was never in haste to be off elsewhere. He was never unoccupied. Here in town he was in a continual hurry, as though afraid of missing something, and yet he had nothing to do. And she felt sorry for him. To others, she knew, he did not appear an object of pity. On the contrary, when Kitty looked at him in society, as one sometimes looks at those one loves, trying to see him as if he were a stranger, so as to catch the impression he must make on others, she saw with a panic even of jealous fear that he was far indeed from being a pitiable figure, that he was very attractive with his fine breeding, his rather old-fashioned, reserved courtesy with women, his powerful figure, and striking, as she thought, and expressive face. But she saw him not from without, but from within; she saw that here he was not himself; that was the only way she could define his condition to herself. Sometimes she inwardly reproached him for his inability to live in the town; sometimes she recognized that it was really hard for him to order his life here so that he could be satisfied with it. What had he to do, indeed? He did not care for cards; he did not go to a club. Spending the time with jovial gentlemen of Oblonsky’s type—she knew now what that meant ... it meant drinking and going somewhere after drinking. She could not think without horror of where men went on such occasions. Was he to go into society? But she knew he could only find satisfaction in that if he took pleasure in the society of young women, and that she could not wish for. Should he stay at home with her, her mother and her sisters? But much as she liked and enjoyed their conversations forever on the same subjects—“Aline-Nadine,” as the old prince called the sisters’ talks—she knew it must bore him. What was there left for him to do? To go on writing at his book he had indeed attempted, and at first he used to go to the library and make extracts and look up references for his book. But, as he told her, the more he did nothing, the less time he had to do anything. And besides, he complained that he had talked too much about his book here, and that consequently all his ideas about it were muddled and had lost their interest for him. One advantage in this town life was that quarrels hardly ever happened between them here in town. Whether it was that their conditions were different, or that they had both become more careful and sensible in that respect, they had no quarrels in Moscow from jealousy, which they had so dreaded when they moved from the country. One event, an event of great importance to both from that point of view, did indeed happen—that was Kitty’s meeting with Vronsky. The old Princess Marya Borissovna, Kitty’s godmother, who had always been very fond of her, had insisted on seeing her. Kitty, though she did not go into society at all on account of her condition, went with her father to see the venerable old lady, and there met Vronsky. The only thing Kitty could reproach herself for at this meeting was that at the instant when she recognized in his civilian dress the features once so familiar to her, her breath failed her, the blood rushed to her heart, and a vivid blush—she felt it—overspread her face. But this lasted only a few seconds. Before her father, who purposely began talking in a loud voice to Vronsky, had finished, she was perfectly ready to look at Vronsky, to speak to him, if necessary, exactly as she spoke to Princess Marya Borissovna, and more than that, to do so in such a way that everything to the faintest intonation and smile would have been approved by her husband, whose unseen presence she seemed to feel about her at that instant. She said a few words to him, even smiled serenely at his joke about the elections, which he called “our parliament.” (She had to smile to show she saw the joke.) But she turned away immediately to Princess Marya Borissovna, and did not once glance at him till he got up to go; then she looked at him, but evidently only because it would be uncivil not to look at a man when he is saying good-bye. She was grateful to her father for saying nothing to her about their meeting Vronsky, but she saw by his special warmth to her after the visit during their usual walk that he was pleased with her. She was pleased with herself. She had not expected she would have had the power, while keeping somewhere in the bottom of her heart all the memories of her old feeling for Vronsky, not only to seem but to be perfectly indifferent and composed with him. Levin flushed a great deal more than she when she told him she had met Vronsky at Princess Marya Borissovna’s. It was very hard for her to tell him this, but still harder to go on speaking of the details of the meeting, as he did not question her, but simply gazed at her with a frown. “I am very sorry you weren’t there,” she said. “Not that you weren’t in the room ... I couldn’t have been so natural in your presence ... I am blushing now much more, much, much more,” she said, blushing till the tears came into her eyes. “But that you couldn’t see through a crack.” The truthful eyes told Levin that she was satisfied with herself, and in spite of her blushing he was quickly reassured and began questioning her, which was all she wanted. When he had heard everything, even to the detail that for the first second she could not help flushing, but that afterwards she was just as direct and as much at her ease as with any chance acquaintance, Levin was quite happy again and said he was glad of it, and would not now behave as stupidly as he had done at the election, but would try the first time he met Vronsky to be as friendly as possible. “It’s so wretched to feel that there’s a man almost an enemy whom it’s painful to meet,” said Levin. “I’m very, very glad.”
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This opening chapter of Part Seven establishes a careful domestic counterpoint: Kitty's inner fullness and calm stand in deliberate contrast to Levin's urban dislocation. Tolstoy structures the chapter so that Kitty's pregnancy becomes a metaphor for organic completeness—she carries new life and therefore needs nothing external to feel whole—while Levin, severed from the land and purposeful labour that define him, is rendered hollow and anxious. The country/city opposition, one of the novel's governing structural binaries, is here rendered not through spectacle but through the quiet texture of daily life: card-playing, club visits, drawing-room talk.

The Vronsky episode is handled with remarkable psychological precision. Tolstoy tracks Kitty's physical response—the rush of blood, the blush—before showing her conscious will reassert control within seconds. The phrase "whose unseen presence she seemed to feel about her at that instant" is crucial: Levin functions as an internalised moral compass, and Kitty's fidelity is not merely social performance but a genuine reorientation of desire. This is character development through self-mastery, and it marks how far Kitty has travelled from the girl who was devastated by Vronsky's rejection in Part One.

The scene also illuminates Tolstoy's treatment of jealousy and trust. The irony that Levin blushes more than Kitty inverts conventional gender expectations and signals that his insecurity is the greater vulnerability. Yet Kitty's transparency—her wish that he could have watched "through a crack"—disarms jealousy through radical honesty rather than concealment. Tolstoy implies that marital intimacy is sustained not by the absence of a past but by the courage to narrate it.

The chapter's narrative function within the novel as a whole is preparatory and tonal. By establishing Levin's purposelessness in Moscow and the couple's emotional equilibrium, Tolstoy creates a stable domestic baseline against which the accelerating tragedy of Anna's storyline will be measured. The brief, almost throwaway reference to Levin's abandoned book—ideas "muddled and lost their interest"—foreshadows the philosophical crisis that will occupy him later in the novel, connecting intellectual paralysis to urban alienation.

Stylistically, Tolstoy employs free indirect discourse with exceptional fluency, moving between Kitty's consciousness and an external narratorial perspective without marked transitions. The parenthetical aside "(She had to smile to show she saw the joke)" is a miniature masterpiece of this technique: it captures the gap between social performance and inner life that defines so much of the novel's moral world, and quietly distinguishes Kitty's controlled civility from Anna's inability to maintain such a gap.

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