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Part Three, Chapter 1

Chapter Summary

Sergey Ivanovitch Koznishev, a prominent intellectual, arrives at his younger brother Konstantin Levin's estate for a summer rest. Though Levin is glad to receive him, a quiet friction quickly emerges: Sergey views the country as a restorative retreat and the peasants as an abstract social category to be admired from a distance, while Levin experiences the land as the living substance of his existence and the peasants as inseparable working partners.

The narrator contrasts the two brothers at length. Sergey wins every argument about the peasantry because his opinions are fixed and systematic, whereas Levin's are fluid and contradictory. Levin privately suspects that his brother's celebrated public-spiritedness is not genuine feeling but a product of intellectual reasoning, no more heartfelt than an interest in chess. The chapter closes with small comic vignettes of Sergey lounging in the sun while an impatient Levin slips away to supervise the farm work.

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Original Text
Sergey Ivanovitch Koznishev wanted a rest from mental work, and instead of going abroad as he usually did, he came towards the end of May to stay in the country with his brother. In his judgment the best sort of life was a country life. He had come now to enjoy such a life at his brother’s. Konstantin Levin was very glad to have him, especially as he did not expect his brother Nikolay that summer. But in spite of his affection and respect for Sergey Ivanovitch, Konstantin Levin was uncomfortable with his brother in the country. It made him uncomfortable, and it positively annoyed him to see his brother’s attitude to the country. To Konstantin Levin the country was the background of life, that is of pleasures, endeavors, labor. To Sergey Ivanovitch the country meant on one hand rest from work, on the other a valuable antidote to the corrupt influences of town, which he took with satisfaction and a sense of its utility. To Konstantin Levin the country was good first because it afforded a field for labor, of the usefulness of which there could be no doubt. To Sergey Ivanovitch the country was particularly good, because there it was possible and fitting to do nothing. Moreover, Sergey Ivanovitch’s attitude to the peasants rather piqued Konstantin. Sergey Ivanovitch used to say that he knew and liked the peasantry, and he often talked to the peasants, which he knew how to do without affectation or condescension, and from every such conversation he would deduce general conclusions in favor of the peasantry and in confirmation of his knowing them. Konstantin Levin did not like such an attitude to the peasants. To Konstantin the peasant was simply the chief partner in their common labor, and in spite of all the respect and the love, almost like that of kinship, he had for the peasant—sucked in probably, as he said himself, with the milk of his peasant nurse—still as a fellow-worker with him, while sometimes enthusiastic over the vigor, gentleness, and justice of these men, he was very often, when their common labors called for other qualities, exasperated with the peasant for his carelessness, lack of method, drunkenness, and lying. If he had been asked whether he liked or didn’t like the peasants, Konstantin Levin would have been absolutely at a loss what to reply. He liked and did not like the peasants, just as he liked and did not like men in general. Of course, being a good-hearted man, he liked men rather than he disliked them, and so too with the peasants. But like or dislike “the people” as something apart he could not, not only because he lived with “the people,” and all his interests were bound up with theirs, but also because he regarded himself as a part of “the people,” did not see any special qualities or failings distinguishing himself and “the people,” and could not contrast himself with them. Moreover, although he had lived so long in the closest relations with the peasants, as farmer and arbitrator, and what was more, as adviser (the peasants trusted him, and for thirty miles round they would come to ask his advice), he had no definite views of “the people,” and would have been as much at a loss to answer the question whether he knew “the people” as the question whether he liked them. For him to say he knew the peasantry would have been the same as to say he knew men. He was continually watching and getting to know people of all sorts, and among them peasants, whom he regarded as good and interesting people, and he was continually observing new points in them, altering his former views of them and forming new ones. With Sergey Ivanovitch it was quite the contrary. Just as he liked and praised a country life in comparison with the life he did not like, so too he liked the peasantry in contradistinction to the class of men he did not like, and so too he knew the peasantry as something distinct from and opposed to men generally. In his methodical brain there were distinctly formulated certain aspects of peasant life, deduced partly from that life itself, but chiefly from contrast with other modes of life. He never changed his opinion of the peasantry and his sympathetic attitude towards them. In the discussions that arose between the brothers on their views of the peasantry, Sergey Ivanovitch always got the better of his brother, precisely because Sergey Ivanovitch had definite ideas about the peasant—his character, his qualities, and his tastes. Konstantin Levin had no definite and unalterable idea on the subject, and so in their arguments Konstantin was readily convicted of contradicting himself. In Sergey Ivanovitch’s eyes his younger brother was a capital fellow, with his heart in the right place (as he expressed it in French), but with a mind which, though fairly quick, was too much influenced by the impressions of the moment, and consequently filled with contradictions. With all the condescension of an elder brother he sometimes explained to him the true import of things, but he derived little satisfaction from arguing with him because he got the better of him too easily. Konstantin Levin regarded his brother as a man of immense intellect and culture, as generous in the highest sense of the word, and possessed of a special faculty for working for the public good. But in the depths of his heart, the older he became, and the more intimately he knew his brother, the more and more frequently the thought struck him that this faculty of working for the public good, of which he felt himself utterly devoid, was possibly not so much a quality as a lack of something—not a lack of good, honest, noble desires and tastes, but a lack of vital force, of what is called heart, of that impulse which drives a man to choose someone out of the innumerable paths of life, and to care only for that one. The better he knew his brother, the more he noticed that Sergey Ivanovitch, and many other people who worked for the public welfare, were not led by an impulse of the heart to care for the public good, but reasoned from intellectual considerations that it was a right thing to take interest in public affairs, and consequently took interest in them. Levin was confirmed in this generalization by observing that his brother did not take questions affecting the public welfare or the question of the immortality of the soul a bit more to heart than he did chess problems, or the ingenious construction of a new machine. Besides this, Konstantin Levin was not at his ease with his brother, because in summer in the country Levin was continually busy with work on the land, and the long summer day was not long enough for him to get through all he had to do, while Sergey Ivanovitch was taking a holiday. But though he was taking a holiday now, that is to say, he was doing no writing, he was so used to intellectual activity that he liked to put into concise and eloquent shape the ideas that occurred to him, and liked to have someone to listen to him. His most usual and natural listener was his brother. And so in spite of the friendliness and directness of their relations, Konstantin felt an awkwardness in leaving him alone. Sergey Ivanovitch liked to stretch himself on the grass in the sun, and to lie so, basking and chatting lazily. “You wouldn’t believe,” he would say to his brother, “what a pleasure this rural laziness is to me. Not an idea in one’s brain, as empty as a drum!” But Konstantin Levin found it dull sitting and listening to him, especially when he knew that while he was away they would be carting dung onto the fields not ploughed ready for it, and heaping it all up anyhow; and would not screw the shares in the ploughs, but would let them come off and then say that the new ploughs were a silly invention, and there was nothing like the old Andreevna plough, and so on. “Come, you’ve done enough trudging about in the heat,” Sergey Ivanovitch would say to him. “No, I must just run round to the counting-house for a minute,” Levin would answer, and he would run off to the fields.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This opening chapter of Part Three functions as a character contrast, a device Tolstoy deploys with almost essayistic directness. Rather than dramatising the brothers' difference through action, the narrator articulates it in discursive prose, creating a philosophical diptych. Sergey Ivanovitch represents the intelligentsia—systematic, abstract, publicly celebrated—while Konstantin Levin embodies an organic, embodied relationship to land and labour. The contrast is not simply temperamental; it is epistemological. Sergey knows the peasants as a category; Levin cannot even answer whether he knows them, because for him they are not a category but a lived continuum of self.

Tolstoy's treatment of intellectual versus instinctual knowledge is central here. Levin's inability to win arguments is presented as a moral advantage rather than a deficiency: his contradictions arise from genuine, ever-revised experience, while Sergey's consistency is the consistency of a closed system. The narrator's irony is subtle but persistent—Sergey's peasant conversations are praised for lacking 'affectation or condescension,' yet the very fact that he 'deduces general conclusions' from them exposes the condescension of the sociologist's gaze.

The chapter also introduces the novel's sustained meditation on authenticity of feeling versus performance of virtue. Levin's private suspicion—that his brother's public-spiritedness is 'not so much a quality as a lack of something'—anticipates the novel's broader scepticism about reformist liberalism. The comparison of Sergey's concern for public welfare to his interest in 'chess problems' is a devastating deflation, reducing idealism to mere intellectual recreation. This foreshadows Levin's own spiritual crisis in the later parts of the novel, where he will seek a basis for goodness that is felt rather than reasoned.

Structurally, the chapter establishes the country estate as a moral testing ground. The estate is not pastoral backdrop but the site where characters' true orientations are revealed. Sergey's holiday idleness and Levin's compulsive industry are not merely personality quirks; they encode opposed philosophies of life. Tolstoy's language reinforces this: Sergey 'basking and chatting lazily' is rendered in the vocabulary of pleasant superficiality, while Levin's anxiety about 'carting dung onto the fields' and screwing 'the shares in the ploughs' is rendered with the specificity of genuine care.

Finally, the chapter's narrative voice deserves attention. Tolstoy employs free indirect discourse to inhabit both brothers' perspectives, yet the sympathies clearly tilt toward Levin. The elder brother's condescension—explaining 'the true import of things' in French, finding argument too easy—is rendered with a cool irony that undermines his authority. This partial alignment of narrator with Levin prepares the reader to trust Levin's instinctive, inarticulate wisdom over Sergey's polished certainties throughout the novel.

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✎ Mr. Shifflett's Note
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