Anna Karenina Study Guide
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Part Eight, Chapter 13

Chapter Summary

Levin recalls watching Dolly's children recklessly cook raspberries and squirt milk, heedless of their mother's warnings about wasting what sustains them. He draws a parallel between their oblivious destruction of necessities and his own years of philosophical searching for a meaning of life he already possessed through faith.

Lying in a field gazing at the sky, Levin reasons that just as the children would perish without the provisions they take for granted, humanity cannot construct moral life without God and the idea of goodness. He acknowledges that his knowledge of faith comes not through reason but through revelation and the heart, and despite residual doubts about specific church doctrines, he arrives at a moment of tearful, grateful belief.

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Original Text
And Levin remembered a scene he had lately witnessed between Dolly and her children. The children, left to themselves, had begun cooking raspberries over the candles and squirting milk into each other’s mouths with a syringe. Their mother, catching them at these pranks, began reminding them in Levin’s presence of the trouble their mischief gave to the grown-up people, and that this trouble was all for their sake, and that if they smashed the cups they would have nothing to drink their tea out of, and that if they wasted the milk, they would have nothing to eat, and die of hunger. And Levin had been struck by the passive, weary incredulity with which the children heard what their mother said to them. They were simply annoyed that their amusing play had been interrupted, and did not believe a word of what their mother was saying. They could not believe it indeed, for they could not take in the immensity of all they habitually enjoyed, and so could not conceive that what they were destroying was the very thing they lived by. “That all comes of itself,” they thought, “and there’s nothing interesting or important about it because it has always been so, and always will be so. And it’s all always the same. We’ve no need to think about that, it’s all ready. But we want to invent something of our own, and new. So we thought of putting raspberries in a cup, and cooking them over a candle, and squirting milk straight into each other’s mouths. That’s fun, and something new, and not a bit worse than drinking out of cups.” “Isn’t it just the same that we do, that I did, searching by the aid of reason for the significance of the forces of nature and the meaning of the life of man?” he thought. “And don’t all the theories of philosophy do the same, trying by the path of thought, which is strange and not natural to man, to bring him to a knowledge of what he has known long ago, and knows so certainly that he could not live at all without it? Isn’t it distinctly to be seen in the development of each philosopher’s theory, that he knows what is the chief significance of life beforehand, just as positively as the peasant Fyodor, and not a bit more clearly than he, and is simply trying by a dubious intellectual path to come back to what everyone knows? “Now then, leave the children to themselves to get things alone and make their crockery, get the milk from the cows, and so on. Would they be naughty then? Why, they’d die of hunger! Well, then, leave us with our passions and thoughts, without any idea of the one God, of the Creator, or without any idea of what is right, without any idea of moral evil. “Just try and build up anything without those ideas! “We only try to destroy them, because we’re spiritually provided for. Exactly like the children! “Whence have I that joyful knowledge, shared with the peasant, that alone gives peace to my soul? Whence did I get it? “Brought up with an idea of God, a Christian, my whole life filled with the spiritual blessings Christianity has given me, full of them, and living on those blessings, like the children I did not understand them, and destroy, that is try to destroy, what I live by. And as soon as an important moment of life comes, like the children when they are cold and hungry, I turn to Him, and even less than the children when their mother scolds them for their childish mischief, do I feel that my childish efforts at wanton madness are reckoned against me. “Yes, what I know, I know not by reason, but it has been given to me, revealed to me, and I know it with my heart, by faith in the chief thing taught by the church. “The church! the church!” Levin repeated to himself. He turned over on the other side, and leaning on his elbow, fell to gazing into the distance at a herd of cattle crossing over to the river. “But can I believe in all the church teaches?” he thought, trying himself, and thinking of everything that could destroy his present peace of mind. Intentionally he recalled all those doctrines of the church which had always seemed most strange and had always been a stumbling block to him. “The Creation? But how did I explain existence? By existence? By nothing? The devil and sin. But how do I explain evil?... The atonement?... “But I know nothing, nothing, and I can know nothing but what has been told to me and all men.” And it seemed to him that there was not a single article of faith of the church which could destroy the chief thing—faith in God, in goodness, as the one goal of man’s destiny. Under every article of faith of the church could be put the faith in the service of truth instead of one’s desires. And each doctrine did not simply leave that faith unshaken, each doctrine seemed essential to complete that great miracle, continually manifest upon earth, that made it possible for each man and millions of different sorts of men, wise men and imbeciles, old men and children—all men, peasants, Lvov, Kitty, beggars and kings to understand perfectly the same one thing, and to build up thereby that life of the soul which alone is worth living, and which alone is precious to us. Lying on his back, he gazed up now into the high, cloudless sky. “Do I not know that that is infinite space, and that it is not a round arch? But, however I screw up my eyes and strain my sight, I cannot see it not round and not bounded, and in spite of my knowing about infinite space, I am incontestably right when I see a solid blue dome, and more right than when I strain my eyes to see beyond it.” Levin ceased thinking, and only, as it were, listened to mysterious voices that seemed talking joyfully and earnestly within him. “Can this be faith?” he thought, afraid to believe in his happiness. “My God, I thank Thee!” he said, gulping down his sobs, and with both hands brushing away the tears that filled his eyes.
Source text: Project Gutenberg #1399. Public domain worldwide. Translated by Constance Garnett (1901)
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This chapter marks the culmination of Levin's spiritual crisis, functioning as the novel's philosophical climax. Tolstoy structures the entire passage as an extended interior monologue, moving Levin from analogy to self-interrogation to epiphany. The shift from third-person narration into free indirect discourse and then into direct quoted thought enacts formally the very inward turn the chapter describes: reason gives way to something deeper, and the narrative voice mirrors that surrender.

The children's parable is the chapter's governing analogy and its most carefully constructed device. The children's inability to comprehend the infrastructure of their own lives — milk, cups, warmth — mirrors Levin's earlier philosophical restlessness. Tolstoy uses the parable to argue that rational inquiry is itself a kind of privileged mischief: it is only possible because the seeker is already sustained by the very truths he presumes to question. The irony is gentle but pointed; the philosopher, like the child, mistakes novelty for profundity.

Levin's catalogue of church doctrines he cannot fully accept — Creation, the devil, the Atonement — is significant precisely because Tolstoy does not resolve these doubts. Instead, Levin concludes that no single article of faith can undermine the core conviction in God and goodness as humanity's goal. This is a characteristically Tolstoyan move: institutional religion is subordinated to an ethical, experiential faith, one shared equally by the peasant Fyodor and by kings, by the wise and the simple. The universality of this faith is Tolstoy's answer to the social fragmentation dramatised throughout the novel.

The sky image near the chapter's close is one of the novel's most resonant symbols. Levin acknowledges the scientific truth of infinite space yet insists on the experiential truth of the blue dome he sees. This epistemological paradox — knowing one thing intellectually while perceiving another with equal certainty — encapsulates Tolstoy's broader argument that lived knowledge and rational knowledge occupy different but equally valid registers. The dome is not a delusion; it is a different kind of truth.

The chapter closes with Levin's tears and prayer, a moment of catharsis that deliberately echoes the emotional register of Anna's tragedy while inverting its trajectory. Where Anna's story ends in destruction, Levin's ends in gratitude. The juxtaposition across the novel's final section suggests that Tolstoy sees faith and connectedness as the only viable counter-force to the alienation and self-destructive passion Anna embodies. Levin's happiness is not triumphant but fragile, qualified by the word 'afraid' — a psychologically honest note that keeps the resolution from becoming mere didacticism.

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